語系:
繁體中文
English
日文
簡体中文
說明(常見問題)
登入
回首頁
切換:
標籤
|
MARC模式
|
ISBD
High definition postproduction[elect...
~
Browne, Steven E.
High definition postproduction[electronic resource] :editing and delivering HD video /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
杜威分類號:
791.43
書名/作者:
High definition postproduction : editing and delivering HD video // Steven E. Browne.
作者:
Browne, Steven E.
出版者:
Amsterdam ; : Elsevier Focal Press,, c2007.
面頁冊數:
1 online resource (xvii, 230 p.) : : ill.
附註:
Includes index.
標題:
Motion pictures - Editing.
標題:
Digital video - Editing.
標題:
High definition television - Equipment and supplies.
標題:
PERFORMING ARTS - Film & Video
ISBN:
9780080471235 (electronic bk.)
ISBN:
0080471234 (electronic bk.)
ISBN:
6610962383 (electronic bk.)
ISBN:
9786610962389 (electronic bk.)
ISBN:
9780240808390
ISBN:
0240808398
內容註:
Cover -- Front Cover -- High Definition Postproduction: Editing and Delivering HD Video -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- Chapter 1: High Definition-A Multi-Format Video -- Why This Book Exists -- High Definition is Settling Down and Growing Up -- High Definition Size -- Delivery Determines Production Format -- History -- A Typical Family -- The "Universal" Format -- Even More Choices and Confusion -- High Definition is Not New -- Government Gives Additional Channels for Television Stations -- HDV Excitement -- Europe Heads Into HD Land -- More United States Government Mandates -- Digital Broadcasting is Not Necessarily HD -- Why Digital Broadcasting is So Important to the Government -- Broadcast Formats -- High Definition Decoder/Tuner -- HD is a Series of Formats -- Formats Keep Arriving -- Chapter One Summary -- Chapter 2: What Is High Definition? -- Frame Rate -- Frame Recording Method -- Contrast Between Progressive and Interlaced -- Bit Depth -- Chroma Subsampling -- Compression -- Putting It Together -- The Production Choice -- Mixing SD and HD -- High Definition Production Choice Summary -- Everything is Changing -- When HD is Not True HD: Uprezing Video to HD -- Budget Considerations -- Computer File Size for High Definition Video -- Conversion Problems -- True Versus Converted Frames -- How to Choose an HD Format for a Particular Show -- Offline/Online Edit System Compatibility -- Nonlinear Editors With No Frame Rate Restrictions -- HD is Looking Good -- Lossy Versus Lossless Compression -- Shoot, Edit, and Deliver at One Frame Rate-What a Concept -- Chapter Two Summary -- High Definition Production Choice Summary -- Chapter 3: Myths and Questions About HD -- Can HD Be Seen on a Regular Television? -- Why Are There So Many High Definition Frame Rates? -- Why Did Congress Delay Turning Off the NTSC Broadcast Channels? -- Is Digital TV HD? -- Is Uncompressed the Best Way to Shoot HD? -- Is HD Digital TV? -- Do Television Stations Always Broadcast the Same Signal on Their Digital and Analog Channels? -- Is HDV the Same Quality as HD? -- Is High Definition Recorded the Same Way on All HD Machines? -- Is HD Used for Film Production? -- Are High Definition Images Always Used in the Digital Intermediate Process? -- Doesn't Film Have More Resolution Than HD? -- Isn't HD Just Like NTSC Only Wider and With More Detail? -- Is It True That a High Definition Frame Contains Much More Information Than an NTSC (Standard Definition) Frame? -- Is HD Going to Replace Film? -- Is HD Going to Replace SD? -- Is HD the Best Format? -- Is Any HD Recording High Definition? -- Do Progressive Frames Have More Visual Quality Than Interlaced Frames? -- Will I Always Receive the Same High Definition Quality Images on My High Definition Television Set? -- Chapter Three Summary -- Chapter 4: More on the Technical Side -- Frame Rates -- 1080psf23.98 -- 1080i59.94 (a.k.a. 1080i29.97) -- 1080p24, 720p24, 720p23.98, and 1080psf23.98 -- 720p59.94 -- 1080psf29.97 -- Integer Frame Rates -- Mbps -- Throughput Needs -- All Compressions Are Not Eq.
摘要、提要註:
* Real-world postproduction paths show how it's being done today * Numerous HD tables clear up what format is used for which purpose * Ample information on HDV * Debunks myths and answers common questions about HD Avoid costly missteps in postproduction and get it right the first time with this book. Written by an in-the-trenches professional who works with HD every day, High Definition Postproduction is an overview of this exciting opportunity for film and video production and postproduction professionals. High Definition production and editing is here and definitely a reality. High-def network shows are aired on a weekly basis. Several HD-only channels are well into their production schedules. HD is even used for major film productions and post production processes. However, unlike the existing 4x3, NTSC format, the HD world has many variables. This ability to choose various frame rates, frame sizes, bit rates, and color space options makes this an exciting, yet somewhat daunting challenge. The future may hold even more options as electronics continue to evolve and manufactures continue to exploit this format. Naturally, all of these options can lead to confusion and errors. This book begins with an overview of the HD format and then covers commonly-asked questions. A chapter on shooting details how to smooth the path for post. Postproduction workflows, including the digital intermediate, are covered in great detail, and are enhanced by real-world examples. From HDV to the high-end cameras used in Star Wars and Sin City, this book is your complete guide to HD. * Real-world postproduction paths show how it's being done today * Numerous HD tables clear up what format is used for which purpose * Ample information on HDV * Debunks myths and answers common questions about HD.
電子資源:
http://www.sciencedirect.com/science/book/9780240808390
High definition postproduction[electronic resource] :editing and delivering HD video /
Browne, Steven E.
High definition postproduction
editing and delivering HD video /[electronic resource] :Steven E. Browne. - Amsterdam ;Elsevier Focal Press,c2007. - 1 online resource (xvii, 230 p.) :ill.
Includes index.
Cover -- Front Cover -- High Definition Postproduction: Editing and Delivering HD Video -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- Chapter 1: High Definition-A Multi-Format Video -- Why This Book Exists -- High Definition is Settling Down and Growing Up -- High Definition Size -- Delivery Determines Production Format -- History -- A Typical Family -- The "Universal" Format -- Even More Choices and Confusion -- High Definition is Not New -- Government Gives Additional Channels for Television Stations -- HDV Excitement -- Europe Heads Into HD Land -- More United States Government Mandates -- Digital Broadcasting is Not Necessarily HD -- Why Digital Broadcasting is So Important to the Government -- Broadcast Formats -- High Definition Decoder/Tuner -- HD is a Series of Formats -- Formats Keep Arriving -- Chapter One Summary -- Chapter 2: What Is High Definition? -- Frame Rate -- Frame Recording Method -- Contrast Between Progressive and Interlaced -- Bit Depth -- Chroma Subsampling -- Compression -- Putting It Together -- The Production Choice -- Mixing SD and HD -- High Definition Production Choice Summary -- Everything is Changing -- When HD is Not True HD: Uprezing Video to HD -- Budget Considerations -- Computer File Size for High Definition Video -- Conversion Problems -- True Versus Converted Frames -- How to Choose an HD Format for a Particular Show -- Offline/Online Edit System Compatibility -- Nonlinear Editors With No Frame Rate Restrictions -- HD is Looking Good -- Lossy Versus Lossless Compression -- Shoot, Edit, and Deliver at One Frame Rate-What a Concept -- Chapter Two Summary -- High Definition Production Choice Summary -- Chapter 3: Myths and Questions About HD -- Can HD Be Seen on a Regular Television? -- Why Are There So Many High Definition Frame Rates? -- Why Did Congress Delay Turning Off the NTSC Broadcast Channels? -- Is Digital TV HD? -- Is Uncompressed the Best Way to Shoot HD? -- Is HD Digital TV? -- Do Television Stations Always Broadcast the Same Signal on Their Digital and Analog Channels? -- Is HDV the Same Quality as HD? -- Is High Definition Recorded the Same Way on All HD Machines? -- Is HD Used for Film Production? -- Are High Definition Images Always Used in the Digital Intermediate Process? -- Doesn't Film Have More Resolution Than HD? -- Isn't HD Just Like NTSC Only Wider and With More Detail? -- Is It True That a High Definition Frame Contains Much More Information Than an NTSC (Standard Definition) Frame? -- Is HD Going to Replace Film? -- Is HD Going to Replace SD? -- Is HD the Best Format? -- Is Any HD Recording High Definition? -- Do Progressive Frames Have More Visual Quality Than Interlaced Frames? -- Will I Always Receive the Same High Definition Quality Images on My High Definition Television Set? -- Chapter Three Summary -- Chapter 4: More on the Technical Side -- Frame Rates -- 1080psf23.98 -- 1080i59.94 (a.k.a. 1080i29.97) -- 1080p24, 720p24, 720p23.98, and 1080psf23.98 -- 720p59.94 -- 1080psf29.97 -- Integer Frame Rates -- Mbps -- Throughput Needs -- All Compressions Are Not Eq.
* Real-world postproduction paths show how it's being done today * Numerous HD tables clear up what format is used for which purpose * Ample information on HDV * Debunks myths and answers common questions about HD Avoid costly missteps in postproduction and get it right the first time with this book. Written by an in-the-trenches professional who works with HD every day, High Definition Postproduction is an overview of this exciting opportunity for film and video production and postproduction professionals. High Definition production and editing is here and definitely a reality. High-def network shows are aired on a weekly basis. Several HD-only channels are well into their production schedules. HD is even used for major film productions and post production processes. However, unlike the existing 4x3, NTSC format, the HD world has many variables. This ability to choose various frame rates, frame sizes, bit rates, and color space options makes this an exciting, yet somewhat daunting challenge. The future may hold even more options as electronics continue to evolve and manufactures continue to exploit this format. Naturally, all of these options can lead to confusion and errors. This book begins with an overview of the HD format and then covers commonly-asked questions. A chapter on shooting details how to smooth the path for post. Postproduction workflows, including the digital intermediate, are covered in great detail, and are enhanced by real-world examples. From HDV to the high-end cameras used in Star Wars and Sin City, this book is your complete guide to HD. * Real-world postproduction paths show how it's being done today * Numerous HD tables clear up what format is used for which purpose * Ample information on HDV * Debunks myths and answers common questions about HD.
ISBN: 9780080471235 (electronic bk.)
Source: 130486:130590Elsevier Science & Technologyhttp://www.sciencedirect.comSubjects--Topical Terms:
403584
Motion pictures
--Editing.Index Terms--Genre/Form:
336502
Electronic books.
LC Class. No.: TR899 / .B7225 2007eb
Dewey Class. No.: 791.43
High definition postproduction[electronic resource] :editing and delivering HD video /
LDR
:06650cam 2200421Ia 4500
001
352963
003
OCoLC
005
20111122090954.0
006
m d
007
cr cnu---unuuu
008
120110s2007 ne a o 001 0 eng d
019
$a
441774238
$a
499051592
$a
505066927
$a
648163163
020
$a
9780080471235 (electronic bk.)
020
$a
0080471234 (electronic bk.)
020
$a
6610962383 (electronic bk.)
020
$a
9786610962389 (electronic bk.)
020
$a
9780240808390
020
$a
0240808398
035
$a
(OCoLC)122909829
$z
(OCoLC)441774238
$z
(OCoLC)499051592
$z
(OCoLC)505066927
$z
(OCoLC)648163163
035
$a
ocn122909829
037
$a
130486:130590
$b
Elsevier Science & Technology
$n
http://www.sciencedirect.com
040
$a
N$T
$b
eng
$c
N$T
$d
YDXCP
$d
OCLCQ
$d
MERUC
$d
UBY
$d
E7B
$d
IDEBK
$d
OPELS
$d
OCLCQ
049
$a
TEFA
050
4
$a
TR899
$b
.B7225 2007eb
072
7
$a
PER
$x
004040
$2
bisacsh
082
0 4
$a
791.43
$2
22
100
1
$a
Browne, Steven E.
$3
444220
245
1 0
$a
High definition postproduction
$h
[electronic resource] :
$b
editing and delivering HD video /
$c
Steven E. Browne.
260
$a
Amsterdam ;
$a
Boston :
$b
Elsevier Focal Press,
$c
c2007.
300
$a
1 online resource (xvii, 230 p.) :
$b
ill.
500
$a
Includes index.
505
0
$a
Cover -- Front Cover -- High Definition Postproduction: Editing and Delivering HD Video -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- Chapter 1: High Definition-A Multi-Format Video -- Why This Book Exists -- High Definition is Settling Down and Growing Up -- High Definition Size -- Delivery Determines Production Format -- History -- A Typical Family -- The "Universal" Format -- Even More Choices and Confusion -- High Definition is Not New -- Government Gives Additional Channels for Television Stations -- HDV Excitement -- Europe Heads Into HD Land -- More United States Government Mandates -- Digital Broadcasting is Not Necessarily HD -- Why Digital Broadcasting is So Important to the Government -- Broadcast Formats -- High Definition Decoder/Tuner -- HD is a Series of Formats -- Formats Keep Arriving -- Chapter One Summary -- Chapter 2: What Is High Definition? -- Frame Rate -- Frame Recording Method -- Contrast Between Progressive and Interlaced -- Bit Depth -- Chroma Subsampling -- Compression -- Putting It Together -- The Production Choice -- Mixing SD and HD -- High Definition Production Choice Summary -- Everything is Changing -- When HD is Not True HD: Uprezing Video to HD -- Budget Considerations -- Computer File Size for High Definition Video -- Conversion Problems -- True Versus Converted Frames -- How to Choose an HD Format for a Particular Show -- Offline/Online Edit System Compatibility -- Nonlinear Editors With No Frame Rate Restrictions -- HD is Looking Good -- Lossy Versus Lossless Compression -- Shoot, Edit, and Deliver at One Frame Rate-What a Concept -- Chapter Two Summary -- High Definition Production Choice Summary -- Chapter 3: Myths and Questions About HD -- Can HD Be Seen on a Regular Television? -- Why Are There So Many High Definition Frame Rates? -- Why Did Congress Delay Turning Off the NTSC Broadcast Channels? -- Is Digital TV HD? -- Is Uncompressed the Best Way to Shoot HD? -- Is HD Digital TV? -- Do Television Stations Always Broadcast the Same Signal on Their Digital and Analog Channels? -- Is HDV the Same Quality as HD? -- Is High Definition Recorded the Same Way on All HD Machines? -- Is HD Used for Film Production? -- Are High Definition Images Always Used in the Digital Intermediate Process? -- Doesn't Film Have More Resolution Than HD? -- Isn't HD Just Like NTSC Only Wider and With More Detail? -- Is It True That a High Definition Frame Contains Much More Information Than an NTSC (Standard Definition) Frame? -- Is HD Going to Replace Film? -- Is HD Going to Replace SD? -- Is HD the Best Format? -- Is Any HD Recording High Definition? -- Do Progressive Frames Have More Visual Quality Than Interlaced Frames? -- Will I Always Receive the Same High Definition Quality Images on My High Definition Television Set? -- Chapter Three Summary -- Chapter 4: More on the Technical Side -- Frame Rates -- 1080psf23.98 -- 1080i59.94 (a.k.a. 1080i29.97) -- 1080p24, 720p24, 720p23.98, and 1080psf23.98 -- 720p59.94 -- 1080psf29.97 -- Integer Frame Rates -- Mbps -- Throughput Needs -- All Compressions Are Not Eq.
520
$a
* Real-world postproduction paths show how it's being done today * Numerous HD tables clear up what format is used for which purpose * Ample information on HDV * Debunks myths and answers common questions about HD Avoid costly missteps in postproduction and get it right the first time with this book. Written by an in-the-trenches professional who works with HD every day, High Definition Postproduction is an overview of this exciting opportunity for film and video production and postproduction professionals. High Definition production and editing is here and definitely a reality. High-def network shows are aired on a weekly basis. Several HD-only channels are well into their production schedules. HD is even used for major film productions and post production processes. However, unlike the existing 4x3, NTSC format, the HD world has many variables. This ability to choose various frame rates, frame sizes, bit rates, and color space options makes this an exciting, yet somewhat daunting challenge. The future may hold even more options as electronics continue to evolve and manufactures continue to exploit this format. Naturally, all of these options can lead to confusion and errors. This book begins with an overview of the HD format and then covers commonly-asked questions. A chapter on shooting details how to smooth the path for post. Postproduction workflows, including the digital intermediate, are covered in great detail, and are enhanced by real-world examples. From HDV to the high-end cameras used in Star Wars and Sin City, this book is your complete guide to HD. * Real-world postproduction paths show how it's being done today * Numerous HD tables clear up what format is used for which purpose * Ample information on HDV * Debunks myths and answers common questions about HD.
588
$a
Description based on print version record.
650
0
$a
Motion pictures
$x
Editing.
$3
403584
650
0
$a
Digital video
$x
Editing.
$3
403585
650
0
$a
High definition television
$x
Equipment and supplies.
$3
444221
650
7
$a
PERFORMING ARTS
$x
Film & Video
$x
Reference.
$2
bisacsh
$3
444222
655
4
$a
Electronic books.
$2
local
$3
336502
776
0 8
$i
Print version:
$a
Browne, Steven E.
$t
High definition postproduction.
$d
Amsterdam ; Boston : Elsevier Focal Press, c2007
$z
9780240808390
$z
0240808398
$w
(DLC) 2007005936
$w
(OCoLC)85692727
856
4 0
$3
ScienceDirect
$u
http://www.sciencedirect.com/science/book/9780240808390
938
$a
YBP Library Services
$b
YANK
$n
2546621
938
$a
ebrary
$b
EBRY
$n
ebr10166975
938
$a
Ingram Digital eBook Collection
$b
IDEB
$n
96238
994
$a
C0
$b
TEF
筆 0 讀者評論
多媒體
多媒體檔案
http://www.sciencedirect.com/science/book/9780240808390
評論
新增評論
分享你的心得
Export
取書館別
處理中
...
變更密碼
登入