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A feminine cinematics[electronic resource] :Luce Irigaray, womenand film /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	791.43082
書名/作者:	A feminine cinematics : Luce Irigaray, womenand film // Caroline Bainbridge.
作者:	Bainbridge, Caroline,
出版者:	Basingstoke [England] ; : Palgrave Macmillan,, 2008.
面頁冊數:	ix, 223 p.
標題:	Motion pictures and women.
標題:	Women in motion pictures.
標題:	Feminist films - History and criticism.
標題:	Feminist film criticism.
ISBN:	9780230583689
ISBN:	0230583687
書目註:	Includes bibliographical references (p. 207-216) and index.
內容註:	-- Acknowledgements -- Introduction -- Reading the Feminine with Irigaray -- Spectatorship, Cinematic Strategy and Mediation -- Practising the Feminine: Contexts of Production, Direction and Reception -- Fantasy and the Feminine: Female Perversions and Under the Skin -- Screening Parler femme: Silences of the Palace, Antonia's Line and Faithless -- Orlando and the Maze of Gender -- Riddles of the Feminine in The Piano -- Impossible Differences: Slippages and Auguries -- Filmography -- Bibliography -- Index --.
摘要、提要註:	Drawing on the work of philosopher Luce Irigaray, this groundbreaking study intervenes in thedebate around women and film. Women's films can be seen as providing a new arena for the explorationof sexual difference and patterns of representation and spectatorship. This timely book analyses films such as The Piano, Orlando, Antonia's Line and The Silences of the Palace in order to make the case that a feminine cinematics is now emerging through the scene of women's filmmaking. Caroline Bainbridge moves beyond the framework of textual analysis by making a compelling case for the importanceof contextual elements in contemporary women's cinema, foregrounding issues of production, direction and reception.
電子資源:	access to fulltext (Palgrave)

A feminine cinematics[electronic resource] :Luce Irigaray, womenand film /
Bainbridge, Caroline,1970-

A feminine cinematicsLuce Irigaray, womenand film /[electronic resource] :Caroline Bainbridge. - Basingstoke [England] ;Palgrave Macmillan,2008. - ix, 223 p.

Includes bibliographical references (p. 207-216) and index.

-- Acknowledgements -- Introduction -- Reading the Feminine with Irigaray -- Spectatorship, Cinematic Strategy and Mediation -- Practising the Feminine: Contexts of Production, Direction and Reception -- Fantasy and the Feminine: Female Perversions and Under the Skin -- Screening Parler femme: Silences of the Palace, Antonia's Line and Faithless -- Orlando and the Maze of Gender -- Riddles of the Feminine in The Piano -- Impossible Differences: Slippages and Auguries -- Filmography -- Bibliography -- Index --.

Drawing on the work of philosopher Luce Irigaray, this groundbreaking study intervenes in thedebate around women and film. Women's films can be seen as providing a new arena for the explorationof sexual difference and patterns of representation and spectatorship. This timely book analyses films such as The Piano, Orlando, Antonia's Line and The Silences of the Palace in order to make the case that a feminine cinematics is now emerging through the scene of women's filmmaking. Caroline Bainbridge moves beyond the framework of textual analysis by making a compelling case for the importanceof contextual elements in contemporary women's cinema, foregrounding issues of production, direction and reception.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 9780230583689

Standard No.: 10.1057/9780230583689doiSubjects--Personal Names:

372016
Irigaray, Luce
--Criticism and interpretation.Subjects--Topical Terms:

372017
Motion pictures and women.
Index Terms--Genre/Form:

336502
Electronic books.

LC Class. No.: PN1995.9.W6 / B295 2008eb

Dewey Class. No.: 791.43082

A feminine cinematics[electronic resource] :Luce Irigaray, womenand film /
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245 1 2 $a A feminine cinematics $h [electronic resource] : $b Luce Irigaray, womenand film / $c Caroline Bainbridge.
260 $a Basingstoke [England] ; $a New York : $b Palgrave Macmillan, $c 2008.
300 $a ix, 223 p.
504 $a Includes bibliographical references (p. 207-216) and index.
504 $a Includes filmography.
505 0 $a -- Acknowledgements -- Introduction -- Reading the Feminine with Irigaray -- Spectatorship, Cinematic Strategy and Mediation -- Practising the Feminine: Contexts of Production, Direction and Reception -- Fantasy and the Feminine: Female Perversions and Under the Skin -- Screening Parler femme: Silences of the Palace, Antonia's Line and Faithless -- Orlando and the Maze of Gender -- Riddles of the Feminine in The Piano -- Impossible Differences: Slippages and Auguries -- Filmography -- Bibliography -- Index --.
520 $a Drawing on the work of philosopher Luce Irigaray, this groundbreaking study intervenes in thedebate around women and film. Women's films can be seen as providing a new arena for the explorationof sexual difference and patterns of representation and spectatorship. This timely book analyses films such as The Piano, Orlando, Antonia's Line and The Silences of the Palace in order to make the case that a feminine cinematics is now emerging through the scene of women's filmmaking. Caroline Bainbridge moves beyond the framework of textual analysis by making a compelling case for the importanceof contextual elements in contemporary women's cinema, foregrounding issues of production, direction and reception.
533 $a Electronic reproduction. $b Basingstoke, England : $c Palgrave Macmillan, $d 2009. $n Mode of access:World Wide Web. $n System requirements: Web browser. $n Title from title screen (viewed on Mar. 3, 2009). $n Access may berestricted to users at subscribing institutions.
600 1 0 $a Irigaray, Luce $x Criticism and interpretation. $3 372016
650 0 $a Motion pictures and women. $3 372017
650 0 $a Women in motion pictures. $3 372018
650 0 $a Feminist films $x History and criticism. $3 372019
650 0 $a Feminist film criticism. $3 372020
655 7 $a Electronic books. $2 local $3 336502
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