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Performing the body in Irish theatre...
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Palgrave Connect (Online service)
Performing the body in Irish theatre[electronic resource] /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
杜威分類號:
822/.914093561
書名/作者:
Performing the body in Irish theatre/ Bernadette Sweeney.
作者:
Sweeney, Bernadette,
出版者:
Basingstoke [England] ; : Palgrave Macmillan,, 2008.
面頁冊數:
xi, 241 p. : : ill.
標題:
English drama - Irish authors
標題:
English drama - History and criticism. - 20th century
標題:
Human body in literature.
標題:
Theater - History - 20th century. - Ireland
標題:
Human body - Social aspects - 20th century. - Ireland
ISBN:
9780230582057
ISBN:
0230582052
書目註:
Includes bibliographical references (p. 218-236) and index.
內容註:
List of Illustrations -- Acknowledgements -- Introduction -- The Absent Body? Performing Tradition -- The Inanimate Body: The Great Hunger -- The Savage Body: The Saxon Shore -- The Dancing Body: Dancing at Lughnasa -- The Troubled Body: At the Black Pig's Dyke -- The Indeterminate Body: Low in the Dark -- The Present Body? Evolving Tradition -- Select Bibliography -- Index.
摘要、提要註:
Performing the Body in Irish Theatre reads recent Irish theatre history through the discipline of performance studies, re-imagining Irish theatre history by considering stagings of the body in canonical works. The five plays and their productions analyzed closely here are each significant in terms of the performance idiom and the placing of body. Bernadette Sweeney focuses on the liveness of the bodies of the actors andon the performance context, using gender and postcolonial studies to set the context of each production. Productions analyzed include the high-profile (Dancing at Lughnasa), the influential (The Great Hunger) andthe hidden (The Saxon Shore). The book also considers contemporary stagings of the body in Irish theatre, including dance theatre and interdisciplinary work.
電子資源:
access to fulltext (Palgrave)
Performing the body in Irish theatre[electronic resource] /
Sweeney, Bernadette,1969-
Performing the body in Irish theatre
[electronic resource] /Bernadette Sweeney. - Basingstoke [England] ;Palgrave Macmillan,2008. - xi, 241 p. :ill.
Includes bibliographical references (p. 218-236) and index.
List of Illustrations -- Acknowledgements -- Introduction -- The Absent Body? Performing Tradition -- The Inanimate Body: The Great Hunger -- The Savage Body: The Saxon Shore -- The Dancing Body: Dancing at Lughnasa -- The Troubled Body: At the Black Pig's Dyke -- The Indeterminate Body: Low in the Dark -- The Present Body? Evolving Tradition -- Select Bibliography -- Index.
Performing the Body in Irish Theatre reads recent Irish theatre history through the discipline of performance studies, re-imagining Irish theatre history by considering stagings of the body in canonical works. The five plays and their productions analyzed closely here are each significant in terms of the performance idiom and the placing of body. Bernadette Sweeney focuses on the liveness of the bodies of the actors andon the performance context, using gender and postcolonial studies to set the context of each production. Productions analyzed include the high-profile (Dancing at Lughnasa), the influential (The Great Hunger) andthe hidden (The Saxon Shore). The book also considers contemporary stagings of the body in Irish theatre, including dance theatre and interdisciplinary work.
Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.
Mode of access:World Wide Web.
ISBN: 9780230582057
Standard No.: 10.1057/9780230582057doiSubjects--Topical Terms:
371193
English drama
--Irish authorsIndex Terms--Genre/Form:
336502
Electronic books.
LC Class. No.: PR8789 / .S94 2008eb
Dewey Class. No.: 822/.914093561
Performing the body in Irish theatre[electronic resource] /
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List of Illustrations -- Acknowledgements -- Introduction -- The Absent Body? Performing Tradition -- The Inanimate Body: The Great Hunger -- The Savage Body: The Saxon Shore -- The Dancing Body: Dancing at Lughnasa -- The Troubled Body: At the Black Pig's Dyke -- The Indeterminate Body: Low in the Dark -- The Present Body? Evolving Tradition -- Select Bibliography -- Index.
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Performing the Body in Irish Theatre reads recent Irish theatre history through the discipline of performance studies, re-imagining Irish theatre history by considering stagings of the body in canonical works. The five plays and their productions analyzed closely here are each significant in terms of the performance idiom and the placing of body. Bernadette Sweeney focuses on the liveness of the bodies of the actors andon the performance context, using gender and postcolonial studies to set the context of each production. Productions analyzed include the high-profile (Dancing at Lughnasa), the influential (The Great Hunger) andthe hidden (The Saxon Shore). The book also considers contemporary stagings of the body in Irish theatre, including dance theatre and interdisciplinary work.
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