大葉大學圖書館 |

Desire and gender in the sonnet tradition[electronic resource] /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	821/.042093538
書名/作者:	Desire and gender in the sonnet tradition/ Natasha Distiller.
作者:	Distiller, Natasha.
出版者:	Basingstoke [England] ; : Palgrave Macmillan,, 2008.
面頁冊數:	vi, 226 p.
標題:	English poetry - History and criticism. - Early modern, 1500-1700
標題:	Sonnets, English - History and criticism.
標題:	Sex role in literature.
標題:	Desire in literature.
標題:	Petrarchism.
ISBN:	9780230583832
ISBN:	0230583830
書目註:	Includes bibliographical references (p. 182-210) and index.
內容註:	Sex, gender, and sexual difference -- Petrarchism and psychoanalysis-- Petrarchism in early modern England -- The petrarchism of Mary Wroth -- Strategies of legitimation 1796-1881 -- Queering the petrarchan subject : the poetry of Rosa Newmarch -- Edna St Vincent Millay and the dissident petrarchan subject -- Conclusion : petrarchism today.
摘要、提要註:	This new study explores the poetic tradition of the love sonnet sequence in English as written by women. Natasha Distiller offers a unique contribution to the debate about gender and subjectivity by taking the subject of the sonnet as an analogue for the Lacanian subject. The bookranges from the development of Petrarchism in sixteenth-century English poetry, to sequences by Englishwomen in the eighteenth and nineteenthcenturies. It examines the work of Edna St Vincent Millay in the earlytwentieth century, and explores the Petrarchan inheritances in gangster rap today. Offering a distinctive theoretical scope, and speaking to scholars of feminist theory, of the sonnet, of women's literary historyand of cultural studies, it engages with current and ongoing debates about the place of women's voices in Western literature and theories of subjectivity; about the development of a psychoanalytic literary critical vocabulary; and about the history of poetics in discourses of love.
電子資源:	access to fulltext (Palgrave)

Desire and gender in the sonnet tradition[electronic resource] /
Distiller, Natasha.

Desire and gender in the sonnet tradition[electronic resource] /Natasha Distiller. - Basingstoke [England] ;Palgrave Macmillan,2008. - vi, 226 p.

Includes bibliographical references (p. 182-210) and index.

Sex, gender, and sexual difference -- Petrarchism and psychoanalysis-- Petrarchism in early modern England -- The petrarchism of Mary Wroth -- Strategies of legitimation 1796-1881 -- Queering the petrarchan subject : the poetry of Rosa Newmarch -- Edna St Vincent Millay and the dissident petrarchan subject -- Conclusion : petrarchism today.

This new study explores the poetic tradition of the love sonnet sequence in English as written by women. Natasha Distiller offers a unique contribution to the debate about gender and subjectivity by taking the subject of the sonnet as an analogue for the Lacanian subject. The bookranges from the development of Petrarchism in sixteenth-century English poetry, to sequences by Englishwomen in the eighteenth and nineteenthcenturies. It examines the work of Edna St Vincent Millay in the earlytwentieth century, and explores the Petrarchan inheritances in gangster rap today. Offering a distinctive theoretical scope, and speaking to scholars of feminist theory, of the sonnet, of women's literary historyand of cultural studies, it engages with current and ongoing debates about the place of women's voices in Western literature and theories of subjectivity; about the development of a psychoanalytic literary critical vocabulary; and about the history of poetics in discourses of love.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 9780230583832

Standard No.: 10.1057/9780230583832doiSubjects--Personal Names:

373069
Petrarca, Francesco,
1304-1374--Influence.Subjects--Topical Terms:

373070
English poetry
--History and criticism.--Early modern, 1500-1700Index Terms--Genre/Form:

336502
Electronic books.

LC Class. No.: PR535.L7 / D57 2008eb

Dewey Class. No.: 821/.042093538

Desire and gender in the sonnet tradition[electronic resource] /
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300 $a vi, 226 p.
504 $a Includes bibliographical references (p. 182-210) and index.
505 0 $a Sex, gender, and sexual difference -- Petrarchism and psychoanalysis-- Petrarchism in early modern England -- The petrarchism of Mary Wroth -- Strategies of legitimation 1796-1881 -- Queering the petrarchan subject : the poetry of Rosa Newmarch -- Edna St Vincent Millay and the dissident petrarchan subject -- Conclusion : petrarchism today.
520 $a This new study explores the poetic tradition of the love sonnet sequence in English as written by women. Natasha Distiller offers a unique contribution to the debate about gender and subjectivity by taking the subject of the sonnet as an analogue for the Lacanian subject. The bookranges from the development of Petrarchism in sixteenth-century English poetry, to sequences by Englishwomen in the eighteenth and nineteenthcenturies. It examines the work of Edna St Vincent Millay in the earlytwentieth century, and explores the Petrarchan inheritances in gangster rap today. Offering a distinctive theoretical scope, and speaking to scholars of feminist theory, of the sonnet, of women's literary historyand of cultural studies, it engages with current and ongoing debates about the place of women's voices in Western literature and theories of subjectivity; about the development of a psychoanalytic literary critical vocabulary; and about the history of poetics in discourses of love.
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