British periodicals and Romantic ide...
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  • British periodicals and Romantic identity[electronic resource] :the "literary lower empire" /
  • 紀錄類型: 書目-語言資料,印刷品 : Monograph/item
    杜威分類號: 820.9/145
    書名/作者: British periodicals and Romantic identity : the "literary lower empire" // Mark Schoenfield.
    作者: Schoenfield, Mark,
    出版者: New York : : Palgrave Macmillan,, 2009.
    面頁冊數: xvi, 296 p. : : ill. ;; 22 cm.
    標題: English prose literature - History and criticism. - 19th century
    標題: English literature - History and criticism. - 19th century
    標題: Periodicals - Publishing - 19th century. - Great Britain
    標題: Criticism - Publishing - 19th century. - Great Britain
    標題: English periodicals - History - 19th century.
    標題: Romanticism - Great Britain.
    標題: Great Britain - Fiction.
    ISBN: 9780230617995
    ISBN: 0230617999
    書目註: Includes bibliographical references (p. [267]-280) and index.
    內容註: Part I: Culture wars in the lower empire -- Skirmishes in the lower empire -- Incorporating voices: the Edinburgh review -- Proliferating voices: founding the Quarterly review and Maga -- Part II: Soldiers of fortune in the periodical wars -- Repeating selves: Hume, Hazlitt, and periodical repetition -- Lord Byron among the reviews -- Abraham Goldsmid: financial magician and the public image -- Spying James Hogg's Bristle in Blackwood's magazine.
    摘要、提要註: When Lord Byron identified the periodical industry as the "Literary Lower Empire" he registered the cultural clout that periodicals had accumulated by positioning themselves as both the predominant purveyors ofscientific, economic, and social information and the arbiters of literary and artistic taste. British Periodicals and Romantic Identity explores how periodicals such as the Edinburgh,Blackwood's, and the Westminster became the repositories and creators of public opinion. In addition, Schoenfield examines how particular figures, both inside and outsidethe editorial apparatus of the reviews and magazines, negotiated this public and rapidly professionalized space. Ranging from Lord Byron, whose self-identification as lord and poet anticipated his public image inthe periodicals, to William Hazlitt, equally journalist and subject ofthe reviews, this engaging study explores both canonical figures and canon makers in the periodicals and positions them as a centralizing force in the consolidation of Romantic print culture.
    電子資源: access to fulltext (Palgrave)
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