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Performance affects[electronic resource] :applied theatre and the end of effect /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	792
書名/作者:	Performance affects : applied theatre and the end of effect // James Thompson.
作者:	Thompson, James,
出版者:	Basingstoke : : Palgrave Macmillan,, 2009.
面頁冊數:	x, 205 p. ;; 23 cm.
標題:	Theater and society.
標題:	War and theater.
ISBN:	9780230242425
ISBN:	0230242421
書目註:	Includes bibliographical references and index.
內容註:	Introduction: Hedonism is a Bunker -- Incidents of Cutting and Chopping -- The End of the Story? -- Academic Scriptwriters and Bodily Affects -- Performance Affects: A Kind of Triumph -- The Call of Beauty: An Affective Invitation -- About Face: Disturbing the Fabric of the Sensible -- Conclusion: Let Them Slide.
摘要、提要註:	Performance Affects explores performance projects in disaster and war zones to argue that joy, beauty and celebration should be the inspiration for the politics of community-based or participatory performance practice. Applied Theatre has traditionally concentrated on effects - impacts, themes communicated or 'truths' revealed. Performance Affects challenges this orientation by suggesting that an affective realm needs to be the focus for a renewed aesthetic, ethical and radical vision of the practice. Performance projects with child soldiers, storytelling programmes in tsunami-affected areas and prison theatre workshops in post-genocide Rwanda are used to demonstrate the limits of a practice reliant solely on effect - and an alternative is suggested: one that encourages a commitmentto pleasure, passion and enjoyment as a starting point for a political-aesthetic practice that acknowledges the importance of our affection for others as a stimulus to social change.
電子資源:	access to fulltext (Palgrave)

Performance affects[electronic resource] :applied theatre and the end of effect /
Thompson, James,1966-

Performance affectsapplied theatre and the end of effect /[electronic resource] :James Thompson. - Basingstoke :Palgrave Macmillan,2009. - x, 205 p. ;23 cm.

Includes bibliographical references and index.

Introduction: Hedonism is a Bunker -- Incidents of Cutting and Chopping -- The End of the Story? -- Academic Scriptwriters and Bodily Affects -- Performance Affects: A Kind of Triumph -- The Call of Beauty: An Affective Invitation -- About Face: Disturbing the Fabric of the Sensible -- Conclusion: Let Them Slide.

Performance Affects explores performance projects in disaster and war zones to argue that joy, beauty and celebration should be the inspiration for the politics of community-based or participatory performance practice. Applied Theatre has traditionally concentrated on effects - impacts, themes communicated or 'truths' revealed. Performance Affects challenges this orientation by suggesting that an affective realm needs to be the focus for a renewed aesthetic, ethical and radical vision of the practice. Performance projects with child soldiers, storytelling programmes in tsunami-affected areas and prison theatre workshops in post-genocide Rwanda are used to demonstrate the limits of a practice reliant solely on effect - and an alternative is suggested: one that encourages a commitmentto pleasure, passion and enjoyment as a starting point for a political-aesthetic practice that acknowledges the importance of our affection for others as a stimulus to social change.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 9780230242425Subjects--Topical Terms:

372778
Theater and society.
Index Terms--Genre/Form:

336502
Electronic books.

LC Class. No.: PN2049 / .T55 2009

Dewey Class. No.: 792

Performance affects[electronic resource] :applied theatre and the end of effect /
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520 $a Performance Affects explores performance projects in disaster and war zones to argue that joy, beauty and celebration should be the inspiration for the politics of community-based or participatory performance practice. Applied Theatre has traditionally concentrated on effects - impacts, themes communicated or 'truths' revealed. Performance Affects challenges this orientation by suggesting that an affective realm needs to be the focus for a renewed aesthetic, ethical and radical vision of the practice. Performance projects with child soldiers, storytelling programmes in tsunami-affected areas and prison theatre workshops in post-genocide Rwanda are used to demonstrate the limits of a practice reliant solely on effect - and an alternative is suggested: one that encourages a commitmentto pleasure, passion and enjoyment as a starting point for a political-aesthetic practice that acknowledges the importance of our affection for others as a stimulus to social change.
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