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Re-framing the theatrical[electronic resource] :interdisciplinary landscapes for performance /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	791.01
書名/作者:	Re-framing the theatrical : interdisciplinary landscapes for performance // Alison Oddey.
作者:	Oddey, Alison,
出版者:	Basingstoke [England] ; : Palgrave Macmillan,, 2007.
面頁冊數:	xii, 251 p. : : ill.
標題:	Performing arts - Philosophy.
ISBN:	9780230590724
ISBN:	0230590721
書目註:	Includes bibliographical references (p. 219-238) and index.
內容註:	Reframing -- Director-creator-collaborator: devising and technology -- 'It's about the cross-over': cross-art performance -- Re-thinking the theatrical frame: the opera director, video artist, and visual arts -- Landscapes for performance: the geographies of Deborah Warner -- Angels, soul andrebirth -- Narratives of the city, interpretations of director, reflections of spectator -- The artof sound: auditory directions-- Performing silence.
摘要、提要註:	Alison Oddey takes us on a spectator's journey, engaging with art forms that cross boundariesof categorisation. She examines how these cross-art forms provoke a solo spectator-protagonist, andhow the work becomes meditative and spiritual. In questioning the role of the spectatorand the director, Oddey considers how a re-thinking and reclaiming of physical and artistic forms has contributed to a new kind of making theatre-art, searching for space and contemplation in a hectic twenty-first-century landscape. Highlighting the work of director Deborah Warner and of artists Heather Ackroyd, Dan Harvey and Graeme Miller, Oddey provocatively demonstrates the spectator as centre of the artistic experience, in an exciting and innovative analysis of the many changes taking place in contemporary performance.
電子資源:	access to fulltext (Palgrave)

Re-framing the theatrical[electronic resource] :interdisciplinary landscapes for performance /
Oddey, Alison,1954-

Re-framing the theatricalinterdisciplinary landscapes for performance /[electronic resource] :Alison Oddey. - Basingstoke [England] ;Palgrave Macmillan,2007. - xii, 251 p. :ill.

Includes bibliographical references (p. 219-238) and index.

Reframing -- Director-creator-collaborator: devising and technology -- 'It's about the cross-over': cross-art performance -- Re-thinking the theatrical frame: the opera director, video artist, and visual arts -- Landscapes for performance: the geographies of Deborah Warner -- Angels, soul andrebirth -- Narratives of the city, interpretations of director, reflections of spectator -- The artof sound: auditory directions-- Performing silence.

Alison Oddey takes us on a spectator's journey, engaging with art forms that cross boundariesof categorisation. She examines how these cross-art forms provoke a solo spectator-protagonist, andhow the work becomes meditative and spiritual. In questioning the role of the spectatorand the director, Oddey considers how a re-thinking and reclaiming of physical and artistic forms has contributed to a new kind of making theatre-art, searching for space and contemplation in a hectic twenty-first-century landscape. Highlighting the work of director Deborah Warner and of artists Heather Ackroyd, Dan Harvey and Graeme Miller, Oddey provocatively demonstrates the spectator as centre of the artistic experience, in an exciting and innovative analysis of the many changes taking place in contemporary performance.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 9780230590724

Standard No.: 10.1057/9780230590724doiSubjects--Topical Terms:

371019
Performing arts
--Philosophy.Index Terms--Genre/Form:

336502
Electronic books.

LC Class. No.: PN1584 / .O33 2007eb

Dewey Class. No.: 791.01

Re-framing the theatrical[electronic resource] :interdisciplinary landscapes for performance /
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520 $a Alison Oddey takes us on a spectator's journey, engaging with art forms that cross boundariesof categorisation. She examines how these cross-art forms provoke a solo spectator-protagonist, andhow the work becomes meditative and spiritual. In questioning the role of the spectatorand the director, Oddey considers how a re-thinking and reclaiming of physical and artistic forms has contributed to a new kind of making theatre-art, searching for space and contemplation in a hectic twenty-first-century landscape. Highlighting the work of director Deborah Warner and of artists Heather Ackroyd, Dan Harvey and Graeme Miller, Oddey provocatively demonstrates the spectator as centre of the artistic experience, in an exciting and innovative analysis of the many changes taking place in contemporary performance.
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