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British silent cinema and the Great War[electronic resource] /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	791.43/63582821
書名/作者:	British silent cinema and the Great War/ edited by Michael Hammond, Michael Williams.
其他作者:	Hammond, Michael,
出版者:	Houndmills, Basingstoke, Hampshire ; : Palgrave Macmillan,, 2011.
面頁冊數:	1 online resource.
標題:	World War, 1914-1918 - Motion pictures and the war.
標題:	Silent films - History and criticism. - Great Britain
標題:	Historical films - History and criticism. - Great Britain
標題:	Motion pictures - History - 20th century. - Great Britain
標題:	PERFORMING ARTS - Film & Video
標題:	HISTORY - Military
標題:	HISTORY - Modern
標題:	ART - Film & Video.
標題:	PERFORMING ARTS - Film & Video
ISBN:	9780230321663 (electronic bk.)
ISBN:	0230321666 (electronic bk.)
ISBN:	9780230292628 (Cloth)
ISBN:	0230292623 (Cloth)
ISBN:	9786613317940
ISBN:	6613317942
書目註:	Includes bibliographical references and index.
內容註:	Introduction: Goodbye to All That or Business As Usual? History and Memory of the Great War in British Cinema; M. Hammond & M. Williams -- PART I: THE WAR -- The Battle of the Somme (1916) as Industrial Process Film; M. Hammond -- British and Colonial: What the Company Did in the Great War; G. Turvey -- 'Improper Practices' in Great War British Cinemas; P. Moody -- 'Shells, Shots and Shrapnel': Picture-goer Goes to War; J. Bryan -- PART II: AFTERMATH: MEMORY AND MEMORIAL -- 'A Victory and a Defeat as Glorious as a Victory': The Battles of the Coronel and Falkland Islands (Walter Summers, 1927); A. Sargeant -- Remembering the Great War in 1920s British Cinema; C. Gledhill -- Remembrance, Re-membering, and Recollection: Walter Summers and the British War Film of the 1920s; L. Napper -- 'Fire, Blood and Steel': Memory and Spectacle in The Guns of Loos (Sinclair Hill, 1928); M. Williams -- PART III: NOTES FROM THE ARCHIVE -- Hello to All This: Music, Memory and Re-visiting the Great War; N. Brand -- The Dead, Battlefield Burials and the Unveiling of War Memorials in Films of the Great War Era; T. Haggith -- Anticipating the Blitz Spirit in First World War Propaganda Film: Evidence in the Imperial War Museum Archive; R. Smither -- 'How Shall We Look Again'?: Revisiting the Archive in British Silent Film and the Great War; B. Dixon & L. Porter -- Bibliography -- Index --
摘要、提要註:	This book presents a unique insight into an extraordinary period of European history that had far-reaching significance for British cinema and�for the way history itself�is represented. The work collected in this volume draws from the best knowledge, enthusiasm and critical insight of leading scholars, archivists and historians specialising in British cinema. The editors are experts in the field of British silent cinema; in particular, its complex relationship to the Great War and its afterimage in popular culture. As the Great War�continues to�fade from living memory, it is a significant task to look back at how the cinema industry responded to that conflict as it unfolded, and how it shaped the war's memory through the 1910s and 1920s.
電子資源:	http://www.palgraveconnect.com/doifinder/10.1057/9780230321663

British silent cinema and the Great War[electronic resource] /
British silent cinema and the Great War[electronic resource] /edited by Michael Hammond, Michael Williams. - Houndmills, Basingstoke, Hampshire ;Palgrave Macmillan,2011. - 1 online resource.

Includes bibliographical references and index.

Introduction: Goodbye to All That or Business As Usual? History and Memory of the Great War in British Cinema; M. Hammond & M. Williams -- PART I: THE WAR -- The Battle of the Somme (1916) as Industrial Process Film; M. Hammond -- British and Colonial: What the Company Did in the Great War; G. Turvey -- 'Improper Practices' in Great War British Cinemas; P. Moody -- 'Shells, Shots and Shrapnel': Picture-goer Goes to War; J. Bryan -- PART II: AFTERMATH: MEMORY AND MEMORIAL -- 'A Victory and a Defeat as Glorious as a Victory': The Battles of the Coronel and Falkland Islands (Walter Summers, 1927); A. Sargeant -- Remembering the Great War in 1920s British Cinema; C. Gledhill -- Remembrance, Re-membering, and Recollection: Walter Summers and the British War Film of the 1920s; L. Napper -- 'Fire, Blood and Steel': Memory and Spectacle in The Guns of Loos (Sinclair Hill, 1928); M. Williams -- PART III: NOTES FROM THE ARCHIVE -- Hello to All This: Music, Memory and Re-visiting the Great War; N. Brand -- The Dead, Battlefield Burials and the Unveiling of War Memorials in Films of the Great War Era; T. Haggith -- Anticipating the Blitz Spirit in First World War Propaganda Film: Evidence in the Imperial War Museum Archive; R. Smither -- 'How Shall We Look Again'?: Revisiting the Archive in British Silent Film and the Great War; B. Dixon & L. Porter -- Bibliography -- Index --

This book presents a unique insight into an extraordinary period of European history that had far-reaching significance for British cinema and�for the way history itself�is represented. The work collected in this volume draws from the best knowledge, enthusiasm and critical insight of leading scholars, archivists and historians specialising in British cinema. The editors are experts in the field of British silent cinema; in particular, its complex relationship to the Great War and its afterimage in popular culture. As the Great War�continues to�fade from living memory, it is a significant task to look back at how the cinema industry responded to that conflict as it unfolded, and how it shaped the war's memory through the 1910s and 1920s.

ISBN: 9780230321663 (electronic bk.)

Standard No.: 9786613317940

Source: 493371Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

473198
World War, 1914-1918
--Motion pictures and the war.Index Terms--Genre/Form:

336502
Electronic books.

LC Class. No.: D522.23 / .B75 2011

Dewey Class. No.: 791.43/63582821

British silent cinema and the Great War[electronic resource] /
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245 0 0 $a British silent cinema and the Great War $h [electronic resource] / $c edited by Michael Hammond, Michael Williams.
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504 $a Includes bibliographical references and index.
505 0 $a Introduction: Goodbye to All That or Business As Usual? History and Memory of the Great War in British Cinema; M. Hammond & M. Williams -- PART I: THE WAR -- The Battle of the Somme (1916) as Industrial Process Film; M. Hammond -- British and Colonial: What the Company Did in the Great War; G. Turvey -- 'Improper Practices' in Great War British Cinemas; P. Moody -- 'Shells, Shots and Shrapnel': Picture-goer Goes to War; J. Bryan -- PART II: AFTERMATH: MEMORY AND MEMORIAL -- 'A Victory and a Defeat as Glorious as a Victory': The Battles of the Coronel and Falkland Islands (Walter Summers, 1927); A. Sargeant -- Remembering the Great War in 1920s British Cinema; C. Gledhill -- Remembrance, Re-membering, and Recollection: Walter Summers and the British War Film of the 1920s; L. Napper -- 'Fire, Blood and Steel': Memory and Spectacle in The Guns of Loos (Sinclair Hill, 1928); M. Williams -- PART III: NOTES FROM THE ARCHIVE -- Hello to All This: Music, Memory and Re-visiting the Great War; N. Brand -- The Dead, Battlefield Burials and the Unveiling of War Memorials in Films of the Great War Era; T. Haggith -- Anticipating the Blitz Spirit in First World War Propaganda Film: Evidence in the Imperial War Museum Archive; R. Smither -- 'How Shall We Look Again'?: Revisiting the Archive in British Silent Film and the Great War; B. Dixon & L. Porter -- Bibliography -- Index --
505 8 $a Machine generated contents note: -- Introduction: Goodbye to All That or Business As Usual? History and Memory of the Great War in British Cinema / M. Hammond & M. Williams -- PART I: THE WAR -- The Battle of the Somme (1916) as Industrial Process Film / M. Hammond -- British and Colonial: What the Company Did in the Great War / G. Turvey -- 'Improper Practices' in Great War British Cinemas / P. Moody -- 'Shells, Shots and Shrapnel': Picture-goer Goes to War / J. Bryan -- PART II: AFTERMATH: MEMORY AND MEMORIAL -- 'A Victory and a Defeat as Glorious as a Victory': The Battles of the Coronel and Falkland Islands (Walter Summers, 1927) / A. Sargeant -- Remembering the Great War in 1920s British Cinema / C. Gledhill -- Remembrance, Re-membering, and Recollection: Walter Summers and the British War Film of the 1920s / L. Napper -- 'Fire, Blood and Steel': Memory and Spectacle in The Guns of Loos (Sinclair Hill, 1928) / M. Williams -- PART III: NOTES FROM THE ARCHIVE -- Hello to All This: Music, Memory and Re-visiting the Great War / N. Brand -- The Dead, Battlefield Burials and the Unveiling of War Memorials in Films of the Great War Era / T. Haggith -- Anticipating the Blitz Spirit in First World War Propaganda Film: Evidence in the Imperial War Museum Archive / R. Smither -- 'How Shall We Look Again'?: Revisiting the Archive in British Silent Film and the Great War / B. Dixon & L. Porter.
520 $a This book presents a unique insight into an extraordinary period of European history that had far-reaching significance for British cinema and�for the way history itself�is represented. The work collected in this volume draws from the best knowledge, enthusiasm and critical insight of leading scholars, archivists and historians specialising in British cinema. The editors are experts in the field of British silent cinema; in particular, its complex relationship to the Great War and its afterimage in popular culture. As the Great War�continues to�fade from living memory, it is a significant task to look back at how the cinema industry responded to that conflict as it unfolded, and how it shaped the war's memory through the 1910s and 1920s.
520 $a "This book presents a unique insight into an extraordinary period of European history that had far-reaching significance for British cinema and for the way history itself is represented. The work collected in this volume draws from the best knowledge, enthusiasm and critical insight of leading scholars, archivists and historians specialising in British cinema. The editors are experts in the field of British silent cinema; in particular, its complex relationship to the Great War and its afterimage in popular culture. As the Great War continues to fade from living memory, it is a significant task to look back at how the cinema industry responded to that conflict as it unfolded, and how it shaped the war's memory through the 1910s and 1920s."-- $c Provided by publisher.
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