Theatre, facilitation, and nation fo...
Kuftinec, Sonja, (1966-)

 

  • Theatre, facilitation, and nation formation in the Balkans and Middle East[electronic resource] /
  • 紀錄類型: 書目-語言資料,印刷品 : Monograph/item
    杜威分類號: 792.09496
    書名/作者: Theatre, facilitation, and nation formation in the Balkans and Middle East/ by Sonja Arsham Kuftinec.
    作者: Kuftinec, Sonja,
    出版者: Basingstoke : : Palgrave Macmillan,, 2009.
    面頁冊數: xviii, 217 p. : : ill., maps ;; 23 cm.
    標題: War and theater.
    標題: Theater - Political aspects - Middle East.
    標題: Theater - Political aspects - Balkan Peninsula.
    標題: Theater and society - Balkan Peninsula.
    標題: Theater and society - Middle East.
    標題: Theater in community development - Middle East.
    標題: Theater in community development - Balkan Peninsula.
    標題: Nation-building - Middle East.
    標題: Nation-building - Balkan Peninsula.
    ISBN: 9780230239449
    ISBN: 0230239447
    書目註: Includes bibliographical references and index.
    內容註: Contours and Contestations -- Balkan Bridges: Re-membering Mostar (1995-2000) -- Between the Lines: Staging 'the Balkans' through Berlin (2001) -- Border Zones: Theatrical Mobilizations of 'theMiddle East' (2004-08) -- Facilitation Praxis: Four Modes of Encounter.
    摘要、提要註: How might theatre intervene in violent inter-ethnic conflicts? When does participatory theatre mediate more just futures, and when might itpreserve inequities? Theatre, Facilitation and Nation Formation addresses these questions through detailed case studies of community-based projects in theBalkans and Middle East that the author has witnessed or helped to create. In Mostar, collaborativeperformance helps youth re-member a divided city. In Berlin, participants from seven Balkan countries reorient understandings of citizenship through an interactive installation. In Israel and the Occupied Palestinian Territories, image theatre animates the limits of reconciliation. These theatricalfacilitations model ways that ethnic oppositions can move towards ethical relationships, while pointing out challenges in doing so. As a travelogue, this study weaves critical analysis with the voices of participants, directors, and workshop leaders, offering viewpoints and field notes on how theatrical facilitation can (and can't) effectively transform conflicts.
    電子資源: access to fulltext (Palgrave)
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