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The poetics of description[electronic resource] :imagined placesin European literature /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	809/.93372
書名/作者:	The poetics of description : imagined placesin European literature // Janice Hewlett Koelb.
作者:	Koelb, Janice Hewlett.
出版者:	New York : : Palgrave Macmillan,, 2006.
面頁冊數:	xii, 232 p.
標題:	European literature - History and criticism.
標題:	Description (Rhetoric)
標題:	Ekphrasis.
標題:	Landscapes in literature.
標題:	Picturesque, The, in literature.
標題:	Romanticism - Great Britain.
標題:	Setting (Literature)
標題:	Imagination in literature.
標題:	Nature in literature.
ISBN:	9780230601888
ISBN:	023060188X
書目註:	Includes bibliographical references (p. [207]-219) and index.
內容註:	Introduction: Ecphrasis, Description, and the Imagined Place * "As If Present": Classical Ecphrasis * Unity, Form, and Figuration * A Sylvan Scene * The Universe Dead or Alive: Gilpin, Wordsworth, and the Picturesque * The Visionary Eye: Wordsworth?s Anti-picturesque Excursion * "Till the Place Became Religion": Byron?s Coliseum * Epilogue: Immediacy.
摘要、提要註:	The Poetics of Description tells a remarkable story that begins in classical antiquity with ecphrasis, the art of describing the world so vividly that the audience could become imaginative eyewitnesses. The story continues with the European writers from Milton to Lord Byron who inherited thistradition and used it to describe places, both natural andman-made, to serve as figures for mind, memory, and creative perception. It comes to a surprising conclusion when, in the middle of the twentieth century, one prominent scholar?s misunderstanding limited ecphrasis to descriptions of works ofart, and what had begun as an ideal of immediacy was transformed into nearly its opposite, a preoccupation with representation of representation.
電子資源:	access to fulltext (Palgrave)

The poetics of description[electronic resource] :imagined placesin European literature /
Koelb, Janice Hewlett.

The poetics of descriptionimagined placesin European literature /[electronic resource] :Janice Hewlett Koelb. - 1st ed. - New York :Palgrave Macmillan,2006. - xii, 232 p.

Includes bibliographical references (p. [207]-219) and index.

Introduction: Ecphrasis, Description, and the Imagined Place * "As If Present": Classical Ecphrasis * Unity, Form, and Figuration * A Sylvan Scene * The Universe Dead or Alive: Gilpin, Wordsworth, and the Picturesque * The Visionary Eye: Wordsworth?s Anti-picturesque Excursion * "Till the Place Became Religion": Byron?s Coliseum * Epilogue: Immediacy.

The Poetics of Description tells a remarkable story that begins in classical antiquity with ecphrasis, the art of describing the world so vividly that the audience could become imaginative eyewitnesses. The story continues with the European writers from Milton to Lord Byron who inherited thistradition and used it to describe places, both natural andman-made, to serve as figures for mind, memory, and creative perception. It comes to a surprising conclusion when, in the middle of the twentieth century, one prominent scholar?s misunderstanding limited ecphrasis to descriptions of works ofart, and what had begun as an ideal of immediacy was transformed into nearly its opposite, a preoccupation with representation of representation.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 9780230601888

Standard No.: 10.1057/9780230601888doiSubjects--Topical Terms:

371162
European literature
--History and criticism.Index Terms--Genre/Form:

336502
Electronic books.

LC Class. No.: PN56.I44 / K64 2006eb

Dewey Class. No.: 809/.93372

The poetics of description[electronic resource] :imagined placesin European literature /
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250 $a 1st ed.
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300 $a xii, 232 p.
504 $a Includes bibliographical references (p. [207]-219) and index.
505 0 $a Introduction: Ecphrasis, Description, and the Imagined Place * "As If Present": Classical Ecphrasis * Unity, Form, and Figuration * A Sylvan Scene * The Universe Dead or Alive: Gilpin, Wordsworth, and the Picturesque * The Visionary Eye: Wordsworth?s Anti-picturesque Excursion * "Till the Place Became Religion": Byron?s Coliseum * Epilogue: Immediacy.
520 $a The Poetics of Description tells a remarkable story that begins in classical antiquity with ecphrasis, the art of describing the world so vividly that the audience could become imaginative eyewitnesses. The story continues with the European writers from Milton to Lord Byron who inherited thistradition and used it to describe places, both natural andman-made, to serve as figures for mind, memory, and creative perception. It comes to a surprising conclusion when, in the middle of the twentieth century, one prominent scholar?s misunderstanding limited ecphrasis to descriptions of works ofart, and what had begun as an ideal of immediacy was transformed into nearly its opposite, a preoccupation with representation of representation.
533 $a Electronic reproduction. $b Basingstoke, England : $c Palgrave Macmillan, $d 2009. $n Mode of access:World Wide Web. $n System requirements: Web browser. $n Title from title screen (viewed on Mar. 5, 2009). $n Access may berestricted to users at subscribing institutions.
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650 0 $a Picturesque, The, in literature. $3 371166
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650 0 $a Setting (Literature) $3 371167
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650 0 $a Nature in literature. $3 371169
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