語系:
繁體中文
English
日文
簡体中文
說明(常見問題)
登入
回首頁
切換:
標籤
|
MARC模式
|
ISBD
Directors and the new musical drama[...
~
Lundskaer-Nielsen, Miranda, (1973-)
Directors and the new musical drama[electronic resource] :British and American musical theatre in the 1980s and 90s /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
杜威分類號:
792.609
書名/作者:
Directors and the new musical drama : British and American musical theatre in the 1980s and 90s // Miranda Lundskaer-Nielsen.
作者:
Lundskaer-Nielsen, Miranda,
出版者:
New York, N.Y. : : Palgrave Macmillan,, 2008.
面頁冊數:
x, 231 p. : : ill.
叢書名:
Palgrave studies in theatre and performance history
標題:
Musicals - History and criticism. - 20th century - England
標題:
Musicals - History and criticism. - 20th century - New York (State)
標題:
Musicals - Production and direction - England
標題:
Musicals - Production and direction - New York (State)
標題:
Musical theater producers and directors - Interviews.
ISBN:
9780230611245
ISBN:
0230611249
書目註:
Includes bibliographical references (p. [223]-226) and index.
內容註:
Introduction: Anglo-American perspectives -- Harold Prince in context -- From Cabaret to Sweeney Todd: musical drama on Broadway -- Cultural barricades: reading the West End musicals -- Beyond the logos: West End musical drama -- New horizons: nonprofit musical drama -- Nonprofit directors inthe 1990s -- Rethinking revivals -- Staging the canon: British directors and classic American musicals -- The legacy of the 1980sand 90s -- Interviews: Adam Guettel -- Matthew Warchus -- William Finn-- David Leveaux -- Ira Weitzman -- James Lapine -- Margo Lion -- JackViertel -- Richard Maltby, Jr.
摘要、提要註:
Directors and the New Musical Drama offers a fresh perspective on the dramatic shifts in musical theatre in the 1980s and 90s. Miranda Lundskaer-Nielsen explores the cultural differences between British and American musicals, examines their critical reception, and demonstrates thecrucial roleof British and American directors in developing musical dramas that have initiated change in the parameters of this popular art form. Starting with the provocative idea of the "British Invasion", thisvolume includes analysis of groundbreaking musicals such as Sunday inthe Park with George, Les Miserables and Jelly's Last Jam, as well as interviews with leading musical theatre writers, directors and producers.
電子資源:
access to fulltext (Palgrave)
Directors and the new musical drama[electronic resource] :British and American musical theatre in the 1980s and 90s /
Lundskaer-Nielsen, Miranda,1973-
Directors and the new musical drama
British and American musical theatre in the 1980s and 90s /[electronic resource] :Miranda Lundskaer-Nielsen. - 1st ed. - New York, N.Y. :Palgrave Macmillan,2008. - x, 231 p. :ill. - Palgrave studies in theatre and performance history.
Includes bibliographical references (p. [223]-226) and index.
Introduction: Anglo-American perspectives -- Harold Prince in context -- From Cabaret to Sweeney Todd: musical drama on Broadway -- Cultural barricades: reading the West End musicals -- Beyond the logos: West End musical drama -- New horizons: nonprofit musical drama -- Nonprofit directors inthe 1990s -- Rethinking revivals -- Staging the canon: British directors and classic American musicals -- The legacy of the 1980sand 90s -- Interviews: Adam Guettel -- Matthew Warchus -- William Finn-- David Leveaux -- Ira Weitzman -- James Lapine -- Margo Lion -- JackViertel -- Richard Maltby, Jr.
Directors and the New Musical Drama offers a fresh perspective on the dramatic shifts in musical theatre in the 1980s and 90s. Miranda Lundskaer-Nielsen explores the cultural differences between British and American musicals, examines their critical reception, and demonstrates thecrucial roleof British and American directors in developing musical dramas that have initiated change in the parameters of this popular art form. Starting with the provocative idea of the "British Invasion", thisvolume includes analysis of groundbreaking musicals such as Sunday inthe Park with George, Les Miserables and Jelly's Last Jam, as well as interviews with leading musical theatre writers, directors and producers.
Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.
Mode of access:World Wide Web.
ISBN: 9780230611245
Standard No.: 10.1057/9780230611245doiSubjects--Topical Terms:
373488
Musicals
--History and criticism.--England--20th centuryIndex Terms--Genre/Form:
336502
Electronic books.
LC Class. No.: ML2054 / .L86 2008eb
Dewey Class. No.: 792.609
Directors and the new musical drama[electronic resource] :British and American musical theatre in the 1980s and 90s /
LDR
:02694cam a2200325 a 4500
001
328088
003
OCoLC
005
20101102091333.0
006
m d
007
cr nn muauu
008
110607s2008 nyua sb 001 0 eng d
020
$a
9780230611245
020
$a
0230611249
024
7
$a
10.1057/9780230611245
$2
doi
040
$a
UKPGM
$b
eng
$c
UKPGM
$d
YDXCP
$d
IDEBK
041
0
$a
eng
043
$a
e-uk-en
$a
n-us-ny
049
$a
APTA
050
1 4
$a
ML2054
$b
.L86 2008eb
082
0 4
$a
792.609
$2
22
100
1
$a
Lundskaer-Nielsen, Miranda,
$d
1973-
$3
373487
245
1 0
$a
Directors and the new musical drama
$h
[electronic resource] :
$b
British and American musical theatre in the 1980s and 90s /
$c
Miranda Lundskaer-Nielsen.
250
$a
1st ed.
260
$a
New York, N.Y. :
$b
Palgrave Macmillan,
$c
2008.
300
$a
x, 231 p. :
$b
ill.
440
0
$a
Palgrave studies in theatre and performance history
504
$a
Includes bibliographical references (p. [223]-226) and index.
505
0
$a
Introduction: Anglo-American perspectives -- Harold Prince in context -- From Cabaret to Sweeney Todd: musical drama on Broadway -- Cultural barricades: reading the West End musicals -- Beyond the logos: West End musical drama -- New horizons: nonprofit musical drama -- Nonprofit directors inthe 1990s -- Rethinking revivals -- Staging the canon: British directors and classic American musicals -- The legacy of the 1980sand 90s -- Interviews: Adam Guettel -- Matthew Warchus -- William Finn-- David Leveaux -- Ira Weitzman -- James Lapine -- Margo Lion -- JackViertel -- Richard Maltby, Jr.
520
$a
Directors and the New Musical Drama offers a fresh perspective on the dramatic shifts in musical theatre in the 1980s and 90s. Miranda Lundskaer-Nielsen explores the cultural differences between British and American musicals, examines their critical reception, and demonstrates thecrucial roleof British and American directors in developing musical dramas that have initiated change in the parameters of this popular art form. Starting with the provocative idea of the "British Invasion", thisvolume includes analysis of groundbreaking musicals such as Sunday inthe Park with George, Les Miserables and Jelly's Last Jam, as well as interviews with leading musical theatre writers, directors and producers.
533
$a
Electronic reproduction.
$b
Basingstoke, England :
$c
Palgrave Macmillan,
$d
2009.
$n
Mode of access:World Wide Web.
$n
System requirements: Web browser.
$n
Title from title screen (viewed on Mar. 3, 2009).
$n
Access may berestricted to users at subscribing institutions.
650
0
$a
Musicals
$z
England
$z
London
$y
20th century
$x
History and criticism.
$3
373488
650
0
$a
Musicals
$z
New York (State)
$z
New York
$y
20th century
$x
History and criticism.
$3
373489
650
0
$a
Musicals
$x
Production and direction
$z
England
$z
London.
$3
373490
650
0
$a
Musicals
$x
Production and direction
$z
New York (State)
$z
New York.
$3
373491
650
0
$a
Musical theater producers and directors
$v
Interviews.
$3
373492
655
7
$a
Electronic books.
$2
local
$3
336502
710
2
$a
Palgrave Connect (Online service)
$3
370384
776
1
$c
Original
$z
9780230601291
$z
0230601294
$w
(DLC) 2008299816
$w
(OCoLC)154788795
856
4 0
$3
Palgrave Connect
$u
http://www.palgraveconnect.com/doifinder/10.1057/9780230611245
$z
access to fulltext (Palgrave)
筆 0 讀者評論
多媒體
多媒體檔案
http://www.palgraveconnect.com/doifinder/10.1057/9780230611245
評論
新增評論
分享你的心得
Export
取書館別
處理中
...
變更密碼
登入