大葉大學圖書館 |

登入

回首頁 到查詢結果 [ subject:"Stereotypes (Social psychology) in literature." ]

Race and White identity in southern ...

Duvall, John N. (1956-)

Race and White identity in southern fiction[electronic resource] :from Faulkner to Morrison /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	813/.509355
書名/作者:	Race and White identity in southern fiction : from Faulkner to Morrison // John N. Duvall.
作者:	Duvall, John N.
出版者:	New York : : Palgrave Macmillan,, 2008.
面頁冊數:	xix, 194 p. : : ill.
標題:	American fiction - History and criticism. - Southern States
標題:	Whites in literature.
標題:	American fiction - History and criticism. - 20th century
標題:	Stereotypes (Social psychology) in literature.
標題:	Ethnicity in literature.
標題:	Race relations in literature.
標題:	Literature and society - Southern States.
標題:	Southern States - Social conditions - 1865-1945.
ISBN:	9780230611825
ISBN:	0230611826
書目註:	Includes bibliographical references (p. [181]-187) and index.
內容註:	White face, Black culture -- Artificial negroes, White homelessness,and diaspora consciousness -- William Faulkner, whiteface, and Black identity -- Flannery O'Connor, (G)race, and colored identity -- John Barth, blackface, and invisible identity -- Dorothy Allison, "nigger trash," and miscegenated identity -- Black writing and whiteface.
摘要、提要註:	Race and White Identity in Southern Fiction explores a form of racial passing that has gone largely unnoticed. Duvall makes visible the means by which southern novelists repeatedly imagined their white characters as fundamentally black in some sense. Beginning with William Faulkner, Duvall traces a form of figurative and rhetorical masking in twentieth-century southern fiction that derives from whiteface minstrelsy. In the fiction of such subsequent writers as Flannery O'Connor, John Barth, Dorothy Allison, and Ishmael Reed, the reader sees characters who present a white face to the world, even as they unconsciously perform cultural blackness. These queer performances of race repeatedly reveal thatbeing merely Caucasian is insufficient to claim Southern Whiteness.
電子資源:	access to fulltext (Palgrave)

Race and White identity in southern fiction[electronic resource] :from Faulkner to Morrison /
Duvall, John N.1956-

Race and White identity in southern fictionfrom Faulkner to Morrison /[electronic resource] :John N. Duvall. - 1st ed. - New York :Palgrave Macmillan,2008. - xix, 194 p. :ill.

Includes bibliographical references (p. [181]-187) and index.

White face, Black culture -- Artificial negroes, White homelessness,and diaspora consciousness -- William Faulkner, whiteface, and Black identity -- Flannery O'Connor, (G)race, and colored identity -- John Barth, blackface, and invisible identity -- Dorothy Allison, "nigger trash," and miscegenated identity -- Black writing and whiteface.

Race and White Identity in Southern Fiction explores a form of racial passing that has gone largely unnoticed. Duvall makes visible the means by which southern novelists repeatedly imagined their white characters as fundamentally black in some sense. Beginning with William Faulkner, Duvall traces a form of figurative and rhetorical masking in twentieth-century southern fiction that derives from whiteface minstrelsy. In the fiction of such subsequent writers as Flannery O'Connor, John Barth, Dorothy Allison, and Ishmael Reed, the reader sees characters who present a white face to the world, even as they unconsciously perform cultural blackness. These queer performances of race repeatedly reveal thatbeing merely Caucasian is insufficient to claim Southern Whiteness.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 9780230611825

Standard No.: 10.1057/9780230611825doiSubjects--Topical Terms:

373424
American fiction
--History and criticism.--Southern StatesSubjects--Geographical Terms:

370587
Southern States
--Social conditions--1865-1945.Index Terms--Genre/Form:

336502
Electronic books.

LC Class. No.: PS261 / .D88 2008eb

Dewey Class. No.: 813/.509355

Race and White identity in southern fiction[electronic resource] :from Faulkner to Morrison /
LDR:02391cam a2200313 a 4500 001 328095
003 OCoLC
005 20101102091329.0
006 m d
007 cr nn muauu
008 110607s2008 nyua sb 001 0 eng d
020 $a 9780230611825
020 $a 0230611826
024 7 $a 10.1057/9780230611825 $2 doi
040 $a UKPGM $b eng $c UKPGM $d IDEBK
041 0 $a eng
043 $a n-usu--
049 $a APTA
050 1 4 $a PS261 $b .D88 2008eb
082 0 4 $a 813/.509355 $2 22
100 1 $a Duvall, John N. $q (John Noel), $d 1956- $3 373517
245 1 0 $a Race and White identity in southern fiction $h [electronic resource] : $b from Faulkner to Morrison / $c John N. Duvall.
250 $a 1st ed.
260 $a New York : $b Palgrave Macmillan, $c 2008.
300 $a xix, 194 p. : $b ill.
504 $a Includes bibliographical references (p. [181]-187) and index.
505 0 $a White face, Black culture -- Artificial negroes, White homelessness,and diaspora consciousness -- William Faulkner, whiteface, and Black identity -- Flannery O'Connor, (G)race, and colored identity -- John Barth, blackface, and invisible identity -- Dorothy Allison, "nigger trash," and miscegenated identity -- Black writing and whiteface.
520 $a Race and White Identity in Southern Fiction explores a form of racial passing that has gone largely unnoticed. Duvall makes visible the means by which southern novelists repeatedly imagined their white characters as fundamentally black in some sense. Beginning with William Faulkner, Duvall traces a form of figurative and rhetorical masking in twentieth-century southern fiction that derives from whiteface minstrelsy. In the fiction of such subsequent writers as Flannery O'Connor, John Barth, Dorothy Allison, and Ishmael Reed, the reader sees characters who present a white face to the world, even as they unconsciously perform cultural blackness. These queer performances of race repeatedly reveal thatbeing merely Caucasian is insufficient to claim Southern Whiteness.
533 $a Electronic reproduction. $b Basingstoke, England : $c Palgrave Macmillan, $d 2009. $n Mode of access:World Wide Web. $n System requirements: Web browser. $n Title from title screen (viewed on Mar. 3, 2009). $n Access may berestricted to users at subscribing institutions.
650 0 $a American fiction $z Southern States $x History and criticism. $3 373424
650 0 $a Whites in literature. $3 371214
650 0 $a American fiction $y 20th century $x History and criticism. $3 371071
650 0 $a Stereotypes (Social psychology) in literature. $3 373518
650 0 $a Ethnicity in literature. $3 372371
650 0 $a Race relations in literature. $3 373519
650 0 $a Literature and society $z Southern States. $3 373520
651 0 $a Southern States $x Social conditions $y 1865-1945. $3 370587
655 7 $a Electronic books. $2 local $3 336502
710 2 $a Palgrave Connect (Online service) $3 370384
776 1 $c Original $z 1403983879 $z 9781403983879 $w (DLC) 2007040929 $w (OCoLC)156831959
856 4 0 $3 Palgrave Connect $u http://www.palgraveconnect.com/doifinder/10.1057/9780230611825 $z access to fulltext (Palgrave)

筆 0 讀者評論

多媒體

多媒體檔案
http://www.palgraveconnect.com/doifinder/10.1057/9780230611825

評論

新增評論分享你的心得

Export

取書館別