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African American literature and the classicist tradition[electronic resource] :Black women writers from Wheatley to Morrison /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	820.9/9287096
書名/作者:	African American literature and the classicist tradition : Black women writers from Wheatley to Morrison // Tracey L. Walters.
作者:	Walters, Tracey Lorraine.
出版者:	New York : : Palgrave MacMillan,, 2007.
面頁冊數:	197 p.
標題:	American literature - African American authors
標題:	American literature - Women authors
標題:	Mythology in literature.
ISBN:	9780230608870
ISBN:	0230608876
書目註:	Includes bibliographical references (p. [183]-194) and index.
內容註:	Introduction: writing the classical Black: the poetic and political function of African American women's classical revision -- Historical overview of ancient and contemporary representation of classical mythology -- Classical discourse as political agency: African American revisionist mythmaking by Phillis Wheatley, Henrietta Cordelia Ray, and Pauline Hopkins -- Gwendolyn Brooks' racialization of the Persephone and Demeter myth in "the Anniad" and "in The Mecca" -- The destruction and reconstruction of classical and cultural myth in Toni Morrison's Song of Solomon, Beloved and The Bluest Eye -- A universal approach to classical mythology: Rita Dove's The Darker Face of the Earth and Mother Love.
摘要、提要註:	This is a groundbreaking study exploring the significant relationship between western classical mythology and African American women?s literature. A comparative analysis of classical revisions by eighteenth andnineteenth century Black women writers Phillis Wheatley and Pauline Hopkins and twentieth century writers Gwendolyn Brooks, Toni Morrison, and Rita Dove reveals that Black women writers revise specific classical myths for artistic and political agency. The study demonstrates that women rework myth to represent mythical stories from the Black female perspective and to counteract denigrating contemporary cultural and socialmyths that disempower and devalue Black womanhood. Throughtheir adaptations of classical myths about motherhood, Wheatley, Ray, Brooks, Morrison, and Dove uncover the shared experiences of mythic mothers and their contemporary African American counterparts thus offering a unique Black feminist perspective to classicism. The women also use myth as a liberating space where they can ?speak the unspeakable? and empower theirsubjects as well as themselves.
電子資源:	access to fulltext (Palgrave)

African American literature and the classicist tradition[electronic resource] :Black women writers from Wheatley to Morrison /
Walters, Tracey Lorraine.

African American literature and the classicist traditionBlack women writers from Wheatley to Morrison /[electronic resource] :Tracey L. Walters. - 1st ed. - New York :Palgrave MacMillan,2007. - 197 p.

Includes bibliographical references (p. [183]-194) and index.

Introduction: writing the classical Black: the poetic and political function of African American women's classical revision -- Historical overview of ancient and contemporary representation of classical mythology -- Classical discourse as political agency: African American revisionist mythmaking by Phillis Wheatley, Henrietta Cordelia Ray, and Pauline Hopkins -- Gwendolyn Brooks' racialization of the Persephone and Demeter myth in "the Anniad" and "in The Mecca" -- The destruction and reconstruction of classical and cultural myth in Toni Morrison's Song of Solomon, Beloved and The Bluest Eye -- A universal approach to classical mythology: Rita Dove's The Darker Face of the Earth and Mother Love.

This is a groundbreaking study exploring the significant relationship between western classical mythology and African American women?s literature. A comparative analysis of classical revisions by eighteenth andnineteenth century Black women writers Phillis Wheatley and Pauline Hopkins and twentieth century writers Gwendolyn Brooks, Toni Morrison, and Rita Dove reveals that Black women writers revise specific classical myths for artistic and political agency. The study demonstrates that women rework myth to represent mythical stories from the Black female perspective and to counteract denigrating contemporary cultural and socialmyths that disempower and devalue Black womanhood. Throughtheir adaptations of classical myths about motherhood, Wheatley, Ray, Brooks, Morrison, and Dove uncover the shared experiences of mythic mothers and their contemporary African American counterparts thus offering a unique Black feminist perspective to classicism. The women also use myth as a liberating space where they can ?speak the unspeakable? and empower theirsubjects as well as themselves.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 9780230608870

Standard No.: 10.1057/9780230608870doiSubjects--Topical Terms:

373339
American literature
--African American authorsIndex Terms--Genre/Form:

336502
Electronic books.

LC Class. No.: PS153.N5 / W335 2007eb

Dewey Class. No.: 820.9/9287096

African American literature and the classicist tradition[electronic resource] :Black women writers from Wheatley to Morrison /
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520 $a This is a groundbreaking study exploring the significant relationship between western classical mythology and African American women?s literature. A comparative analysis of classical revisions by eighteenth andnineteenth century Black women writers Phillis Wheatley and Pauline Hopkins and twentieth century writers Gwendolyn Brooks, Toni Morrison, and Rita Dove reveals that Black women writers revise specific classical myths for artistic and political agency. The study demonstrates that women rework myth to represent mythical stories from the Black female perspective and to counteract denigrating contemporary cultural and socialmyths that disempower and devalue Black womanhood. Throughtheir adaptations of classical myths about motherhood, Wheatley, Ray, Brooks, Morrison, and Dove uncover the shared experiences of mythic mothers and their contemporary African American counterparts thus offering a unique Black feminist perspective to classicism. The women also use myth as a liberating space where they can ?speak the unspeakable? and empower theirsubjects as well as themselves.
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