大葉大學圖書館 |

Performance, cognitive theory, and devotional culture[electronic resource] :sensual pietyin late medieval York /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	792.1/60942843
書名/作者:	Performance, cognitive theory, and devotional culture : sensual pietyin late medieval York // Jill Stevenson.
作者:	Stevenson, Jill.
出版者:	New York, NY : : Palgrave Macmillan,, 2010.
面頁冊數:	xii, 264 p. : : ill.
標題:	Theater - History - Medieval, 500-1500. - England
標題:	Christian drama, English (Middle) - History and criticism. - England
標題:	Mysteries and miracle-plays, English - History and criticism. - England
標題:	English drama - History and criticism. - To 1500
標題:	Rites and ceremonies, Medieval - History. - England
標題:	Christianity and literature - History - To 1500. - England
標題:	York (England) - Religious life and customs.
ISBN:	9780230109070
ISBN:	0230109071
書目註:	Includes bibliographical references and index.
內容註:	Introduction : devotional modes of becoming in late medieval York --Performance literacy : theorizing medieval devotional seeing -- Material devotion : objects as performance events -- Claimingdevotional space -- Devotion and conceptual blending -- Pious body rhythms -- Empathy,entrainment, and devotional instability -- Coda : medieval sensual piety and a few twenty-first-century religiousrhythms.
摘要、提要註:	In Performance, Cognitive Theory, and Devotional Culture, Jill Stevenson uses cognitive theory to explore the layperson's physical encounter with live religious performances, and to argue that laypeople's interactions with other devotional media - such as books and art objects - may also havefunctioned like performance events. By revealing the remarkable resonance between cognitive scienceand medieval visual theories,Stevenson demonstrates how understanding medieval culture can enrich thestudy of performance generally. She concludes by applying her theories of medieval performance culture to contemporary religious forms, including creationist museums, Hell Houses, and megachurches.
電子資源:	access to fulltext (Palgrave)

Performance, cognitive theory, and devotional culture[electronic resource] :sensual pietyin late medieval York /
Stevenson, Jill.

Performance, cognitive theory, and devotional culturesensual pietyin late medieval York /[electronic resource] :Jill Stevenson. - 1st ed. - New York, NY :Palgrave Macmillan,2010. - xii, 264 p. :ill. - Cognitive studies in literature and performance. - Cognitive studies in literature and performance..

Includes bibliographical references and index.

Introduction : devotional modes of becoming in late medieval York --Performance literacy : theorizing medieval devotional seeing -- Material devotion : objects as performance events -- Claimingdevotional space -- Devotion and conceptual blending -- Pious body rhythms -- Empathy,entrainment, and devotional instability -- Coda : medieval sensual piety and a few twenty-first-century religiousrhythms.

In Performance, Cognitive Theory, and Devotional Culture, Jill Stevenson uses cognitive theory to explore the layperson's physical encounter with live religious performances, and to argue that laypeople's interactions with other devotional media - such as books and art objects - may also havefunctioned like performance events. By revealing the remarkable resonance between cognitive scienceand medieval visual theories,Stevenson demonstrates how understanding medieval culture can enrich thestudy of performance generally. She concludes by applying her theories of medieval performance culture to contemporary religious forms, including creationist museums, Hell Houses, and megachurches.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2010.

Mode of access:World Wide Web.

ISBN: 9780230109070Subjects--Uniform Titles:

York plays.
Subjects--Topical Terms:

376499
Theater
--History--England--Medieval, 500-1500.Subjects--Geographical Terms:

376498
York (England)
--Religious life and customs.Index Terms--Genre/Form:

336502
Electronic books.

LC Class. No.: PN2596.Y6 / S74 2010

Dewey Class. No.: 792.1/60942843

Performance, cognitive theory, and devotional culture[electronic resource] :sensual pietyin late medieval York /
LDR:02512nam a2200313 a 4500 001 328767
003 OCoLC
005 20101102091620.0
006 m d
007 cr nn muauu
008 110607s2010 nyua sb 001 0 eng d
020 $a 9780230109070
020 $a 0230109071
040 $a UKPGM $b eng $c UKPGM
041 0 $a eng
043 $a e-uk-en
049 $a APTA
050 1 4 $a PN2596.Y6 $b S74 2010
082 0 4 $a 792.1/60942843 $2 22
100 1 $a Stevenson, Jill. $3 376497
245 1 0 $a Performance, cognitive theory, and devotional culture $h [electronic resource] : $b sensual pietyin late medieval York / $c Jill Stevenson.
250 $a 1st ed.
260 $a New York, NY : $b Palgrave Macmillan, $c 2010.
300 $a xii, 264 p. : $b ill.
490 1 $a Cognitive studies in literature and performance
504 $a Includes bibliographical references and index.
505 0 $a Introduction : devotional modes of becoming in late medieval York --Performance literacy : theorizing medieval devotional seeing -- Material devotion : objects as performance events -- Claimingdevotional space -- Devotion and conceptual blending -- Pious body rhythms -- Empathy,entrainment, and devotional instability -- Coda : medieval sensual piety and a few twenty-first-century religiousrhythms.
520 $a In Performance, Cognitive Theory, and Devotional Culture, Jill Stevenson uses cognitive theory to explore the layperson's physical encounter with live religious performances, and to argue that laypeople's interactions with other devotional media - such as books and art objects - may also havefunctioned like performance events. By revealing the remarkable resonance between cognitive scienceand medieval visual theories,Stevenson demonstrates how understanding medieval culture can enrich thestudy of performance generally. She concludes by applying her theories of medieval performance culture to contemporary religious forms, including creationist museums, Hell Houses, and megachurches.
533 $a Electronic reproduction. $b Basingstoke, England : $c Palgrave Macmillan, $d 2010. $n Mode of access:World Wide Web. $n System requirements: Web browser. $n Title from title screen (viewed on Sep. 27, 2010). $n Access may be restricted to users at subscribing institutions.
630 0 0 $a York plays. $3 376505
650 0 $a Theater $z England $z York $x History $y Medieval, 500-1500. $3 376499
650 0 $a Christian drama, English (Middle) $z England $z York $x History and criticism. $3 376500
650 0 $a Mysteries and miracle-plays, English $z England $z York $x History and criticism. $3 376501
650 0 $a English drama $y To 1500 $x History and criticism. $3 376502
650 0 $a Rites and ceremonies, Medieval $z England $z York $x History. $3 376503
650 0 $a Christianity and literature $z England $z York $x History $y To 1500. $3 376504
651 0 $a York (England) $x Religious life and customs. $3 376498
655 7 $a Electronic books. $2 local $3 336502
710 2 $a Palgrave Connect (Online service) $3 370384
776 0 8 $i Print version: $a Stevenson, Jill. $t Performance, cognitive theory, anddevotional culture. $b 1st ed. $d New York, NY : Palgrave Macmillan, 2010 $z 9780230103191 $w (DLC) 2009041118 $w (OCoLC)456171871
830 0 $a Cognitive studies in literature and performance. $3 374961
856 4 0 $3 Palgrave Connect $u http://www.palgraveconnect.com/doifinder/10.1057/9780230109070 $z access to fulltext (Palgrave)