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Race and White identity in southern ...
~
Duvall, John N. (1956-)
Race and White identity in southern fiction[electronic resource] :from Faulkner to Morrison /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
杜威分類號:
813/.509355
書名/作者:
Race and White identity in southern fiction : from Faulkner to Morrison // John N. Duvall.
作者:
Duvall, John N.
出版者:
New York : : Palgrave Macmillan,, 2008.
面頁冊數:
xix, 194 p. : : ill.
標題:
American fiction - History and criticism. - Southern States
標題:
Whites in literature.
標題:
American fiction - History and criticism. - 20th century
標題:
Stereotypes (Social psychology) in literature.
標題:
Ethnicity in literature.
標題:
Race relations in literature.
標題:
Literature and society - Southern States.
標題:
Southern States - Social conditions - 1865-1945.
ISBN:
9780230611825
ISBN:
0230611826
書目註:
Includes bibliographical references (p. [181]-187) and index.
內容註:
White face, Black culture -- Artificial negroes, White homelessness,and diaspora consciousness -- William Faulkner, whiteface, and Black identity -- Flannery O'Connor, (G)race, and colored identity -- John Barth, blackface, and invisible identity -- Dorothy Allison, "nigger trash," and miscegenated identity -- Black writing and whiteface.
摘要、提要註:
Race and White Identity in Southern Fiction explores a form of racial passing that has gone largely unnoticed. Duvall makes visible the means by which southern novelists repeatedly imagined their white characters as fundamentally black in some sense. Beginning with William Faulkner, Duvall traces a form of figurative and rhetorical masking in twentieth-century southern fiction that derives from whiteface minstrelsy. In the fiction of such subsequent writers as Flannery O'Connor, John Barth, Dorothy Allison, and Ishmael Reed, the reader sees characters who present a white face to the world, even as they unconsciously perform cultural blackness. These queer performances of race repeatedly reveal thatbeing merely Caucasian is insufficient to claim Southern Whiteness.
電子資源:
access to fulltext (Palgrave)
Race and White identity in southern fiction[electronic resource] :from Faulkner to Morrison /
Duvall, John N.1956-
Race and White identity in southern fiction
from Faulkner to Morrison /[electronic resource] :John N. Duvall. - 1st ed. - New York :Palgrave Macmillan,2008. - xix, 194 p. :ill.
Includes bibliographical references (p. [181]-187) and index.
White face, Black culture -- Artificial negroes, White homelessness,and diaspora consciousness -- William Faulkner, whiteface, and Black identity -- Flannery O'Connor, (G)race, and colored identity -- John Barth, blackface, and invisible identity -- Dorothy Allison, "nigger trash," and miscegenated identity -- Black writing and whiteface.
Race and White Identity in Southern Fiction explores a form of racial passing that has gone largely unnoticed. Duvall makes visible the means by which southern novelists repeatedly imagined their white characters as fundamentally black in some sense. Beginning with William Faulkner, Duvall traces a form of figurative and rhetorical masking in twentieth-century southern fiction that derives from whiteface minstrelsy. In the fiction of such subsequent writers as Flannery O'Connor, John Barth, Dorothy Allison, and Ishmael Reed, the reader sees characters who present a white face to the world, even as they unconsciously perform cultural blackness. These queer performances of race repeatedly reveal thatbeing merely Caucasian is insufficient to claim Southern Whiteness.
Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.
Mode of access:World Wide Web.
ISBN: 9780230611825
Standard No.: 10.1057/9780230611825doiSubjects--Topical Terms:
373424
American fiction
--History and criticism.--Southern StatesSubjects--Geographical Terms:
370587
Southern States
--Social conditions--1865-1945.Index Terms--Genre/Form:
336502
Electronic books.
LC Class. No.: PS261 / .D88 2008eb
Dewey Class. No.: 813/.509355
Race and White identity in southern fiction[electronic resource] :from Faulkner to Morrison /
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Race and White Identity in Southern Fiction explores a form of racial passing that has gone largely unnoticed. Duvall makes visible the means by which southern novelists repeatedly imagined their white characters as fundamentally black in some sense. Beginning with William Faulkner, Duvall traces a form of figurative and rhetorical masking in twentieth-century southern fiction that derives from whiteface minstrelsy. In the fiction of such subsequent writers as Flannery O'Connor, John Barth, Dorothy Allison, and Ishmael Reed, the reader sees characters who present a white face to the world, even as they unconsciously perform cultural blackness. These queer performances of race repeatedly reveal thatbeing merely Caucasian is insufficient to claim Southern Whiteness.
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