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Visuality in the theatre[electronic resource] :the locus of looking /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	792.01
書名/作者:	Visuality in the theatre : the locus of looking // Maaike Bleeker.
作者:	Bleeker, Maaike.
出版者:	Basingstoke [England] ; : Palgrave Macmillan,, 2008.
面頁冊數:	xiii, 228 p. : : ill.
叢書名:	Performance interventions
標題:	Theater - Philosophy.
ISBN:	9780230583368
ISBN:	0230583369
書目註:	Includes bibliographical references (p. 199-221) and index.
內容註:	Perspective and the Paradox of Post-Dramatic Subjectivity -- 'Step Inside': Absorption, Focalisation and the Subject of Vision -- Plato's Theatre -- Navel Gazing as Critical Practice -- Retheatricalizing Sexuality in the Field of Vision -- Disorders that Consciousness Can Produce -- Death, Digitalization and Dys-Appearance -- Theatre at the Thresholdof the Visible World -- Visions of Cultural Difference.
摘要、提要註:	Visuality in the Theatre proposes a new theoretical approach to the dynamics of looking engendered in the theatre. Visuality, this book argues, is not something we look at but something that wecreate by looking. Visuality is an embodied experience involving more than just the optical senses.The relationship between someone looking and something seen is fundamental to the experiences theatreand performance can evoke, while at the same time this relationship remains, to a large extent, invisible in the act of seeing. Bleeker offers a 'dissection of visuality', pointing to the close relationship between the mediations of the theatre and performance and apparatuses of vision (in both thedramatic theatre and its deconstruction on the contemporary stage).
電子資源:	access to fulltext (Palgrave)

Visuality in the theatre[electronic resource] :the locus of looking /
Bleeker, Maaike.

Visuality in the theatrethe locus of looking /[electronic resource] :Maaike Bleeker. - Basingstoke [England] ;Palgrave Macmillan,2008. - xiii, 228 p. :ill. - Performance interventions.

Includes bibliographical references (p. 199-221) and index.

Perspective and the Paradox of Post-Dramatic Subjectivity -- 'Step Inside': Absorption, Focalisation and the Subject of Vision -- Plato's Theatre -- Navel Gazing as Critical Practice -- Retheatricalizing Sexuality in the Field of Vision -- Disorders that Consciousness Can Produce -- Death, Digitalization and Dys-Appearance -- Theatre at the Thresholdof the Visible World -- Visions of Cultural Difference.

Visuality in the Theatre proposes a new theoretical approach to the dynamics of looking engendered in the theatre. Visuality, this book argues, is not something we look at but something that wecreate by looking. Visuality is an embodied experience involving more than just the optical senses.The relationship between someone looking and something seen is fundamental to the experiences theatreand performance can evoke, while at the same time this relationship remains, to a large extent, invisible in the act of seeing. Bleeker offers a 'dissection of visuality', pointing to the close relationship between the mediations of the theatre and performance and apparatuses of vision (in both thedramatic theatre and its deconstruction on the contemporary stage).

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 9780230583368

Standard No.: 10.1057/9780230583368doiSubjects--Topical Terms:

373027
Theater
--Philosophy.Index Terms--Genre/Form:

336502
Electronic books.

LC Class. No.: PN2039 / .B59 2008eb

Dewey Class. No.: 792.01

Visuality in the theatre[electronic resource] :the locus of looking /
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300 $a xiii, 228 p. : $b ill.
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504 $a Includes bibliographical references (p. 199-221) and index.
505 0 $a Perspective and the Paradox of Post-Dramatic Subjectivity -- 'Step Inside': Absorption, Focalisation and the Subject of Vision -- Plato's Theatre -- Navel Gazing as Critical Practice -- Retheatricalizing Sexuality in the Field of Vision -- Disorders that Consciousness Can Produce -- Death, Digitalization and Dys-Appearance -- Theatre at the Thresholdof the Visible World -- Visions of Cultural Difference.
520 $a Visuality in the Theatre proposes a new theoretical approach to the dynamics of looking engendered in the theatre. Visuality, this book argues, is not something we look at but something that wecreate by looking. Visuality is an embodied experience involving more than just the optical senses.The relationship between someone looking and something seen is fundamental to the experiences theatreand performance can evoke, while at the same time this relationship remains, to a large extent, invisible in the act of seeing. Bleeker offers a 'dissection of visuality', pointing to the close relationship between the mediations of the theatre and performance and apparatuses of vision (in both thedramatic theatre and its deconstruction on the contemporary stage).
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