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Metafiction and metahistory in conte...
~
Heilmann, Ann.
Metafiction and metahistory in contemporary women's writing[electronic resource] /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
杜威分類號:
823.9/099287
書名/作者:
Metafiction and metahistory in contemporary women's writing/ edited by Ann Heilmann and Mark Llewellyn.
其他作者:
Heilmann, Ann.
出版者:
Basingstoke [England] ; : Palgrave,, 2007.
面頁冊數:
xi, 222 p.
附註:
Includes index.
標題:
English fiction - History and criticism - 20th century
標題:
English fiction - Women authors
標題:
American fiction - History and criticism - 20th century
標題:
American fiction - Women authors
標題:
Women and literature - History - 20th century. - Great Britain
標題:
Women and literature - History - 20th century. - United States
標題:
Fiction - Authorship.
ISBN:
9780230206281
ISBN:
023020628X
內容註:
Introduction: Metafiction and Metahistory in Contemporary Women's Writing / A.Heilmann & M.Llewellyn -- PART ONE: TOWARDS A RECONCEPTUALIZATION OF HISTORY AND IDENTITY -- The Witch, The Puritanand the Prophet:Historical Novels and Seventeenth-Century History / Katharine Hodgkin -- History asStory in Angela Carter's American Ghosts and Old World Wonders / Sarah Gamble -- Falling off the Edgeof the World: History and Gender in Daphne Marlatt's Ana Historic / Sherry Booth -- Time, Space and(Her)Story in the Fiction of Eva Figes / Julia Tofantsuk -- From Demidenko to Darville: Behind the Scenes of a Literary Carnival / Rachel Morley -- PART TWO: HISTORIOGRAPHIC RE-VISIONINGS -- Historicizing Witchcraft Throughout the Ages: Joanna Baillie and Caryl Churchill / Christine A.Cèoln -- The Benefits of Watching the Circus Animals Desert: Myth,Yeats, and Patriarchy in Angela Carter's Nightsat the Circus / Michael Sinowitz -- Passion and Possession as Alternatives to 'Cosmic Masculinity' in'Herstorical' Romances / Georges Letissier -- Michele Roberts:Histories and Herstories in In the Red Kitchen, Fair Exchange and The Looking Glass / Sarah Falcus -- PART THREE: GENERIC EXPERIMENTATIONS WITH GENDER AND GENRE -- Rewriting The Rover / Johanna M.Smith -- The Convent Novel and the UsesofHistory / Diana Wallace -- The Revenge of a Stereotype: Re-Writing the History of the Gothic Heroine in Alice Thompson's Justine / Maria Vara -- The Resisting Writer: Revisiting the Canon, Rewriting History in Sena Jeter Naslund's Ahab's Wife, or The Star-Gazer / Jeanette King -- Breaking the Mould? Sarah Waters and the Politics of Genre / Mark Llewellyn.
摘要、提要註:
In recent years, historical fiction, particularly that by women authors, has been at the cutting edge of postmodern reconceptualisations ofthe past and of contemporary worlds. This collection examines the dynamic experimentation of contemporary women writers from North America, Australia, andthe UK, offering new insights into the works of internationally acclaimed as well as popular writers, including Florence Barclay, A. S. Byatt, Angela Carter, Caryl Churchill, Helen Darville, Stevie Davies, Eva Figes, Philippa Gregory, Susan Kenney, Daphne Marlatt, Sena Jeter Naslund, Michele Roberts, Alice Thompson, and Jeannette Winterson. Blurring the dichotomies of the popular and the literary,the fictional and the factual, and covering those narratives that defy categorisation, the essays assembled in this volume offer new approaches to reading contemporary women fiction writers' reconfigurations of history.
電子資源:
access to fulltext (Palgrave)
Metafiction and metahistory in contemporary women's writing[electronic resource] /
Metafiction and metahistory in contemporary women's writing
[electronic resource] /edited by Ann Heilmann and Mark Llewellyn. - Basingstoke [England] ;Palgrave,2007. - xi, 222 p.
Includes index.
Introduction: Metafiction and Metahistory in Contemporary Women's Writing / A.Heilmann & M.Llewellyn -- PART ONE: TOWARDS A RECONCEPTUALIZATION OF HISTORY AND IDENTITY -- The Witch, The Puritanand the Prophet:Historical Novels and Seventeenth-Century History / Katharine Hodgkin -- History asStory in Angela Carter's American Ghosts and Old World Wonders / Sarah Gamble -- Falling off the Edgeof the World: History and Gender in Daphne Marlatt's Ana Historic / Sherry Booth -- Time, Space and(Her)Story in the Fiction of Eva Figes / Julia Tofantsuk -- From Demidenko to Darville: Behind the Scenes of a Literary Carnival / Rachel Morley -- PART TWO: HISTORIOGRAPHIC RE-VISIONINGS -- Historicizing Witchcraft Throughout the Ages: Joanna Baillie and Caryl Churchill / Christine A.Cèoln -- The Benefits of Watching the Circus Animals Desert: Myth,Yeats, and Patriarchy in Angela Carter's Nightsat the Circus / Michael Sinowitz -- Passion and Possession as Alternatives to 'Cosmic Masculinity' in'Herstorical' Romances / Georges Letissier -- Michele Roberts:Histories and Herstories in In the Red Kitchen, Fair Exchange and The Looking Glass / Sarah Falcus -- PART THREE: GENERIC EXPERIMENTATIONS WITH GENDER AND GENRE -- Rewriting The Rover / Johanna M.Smith -- The Convent Novel and the UsesofHistory / Diana Wallace -- The Revenge of a Stereotype: Re-Writing the History of the Gothic Heroine in Alice Thompson's Justine / Maria Vara -- The Resisting Writer: Revisiting the Canon, Rewriting History in Sena Jeter Naslund's Ahab's Wife, or The Star-Gazer / Jeanette King -- Breaking the Mould? Sarah Waters and the Politics of Genre / Mark Llewellyn.
In recent years, historical fiction, particularly that by women authors, has been at the cutting edge of postmodern reconceptualisations ofthe past and of contemporary worlds. This collection examines the dynamic experimentation of contemporary women writers from North America, Australia, andthe UK, offering new insights into the works of internationally acclaimed as well as popular writers, including Florence Barclay, A. S. Byatt, Angela Carter, Caryl Churchill, Helen Darville, Stevie Davies, Eva Figes, Philippa Gregory, Susan Kenney, Daphne Marlatt, Sena Jeter Naslund, Michele Roberts, Alice Thompson, and Jeannette Winterson. Blurring the dichotomies of the popular and the literary,the fictional and the factual, and covering those narratives that defy categorisation, the essays assembled in this volume offer new approaches to reading contemporary women fiction writers' reconfigurations of history.
Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.
Mode of access:World Wide Web.
ISBN: 9780230206281
Standard No.: 10.1057/9780230206281doiSubjects--Topical Terms:
370948
English fiction
--History and criticism--20th centuryIndex Terms--Genre/Form:
336502
Electronic books.
LC Class. No.: PR888.W6 / M35 2007eb
Dewey Class. No.: 823.9/099287
Metafiction and metahistory in contemporary women's writing[electronic resource] /
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In recent years, historical fiction, particularly that by women authors, has been at the cutting edge of postmodern reconceptualisations ofthe past and of contemporary worlds. This collection examines the dynamic experimentation of contemporary women writers from North America, Australia, andthe UK, offering new insights into the works of internationally acclaimed as well as popular writers, including Florence Barclay, A. S. Byatt, Angela Carter, Caryl Churchill, Helen Darville, Stevie Davies, Eva Figes, Philippa Gregory, Susan Kenney, Daphne Marlatt, Sena Jeter Naslund, Michele Roberts, Alice Thompson, and Jeannette Winterson. Blurring the dichotomies of the popular and the literary,the fictional and the factual, and covering those narratives that defy categorisation, the essays assembled in this volume offer new approaches to reading contemporary women fiction writers' reconfigurations of history.
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