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Constructing crime[electronic resour...
~
Gregoriou, Christiana, (1978-)
Constructing crime[electronic resource] :discourse and cultural representations of crime and 'deviance' /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
杜威分類號:
364
書名/作者:
Constructing crime : discourse and cultural representations of crime and 'deviance' // edited by Christiana Gregoriou.
其他作者:
Gregoriou, Christiana,
出版者:
Basingstoke : : Palgrave Macmillan,, 2012.
面頁冊數:
1 online resource (1 v.) : : ill.
附註:
Includes index.
標題:
Crime in popular culture.
標題:
Crime in literature.
標題:
Criminals in literature.
標題:
SOCIAL SCIENCE / Criminology
ISBN:
9780230392083 (electronic bk.)
ISBN:
0230392083 (electronic bk.)
書目註:
Includes bibliographical references and index.
內容註:
Editor Preface -- Notes on Contributors -- PART I: CONSTRUCTING CRIMINAL FACTS -- The Devil Drives a Lada: The Social Construction of Hackers as the Cybercriminal; D.S.Wall -- Scanning Bodies, Stripping Rights? How do UK's Media Discourses Portray Airport Security Measures?; C.Gregoriou & P.Troullinou -- Narrative and Historical Truth in Delayed Civil Actions for Child Abuse; T.Ward -- The Edgier Waters of the Era: Gordon Burn's Somebody's Husband, Somebody's Son; M.Colebrook -- PART II: CONSTRUCTING CRIMINAL FICTIONS -- Cogito ergo sum: Criminal Logic and Mad-Discourse in Shutter Island; M.E.Iwen -- 'ARMAGGEDON WAS YESTERDAY- TODAY WE HAVE A SERIOUS PROBLEM': Pre- and post- millennial Tropes for Crime and Criminality in Fiction by David Peace and Stieg Larsson; R.Brown -- 'It's a sin [...] Using Ludwig van like that. He did no harm to anyone, Beethoven just wrote music': The Role of the Incongruent Soundtrack in the Representation of the Cinematic Criminal; D.Ireland -- Criminal Publication and Victorian Prefaces: Suspending Disbelief in Sensation Fiction; M.Effron -- PART III: CONSTRUCTING SOCIAL IDENTITIES AND WRONGDOINGS -- Crime through a Corpus: The Linguistic Construction of Offenders in the British Press; U.Tabbert -- Popular Faces of Crime in Spain; A.Sinclair -- Reinventing the Badman in Jamaican Fiction and Film; L.Evans -- Neurotecs: Detectives, Disability and Cognitive Exceptionality in Contemporary Fiction; S.Murray -- PART IV: CONSTRUCTING GENDERED CRIME -- Engendering Violence: Textual and Sexual Torture in Val McDermid's The Mermaids Singing; K.Watson -- Life of Crime: Feminist Crime/Life Writing in Sara Paretsky, Writing in an Age of Silence, P.D. James, Time to be in Earnest: A Fragment of Autobiography, and Val McDermid, A Suitable Job for a Woman: Inside the World of Women Private Eyes; C.Beyer -- Understanding Aileen Wuornos: Pushing the Limits of Empathy; M.Koolen.
摘要、提要註:
Crime and criminals are a pervasive theme in all areas of our culture, including media, journalism, film and literature. Drawn from a range of areas including Spanish, English Language and Literature, Music, Criminology, Gender, Law, Cultural and Criminal Justice Studies, the contributors in this cross-disciplinary collection explore how crime is constructed and culturally represented. The essays explore the ways criminal discourses needlessly construct myths, generate fear and panic, and even hinder our personal freedoms and rights. They examine popular crime fiction and culture, and look at the ways identities are constructed in narratives of crime from across different ages and cultural contexts. Finally, the book addresses how crime can bring to light taboos, stereotypes and schemata relating to gender and sexuality.
電子資源:
An electronic book accessible through the World Wide Web; click for information
Constructing crime[electronic resource] :discourse and cultural representations of crime and 'deviance' /
Constructing crime
discourse and cultural representations of crime and 'deviance' /[electronic resource] :edited by Christiana Gregoriou. - Basingstoke :Palgrave Macmillan,2012. - 1 online resource (1 v.) :ill.
Includes index.
Includes bibliographical references and index.
Editor Preface -- Notes on Contributors -- PART I: CONSTRUCTING CRIMINAL FACTS -- The Devil Drives a Lada: The Social Construction of Hackers as the Cybercriminal; D.S.Wall -- Scanning Bodies, Stripping Rights? How do UK's Media Discourses Portray Airport Security Measures?; C.Gregoriou & P.Troullinou -- Narrative and Historical Truth in Delayed Civil Actions for Child Abuse; T.Ward -- The Edgier Waters of the Era: Gordon Burn's Somebody's Husband, Somebody's Son; M.Colebrook -- PART II: CONSTRUCTING CRIMINAL FICTIONS -- Cogito ergo sum: Criminal Logic and Mad-Discourse in Shutter Island; M.E.Iwen -- 'ARMAGGEDON WAS YESTERDAY- TODAY WE HAVE A SERIOUS PROBLEM': Pre- and post- millennial Tropes for Crime and Criminality in Fiction by David Peace and Stieg Larsson; R.Brown -- 'It's a sin [...] Using Ludwig van like that. He did no harm to anyone, Beethoven just wrote music': The Role of the Incongruent Soundtrack in the Representation of the Cinematic Criminal; D.Ireland -- Criminal Publication and Victorian Prefaces: Suspending Disbelief in Sensation Fiction; M.Effron -- PART III: CONSTRUCTING SOCIAL IDENTITIES AND WRONGDOINGS -- Crime through a Corpus: The Linguistic Construction of Offenders in the British Press; U.Tabbert -- Popular Faces of Crime in Spain; A.Sinclair -- Reinventing the Badman in Jamaican Fiction and Film; L.Evans -- Neurotecs: Detectives, Disability and Cognitive Exceptionality in Contemporary Fiction; S.Murray -- PART IV: CONSTRUCTING GENDERED CRIME -- Engendering Violence: Textual and Sexual Torture in Val McDermid's The Mermaids Singing; K.Watson -- Life of Crime: Feminist Crime/Life Writing in Sara Paretsky, Writing in an Age of Silence, P.D. James, Time to be in Earnest: A Fragment of Autobiography, and Val McDermid, A Suitable Job for a Woman: Inside the World of Women Private Eyes; C.Beyer -- Understanding Aileen Wuornos: Pushing the Limits of Empathy; M.Koolen.
Crime and criminals are a pervasive theme in all areas of our culture, including media, journalism, film and literature. Drawn from a range of areas including Spanish, English Language and Literature, Music, Criminology, Gender, Law, Cultural and Criminal Justice Studies, the contributors in this cross-disciplinary collection explore how crime is constructed and culturally represented. The essays explore the ways criminal discourses needlessly construct myths, generate fear and panic, and even hinder our personal freedoms and rights. They examine popular crime fiction and culture, and look at the ways identities are constructed in narratives of crime from across different ages and cultural contexts. Finally, the book addresses how crime can bring to light taboos, stereotypes and schemata relating to gender and sexuality.
ISBN: 9780230392083 (electronic bk.)Subjects--Topical Terms:
440462
Crime in popular culture.
Index Terms--Genre/Form:
336502
Electronic books.
LC Class. No.: HV6030 / .C66 2012
Dewey Class. No.: 364
Constructing crime[electronic resource] :discourse and cultural representations of crime and 'deviance' /
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Editor Preface -- Notes on Contributors -- PART I: CONSTRUCTING CRIMINAL FACTS -- The Devil Drives a Lada: The Social Construction of Hackers as the Cybercriminal; D.S.Wall -- Scanning Bodies, Stripping Rights? How do UK's Media Discourses Portray Airport Security Measures?; C.Gregoriou & P.Troullinou -- Narrative and Historical Truth in Delayed Civil Actions for Child Abuse; T.Ward -- The Edgier Waters of the Era: Gordon Burn's Somebody's Husband, Somebody's Son; M.Colebrook -- PART II: CONSTRUCTING CRIMINAL FICTIONS -- Cogito ergo sum: Criminal Logic and Mad-Discourse in Shutter Island; M.E.Iwen -- 'ARMAGGEDON WAS YESTERDAY- TODAY WE HAVE A SERIOUS PROBLEM': Pre- and post- millennial Tropes for Crime and Criminality in Fiction by David Peace and Stieg Larsson; R.Brown -- 'It's a sin [...] Using Ludwig van like that. He did no harm to anyone, Beethoven just wrote music': The Role of the Incongruent Soundtrack in the Representation of the Cinematic Criminal; D.Ireland -- Criminal Publication and Victorian Prefaces: Suspending Disbelief in Sensation Fiction; M.Effron -- PART III: CONSTRUCTING SOCIAL IDENTITIES AND WRONGDOINGS -- Crime through a Corpus: The Linguistic Construction of Offenders in the British Press; U.Tabbert -- Popular Faces of Crime in Spain; A.Sinclair -- Reinventing the Badman in Jamaican Fiction and Film; L.Evans -- Neurotecs: Detectives, Disability and Cognitive Exceptionality in Contemporary Fiction; S.Murray -- PART IV: CONSTRUCTING GENDERED CRIME -- Engendering Violence: Textual and Sexual Torture in Val McDermid's The Mermaids Singing; K.Watson -- Life of Crime: Feminist Crime/Life Writing in Sara Paretsky, Writing in an Age of Silence, P.D. James, Time to be in Earnest: A Fragment of Autobiography, and Val McDermid, A Suitable Job for a Woman: Inside the World of Women Private Eyes; C.Beyer -- Understanding Aileen Wuornos: Pushing the Limits of Empathy; M.Koolen.
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Crime and criminals are a pervasive theme in all areas of our culture, including media, journalism, film and literature. Drawn from a range of areas including Spanish, English Language and Literature, Music, Criminology, Gender, Law, Cultural and Criminal Justice Studies, the contributors in this cross-disciplinary collection explore how crime is constructed and culturally represented. The essays explore the ways criminal discourses needlessly construct myths, generate fear and panic, and even hinder our personal freedoms and rights. They examine popular crime fiction and culture, and look at the ways identities are constructed in narratives of crime from across different ages and cultural contexts. Finally, the book addresses how crime can bring to light taboos, stereotypes and schemata relating to gender and sexuality.
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