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From song to print[electronic resour...

Hoagwood, Terence Allan, (1952-)

From song to print[electronic resource] :Romantic pseudo-songs /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	782.4/3
書名/作者:	From song to print : Romantic pseudo-songs // Terence Allan Hoagwood.
作者:	Hoagwood, Terence Allan,
出版者:	New York : : Palgrave Macmillan,, 2010.
面頁冊數:	xvi, 196 p. : : ill., music
標題:	Music and literature - History - 19th century.
標題:	English poetry - History and criticism. - 19th century
ISBN:	9780230105706
ISBN:	023010570X
書目註:	Includes bibliographical references and index.
內容註:	Romantic-period poetry and the "sweet power of song" -- Sir Walter Scott, "ballad deception,"and Romantic pseudo-songs -- The "cool medium" of Sydney Owenson's The lay of an Irish harp -- Contradictory arts : Moore's Irish melodies -- "It gave them virtues not their own" : Byron's Hebrew melodies.
摘要、提要註:	From Song to Print is a study of the major cultural transition from oral forms of art and discourse to the commercial culture of print thathappened during the Industrial Revolution. Through a discussion of ancient musical forms (classical, biblical, and early-modern poetry of song), this bookexplores the typographical simulation of music and oral poetry during the nineteenth century. Original and innovative, this workshows how the musical writings of Romantic poets, such as Wordsworth, Coleridge, Byron, and Keats, evoke antique cultures and ancient settings while offering a critique oftheir own imitative forms and the modern, commercial context in which they appear.
電子資源:	access to fulltext (Palgrave)

From song to print[electronic resource] :Romantic pseudo-songs /
Hoagwood, Terence Allan,1952-

From song to printRomantic pseudo-songs /[electronic resource] :Terence Allan Hoagwood. - 1st ed. - New York :Palgrave Macmillan,2010. - xvi, 196 p. :ill., music - Nineteenth-century major lives and letters. - Nineteenth-century major lives and letters..

Includes bibliographical references and index.

Romantic-period poetry and the "sweet power of song" -- Sir Walter Scott, "ballad deception,"and Romantic pseudo-songs -- The "cool medium" of Sydney Owenson's The lay of an Irish harp -- Contradictory arts : Moore's Irish melodies -- "It gave them virtues not their own" : Byron's Hebrew melodies.

From Song to Print is a study of the major cultural transition from oral forms of art and discourse to the commercial culture of print thathappened during the Industrial Revolution. Through a discussion of ancient musical forms (classical, biblical, and early-modern poetry of song), this bookexplores the typographical simulation of music and oral poetry during the nineteenth century. Original and innovative, this workshows how the musical writings of Romantic poets, such as Wordsworth, Coleridge, Byron, and Keats, evoke antique cultures and ancient settings while offering a critique oftheir own imitative forms and the modern, commercial context in which they appear.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2010.

Mode of access:World Wide Web.

ISBN: 9780230105706Subjects--Topical Terms:

373586
Music and literature
--History--19th century.Index Terms--Genre/Form:

336502
Electronic books.

LC Class. No.: ML3849 / .H49 2010

Dewey Class. No.: 782.4/3

From song to print[electronic resource] :Romantic pseudo-songs /
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250 $a 1st ed.
260 $a New York : $b Palgrave Macmillan, $c 2010.
300 $a xvi, 196 p. : $b ill., music
490 1 $a Nineteenth-century major lives and letters
504 $a Includes bibliographical references and index.
505 0 $a Romantic-period poetry and the "sweet power of song" -- Sir Walter Scott, "ballad deception,"and Romantic pseudo-songs -- The "cool medium" of Sydney Owenson's The lay of an Irish harp -- Contradictory arts : Moore's Irish melodies -- "It gave them virtues not their own" : Byron's Hebrew melodies.
520 $a From Song to Print is a study of the major cultural transition from oral forms of art and discourse to the commercial culture of print thathappened during the Industrial Revolution. Through a discussion of ancient musical forms (classical, biblical, and early-modern poetry of song), this bookexplores the typographical simulation of music and oral poetry during the nineteenth century. Original and innovative, this workshows how the musical writings of Romantic poets, such as Wordsworth, Coleridge, Byron, and Keats, evoke antique cultures and ancient settings while offering a critique oftheir own imitative forms and the modern, commercial context in which they appear.
533 $a Electronic reproduction. $b Basingstoke, England : $c Palgrave Macmillan, $d 2010. $n Mode of access:World Wide Web. $n System requirements: Web browser. $n Title from title screen (viewed on Sep. 27, 2010). $n Access may be restricted to users at subscribing institutions.
650 0 $a Music and literature $x History $y 19th century. $3 373586
650 0 $a English poetry $y 19th century $x History and criticism. $3 371038
655 7 $a Electronic books. $2 local $3 336502
710 2 $a Palgrave Connect (Online service) $3 370384
776 0 8 $i Print version: $a Hoagwood, Terence Allan, 1952- $t From song to print. $b 1st ed. $d New York : Palgrave Macmillan, 2010 $z 9780230609839 $w (DLC) 2009027143 $w (OCoLC)226357064
830 0 $a Nineteenth-century major lives and letters. $3 373473
856 4 0 $3 Palgrave Connect $u http://www.palgraveconnect.com/doifinder/10.1057/9780230105706 $z access to fulltext (Palgrave)

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