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Bluestockings[electronic resource] :women of reason from Enlightenment to Romanticism /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	820.9/928709033
書名/作者:	Bluestockings : women of reason from Enlightenment to Romanticism // Elizabeth Eger.
作者:	Eger, Elizabeth.
出版者:	Basingstoke, England ; : Palgrave Macmillan,, 2010.
面頁冊數:	xiii, 275 p. : : ill.
標題:	English literature - Women authors
標題:	English literature - History and criticism. - 18th century
標題:	Women and literature - History - 18th century. - Great Britain
標題:	Feminism and literature - History - 18th century. - Great Britain
標題:	Women - Intellectual life - 18th century. - Great Britain
標題:	Women intellectuals - Great Britain.
標題:	Literary patrons - Great Britain.
標題:	Frau
標題:	Literarisches Leben
標題:	GroÇbritannien
ISBN:	9780230250505
ISBN:	0230250505
書目註:	Includes bibliographical references and index.
內容註:	Introduction : The nine living muses of Great Britain -- Living muses : the female icon -- The bluestocking salon : patronage, correspondence and conversation -- 'Female champions' : women critics of Shakespeare -- The bluestocking legacy in the Romantic era.
摘要、提要註:	Bluestockings: Women of Reason from Enlightenment to Romanticism explores the cultural history of women's literary and intellectual activity in Britain between 1750 and 1812. Richard Samuel's painting, The NineLiving Muses of Great Britain (1779), forms the starting point and guiding motif ofthe book. Samuel depicted Elizabeth Montagu, Elizabeth Griffith, Elizabeth Carter, Charlotte Lennox,Elizabeth Linley, Angelica Kauffman, Catharine Macauley, Anna Barbauld and Hannah More. Together these women formed an important network of artists and intellectuals, who contributed to the central cultural transformations of their time. Women forged a sense of community through their innovative use of patronage, conversation and correspondence. In the bluestocking salon these arts were developedto new levels of moral significance and provided the basis for women's involvement with the formalliterary genres of their time, including Shakespearean criticism and poetry. This book highlights women's role in shaping an evolving national canon of literature. It also considers how the cultural anxiety caused by their very success inthe public sphere of letters caused a new generation of male Romanticsto displace women from their position of power.
電子資源:	access to fulltext (Palgrave)

Bluestockings[electronic resource] :women of reason from Enlightenment to Romanticism /
Eger, Elizabeth.

Bluestockingswomen of reason from Enlightenment to Romanticism /[electronic resource] :Elizabeth Eger. - Basingstoke, England ;Palgrave Macmillan,2010. - xiii, 275 p. :ill. - Palgrave studies in the Enlightenment, romanticism and cultures of print. - Palgrave studies in the Enlightenment, romanticism and cultures of print..

Includes bibliographical references and index.

Introduction : The nine living muses of Great Britain -- Living muses : the female icon -- The bluestocking salon : patronage, correspondence and conversation -- 'Female champions' : women critics of Shakespeare -- The bluestocking legacy in the Romantic era.

Bluestockings: Women of Reason from Enlightenment to Romanticism explores the cultural history of women's literary and intellectual activity in Britain between 1750 and 1812. Richard Samuel's painting, The NineLiving Muses of Great Britain (1779), forms the starting point and guiding motif ofthe book. Samuel depicted Elizabeth Montagu, Elizabeth Griffith, Elizabeth Carter, Charlotte Lennox,Elizabeth Linley, Angelica Kauffman, Catharine Macauley, Anna Barbauld and Hannah More. Together these women formed an important network of artists and intellectuals, who contributed to the central cultural transformations of their time. Women forged a sense of community through their innovative use of patronage, conversation and correspondence. In the bluestocking salon these arts were developedto new levels of moral significance and provided the basis for women's involvement with the formalliterary genres of their time, including Shakespearean criticism and poetry. This book highlights women's role in shaping an evolving national canon of literature. It also considers how the cultural anxiety caused by their very success inthe public sphere of letters caused a new generation of male Romanticsto displace women from their position of power.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2010.

Mode of access:World Wide Web.

ISBN: 9780230250505Subjects--Topical Terms:

371181
English literature
--Women authorsSubjects--Geographical Terms:

374605
GroÇbritannien
Index Terms--Genre/Form:

336502
Electronic books.

LC Class. No.: PR113 / .E45 2010

Dewey Class. No.: 820.9/928709033

Bluestockings[electronic resource] :women of reason from Enlightenment to Romanticism /
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505 0 $a Introduction : The nine living muses of Great Britain -- Living muses : the female icon -- The bluestocking salon : patronage, correspondence and conversation -- 'Female champions' : women critics of Shakespeare -- The bluestocking legacy in the Romantic era.
520 $a Bluestockings: Women of Reason from Enlightenment to Romanticism explores the cultural history of women's literary and intellectual activity in Britain between 1750 and 1812. Richard Samuel's painting, The NineLiving Muses of Great Britain (1779), forms the starting point and guiding motif ofthe book. Samuel depicted Elizabeth Montagu, Elizabeth Griffith, Elizabeth Carter, Charlotte Lennox,Elizabeth Linley, Angelica Kauffman, Catharine Macauley, Anna Barbauld and Hannah More. Together these women formed an important network of artists and intellectuals, who contributed to the central cultural transformations of their time. Women forged a sense of community through their innovative use of patronage, conversation and correspondence. In the bluestocking salon these arts were developedto new levels of moral significance and provided the basis for women's involvement with the formalliterary genres of their time, including Shakespearean criticism and poetry. This book highlights women's role in shaping an evolving national canon of literature. It also considers how the cultural anxiety caused by their very success inthe public sphere of letters caused a new generation of male Romanticsto displace women from their position of power.
520 $a "Bluestockings participated in the first wide-scale creation of a national culture. Exploringthe tension between individual and collectivemodels of authorship, Eger draws on visual and printedmaterials and unpublished manuscripts to argue for the enduring relevance of rational argument in thehistory of womens' writing"--Provided by publisher.
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