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Realism and the audiovisual media[el...
~
Mello, Cecâilia, (1974-)
Realism and the audiovisual media[electronic resource] /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
杜威分類號:
791.43/612
書名/作者:
Realism and the audiovisual media/ edited by Lâucia Nagib and Cecâilia Mello.
其他作者:
Nagib, Lâucia,
出版者:
Basingstike, Hampshire ; : Palgrave Macmillan,, 2009.
面頁冊數:
xxvi, 257 p. : : ill. ;; 23 cm.
標題:
Realism in motion pictures.
標題:
Realism on television.
ISBN:
9780230246973
ISBN:
0230246974
書目註:
Includes bibliographical references and index.
內容註:
Part I : Theorizing realism -- World cinema : realism, evidence, presence / Thomas Elsaesser -- Whither realism? Bazin reconsidered / Leighton Grist -- On Brecht, realism and the media / Marc Silberman -- Melodrama as realism in Italian neorealism / Louis Bayman -- Scale and the negotiation of 'real' and 'unreal' space in the cinema / Mary Ann Doane -- Part II: World cinema and new realisms-- Realism and Gus Van Sant'selephant / Anna Backman Rogers -- Observational realism in Taiwan new cinema / Ming-yeh T. Rawnsley -- Realism and national identity in Y tu mamâa tambiâen : an audience perspective / Armida de la Garza -- A Journey through time : Alexander Sokurov's Russian ark and theories of Mimesis / Vlad Strukov -- Part III: The realism of the medium -- Realism, real sex and experimental cinema : mediating eroticism in Georges Bataille's story of the eye / Beth Johnson -- Breath control : the sound and sight of respiration as hyper-realist corporeality in breaking the waves /Davina Quinlivan -- Ontology, film and the case of Eric Rohmer / Jacob Leigh -- Up the junction : Ken Loach and TV realism / Cecâila Mello-- Part IV: Documentary, TV and the ethics of representation -- Filmmaking as the production of reality : a study of Hara and Kobayashi's documentaries / Lâucia Nagib -- Character construction in Brazilian documentary films : modern cinema, classical narrative and micro-realism / Ismail Xavier -- The difficulty with documentary : a filmmaker's view / Joao Moreira Salles -- Losing grip on reality : a reflection on British factual television . Diane Myers.
摘要、提要註:
Realism and the Audiovisual Media is a major and entirely original contribution to contemporary scholarship on realism. Once dismissed as representative of narrative closure and bourgeois ideology, realism has made a remarkable comeback in recent years as a predominant trend in world cinema and television productions, as well as a topical line of enquiry in audiovisual theory. This book provides the first organized and comprehensive assessment of these developments, making it an indispensable read for anyone interested in film and media studies. The question of realism permeates audiovisual media at all levels. Thanks to their photographic basis and unique combination of movement and time, they relate directly to and present a close resemblance with the phenomenological world. Even when resulting from animation or computer-generated images and sound, they can produce a 'reality effect' able to cause physical and emotional impact. Many film schools and movements, as well as genres such as the documentary, resort to realism as style, through which they aspire to reveal concealedor unknown dimensions of reality. This book undertakes an in-depth investigation of these phenomena, querying their origins, relations, divergences and intersections from a variety of perspectives, drawing on world-renowned expertise in audiovisual theory and practice. Subjects covered include new developments in realist scholarship; new realisms in world cinema; realist schools and genres; sensation, the body and real sex in cinema; cinematic scale and the real; the production of reality and the ethics of representation in film and television. A wide range of case studies survey past and current tendencies in Korean, Italian, German, Russian, Mexican, Brazilian, American, Taiwanese, French, Japanese and British film and television.
電子資源:
access to fulltext (Palgrave)
Realism and the audiovisual media[electronic resource] /
Realism and the audiovisual media
[electronic resource] /edited by Lâucia Nagib and Cecâilia Mello. - Basingstike, Hampshire ;Palgrave Macmillan,2009. - xxvi, 257 p. :ill. ;23 cm.
Includes bibliographical references and index.
Part I : Theorizing realism -- World cinema : realism, evidence, presence / Thomas Elsaesser -- Whither realism? Bazin reconsidered / Leighton Grist -- On Brecht, realism and the media / Marc Silberman -- Melodrama as realism in Italian neorealism / Louis Bayman -- Scale and the negotiation of 'real' and 'unreal' space in the cinema / Mary Ann Doane -- Part II: World cinema and new realisms-- Realism and Gus Van Sant'selephant / Anna Backman Rogers -- Observational realism in Taiwan new cinema / Ming-yeh T. Rawnsley -- Realism and national identity in Y tu mamâa tambiâen : an audience perspective / Armida de la Garza -- A Journey through time : Alexander Sokurov's Russian ark and theories of Mimesis / Vlad Strukov -- Part III: The realism of the medium -- Realism, real sex and experimental cinema : mediating eroticism in Georges Bataille's story of the eye / Beth Johnson -- Breath control : the sound and sight of respiration as hyper-realist corporeality in breaking the waves /Davina Quinlivan -- Ontology, film and the case of Eric Rohmer / Jacob Leigh -- Up the junction : Ken Loach and TV realism / Cecâila Mello-- Part IV: Documentary, TV and the ethics of representation -- Filmmaking as the production of reality : a study of Hara and Kobayashi's documentaries / Lâucia Nagib -- Character construction in Brazilian documentary films : modern cinema, classical narrative and micro-realism / Ismail Xavier -- The difficulty with documentary : a filmmaker's view / Joao Moreira Salles -- Losing grip on reality : a reflection on British factual television . Diane Myers.
Realism and the Audiovisual Media is a major and entirely original contribution to contemporary scholarship on realism. Once dismissed as representative of narrative closure and bourgeois ideology, realism has made a remarkable comeback in recent years as a predominant trend in world cinema and television productions, as well as a topical line of enquiry in audiovisual theory. This book provides the first organized and comprehensive assessment of these developments, making it an indispensable read for anyone interested in film and media studies. The question of realism permeates audiovisual media at all levels. Thanks to their photographic basis and unique combination of movement and time, they relate directly to and present a close resemblance with the phenomenological world. Even when resulting from animation or computer-generated images and sound, they can produce a 'reality effect' able to cause physical and emotional impact. Many film schools and movements, as well as genres such as the documentary, resort to realism as style, through which they aspire to reveal concealedor unknown dimensions of reality. This book undertakes an in-depth investigation of these phenomena, querying their origins, relations, divergences and intersections from a variety of perspectives, drawing on world-renowned expertise in audiovisual theory and practice. Subjects covered include new developments in realist scholarship; new realisms in world cinema; realist schools and genres; sensation, the body and real sex in cinema; cinematic scale and the real; the production of reality and the ethics of representation in film and television. A wide range of case studies survey past and current tendencies in Korean, Italian, German, Russian, Mexican, Brazilian, American, Taiwanese, French, Japanese and British film and television.
Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2010.
Mode of access:World Wide Web.
ISBN: 9780230246973
Standard No.: 10.1057/9780230246973doiSubjects--Topical Terms:
378799
Realism in motion pictures.
Index Terms--Genre/Form:
336502
Electronic books.
LC Class. No.: PN1995.9.R3 / R38 2009
Dewey Class. No.: 791.43/612
Realism and the audiovisual media[electronic resource] /
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Realism and the Audiovisual Media is a major and entirely original contribution to contemporary scholarship on realism. Once dismissed as representative of narrative closure and bourgeois ideology, realism has made a remarkable comeback in recent years as a predominant trend in world cinema and television productions, as well as a topical line of enquiry in audiovisual theory. This book provides the first organized and comprehensive assessment of these developments, making it an indispensable read for anyone interested in film and media studies. The question of realism permeates audiovisual media at all levels. Thanks to their photographic basis and unique combination of movement and time, they relate directly to and present a close resemblance with the phenomenological world. Even when resulting from animation or computer-generated images and sound, they can produce a 'reality effect' able to cause physical and emotional impact. Many film schools and movements, as well as genres such as the documentary, resort to realism as style, through which they aspire to reveal concealedor unknown dimensions of reality. This book undertakes an in-depth investigation of these phenomena, querying their origins, relations, divergences and intersections from a variety of perspectives, drawing on world-renowned expertise in audiovisual theory and practice. Subjects covered include new developments in realist scholarship; new realisms in world cinema; realist schools and genres; sensation, the body and real sex in cinema; cinematic scale and the real; the production of reality and the ethics of representation in film and television. A wide range of case studies survey past and current tendencies in Korean, Italian, German, Russian, Mexican, Brazilian, American, Taiwanese, French, Japanese and British film and television.
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