Reading popular culture in Victorian...
Gabriele, Alberto, (1970-)

 

  • Reading popular culture in Victorian print[electronic resource] :Belgravia and sensationalism /
  • 紀錄類型: 書目-語言資料,印刷品 : Monograph/item
    杜威分類號: 052.0942/109034
    書名/作者: Reading popular culture in Victorian print : Belgravia and sensationalism // Alberto Gabriele.
    作者: Gabriele, Alberto,
    出版者: New York : : Palgrave Macmillan,, 2009.
    面頁冊數: xxvii, 275 p. : : ill. ;; 22 cm.
    標題: English periodicals - History - 19th century.
    標題: Popular culture - History - 19th century. - Great Britain
    標題: Sensationalism in journalism - History - 19th century. - Great Britain
    ISBN: 9780230101272
    ISBN: 0230101275
    書目註: Includes bibliographical references and index.
    內容註: Introduction: The Cultural Trope of Sensationalism -- The Case of Mary Elizabeth Braddon's Belgravia: Research Methodology for an Intertextual Reading of the Periodical Press -- Abstract Order and Fleeting Sensations: The Aesthetics of Fragmentation in Mary Elizabeth Braddon's Belgravia -- The Redefinition of the Public Sphere in the Nineteenth-Century Periodical Press: Mary Elizabeth Braddon and the Debate on Anonymity-- The Cultural Trope of Sensationalism: Advertising, Industrial Journalism, and Global Trade in Belgravia -- Sensationalism and the Early History of Film: From Magic Lanterns to the Silent Film Serial Drama of Louis Feuillade -- Mary Elizabeth Braddon in Paris: Sensational Periodical Literature across the Channel in the 1870-80s.
    摘要、提要註: Reading Popular Culture in Victorian Print: Belgravia and Sensationalism is a comprehensive study of the whole run of the monthly periodical Belgravia under the direction of Mary Elizabeth Braddon. It traces the material history of the magazine, its production and global distribution while atthe same time placing its history and content in the context of Victorian popular culture and Victorian discursive formations. Among the questions Reading Popular Culture in Victorian Print investigates are the status of authors in the marketplace, the innovative place Belgravia holds in the history of print culture, the rhetoric of sensationalism in fiction, journalism and pre-cinema, the representation of trade with India, and the use of urban space as a branding strategy. It makes the claim that the periodical is the sensation novel of the 1860s.
    電子資源: access to fulltext (Palgrave)
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