言語:
日文
English
簡体中文
繁體中文
ヘルプ
ログイン
ホームページ
検索結果
[ subject:"Sound motion pictures." ]
スイッチ:
ラベル
|
MARC形式
|
国際標準書誌記述(ISBD)
Film sound in Italy :listening to th...
~
Italy.
Film sound in Italy :listening to the screen /
レコード種別:
言語・文字資料 (印刷物) : 単行資料
[NT 15000414] null:
791.4302/4
タイトル / 著者:
Film sound in Italy : : listening to the screen // by Antonella C. Sisto.
著者:
Sisto, Antonella C.,
記述:
1 online resource.
主題:
1900 - 1999
主題:
Dubbing of motion pictures - Italy.
主題:
Motion pictures - Political aspects - Italy.
主題:
Sound motion pictures - History - 20th century. - Italy
主題:
Dubbing of motion pictures.
主題:
Motion pictures - Political aspects.
主題:
Sound motion pictures.
主題:
Italy.
国際標準図書番号 (ISBN) :
1137387718 (electronic bk.)
国際標準図書番号 (ISBN) :
9781137387714 (electronic bk.)
[NT 15000227] null:
Includes bibliographical references and index.
[NT 15000228] null:
Introduction -- Sounding fascism in cinema -- Dubbing in deed, and listening to dubbing -- Cinema talks: between "make believe" and schizophonia -- The soundtrack after fascism: the neorealist play without sound -- Michelangelo Antonioni, the wind is photogenic -- Pier Paolo Pasolini's thousand notes of contestation.
[NT 15000229] null:
Considering films as audio-visual creations opens new inroads into the cultural practice, politics, and aesthetics of the soundtrack. This book is critical and trans-disciplinary engagement with cinema in Italy that examines the national archive of film based on sound and listening using a holistic audio-visual approach to film politics and practices from the coming of sound to the screen in the Fascist era, through the work of post WWII neorealist directors, to art cinema directors such as Michelangelo Antonioni and Pier Paolo Pasolini. Sisto shifts the sensory paradigm of film history and analysis from the optical to the sonic, demonstrating how this translates into a shift of canonical narratives and interpretations. Listening functions as a fundamental critical tool that permits viewers to detect the interplay of technological productions, historical contingencies, and mediations which coalesce within the political and aesthetical track of sound at the movies.
電子資源:
http://www.palgraveconnect.com/doifinder/10.1057/9781137387714
Film sound in Italy :listening to the screen /
Sisto, Antonella C.,1975-
Film sound in Italy :
listening to the screen /by Antonella C. Sisto. - 1 online resource.
Includes bibliographical references and index.
Introduction -- Sounding fascism in cinema -- Dubbing in deed, and listening to dubbing -- Cinema talks: between "make believe" and schizophonia -- The soundtrack after fascism: the neorealist play without sound -- Michelangelo Antonioni, the wind is photogenic -- Pier Paolo Pasolini's thousand notes of contestation.
Considering films as audio-visual creations opens new inroads into the cultural practice, politics, and aesthetics of the soundtrack. This book is critical and trans-disciplinary engagement with cinema in Italy that examines the national archive of film based on sound and listening using a holistic audio-visual approach to film politics and practices from the coming of sound to the screen in the Fascist era, through the work of post WWII neorealist directors, to art cinema directors such as Michelangelo Antonioni and Pier Paolo Pasolini. Sisto shifts the sensory paradigm of film history and analysis from the optical to the sonic, demonstrating how this translates into a shift of canonical narratives and interpretations. Listening functions as a fundamental critical tool that permits viewers to detect the interplay of technological productions, historical contingencies, and mediations which coalesce within the political and aesthetical track of sound at the movies.
ISBN: 1137387718 (electronic bk.)
Source: 714692Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Chronological Terms:
1900 - 1999
Subjects--Topical Terms:
577129
Dubbing of motion pictures
--Italy.Subjects--Geographical Terms:
576227
Italy.
Index Terms--Genre/Form:
336502
Electronic books.
LC Class. No.: PN1995.7 / .S48 2014
Dewey Class. No.: 791.4302/4
Film sound in Italy :listening to the screen /
LDR
:02681cam a2200385Ki 4500
001
410993
003
OCoLC
005
20140910115811.0
006
m o d
007
cr cnu---unuuu
008
141231s2014 nyu obq 001 0 eng d
020
$a
1137387718 (electronic bk.)
020
$a
9781137387714 (electronic bk.)
029
1
$a
NLGGC
$b
375277595
035
$a
(OCoLC)874835866
035
$a
ocn874835866
037
$a
714692
$b
Palgrave Macmillan
$n
http://www.palgraveconnect.com
040
$a
UKPGM
$b
eng
$e
rda
$e
pn
$c
UKPGM
$d
OCLCO
$d
OCLCA
$d
OCLCF
043
$a
e-it---
049
$a
TEFA
050
4
$a
PN1995.7
$b
.S48 2014
082
0 4
$a
791.4302/4
$2
23
100
1
$a
Sisto, Antonella C.,
$d
1975-
$3
577128
245
1 0
$a
Film sound in Italy :
$b
listening to the screen /
$c
by Antonella C. Sisto.
264
1
$a
New York, NY :
$b
Palgrave Macmillan,
$c
2014.
300
$a
1 online resource.
336
$a
text
$b
txt
$2
rdacontent
337
$a
computer
$b
c
$2
rdamedia
338
$a
online resource
$b
cr
$2
rdacarrier
504
$a
Includes bibliographical references and index.
504
$a
Includes filmography.
505
0
$a
Introduction -- Sounding fascism in cinema -- Dubbing in deed, and listening to dubbing -- Cinema talks: between "make believe" and schizophonia -- The soundtrack after fascism: the neorealist play without sound -- Michelangelo Antonioni, the wind is photogenic -- Pier Paolo Pasolini's thousand notes of contestation.
520
$a
Considering films as audio-visual creations opens new inroads into the cultural practice, politics, and aesthetics of the soundtrack. This book is critical and trans-disciplinary engagement with cinema in Italy that examines the national archive of film based on sound and listening using a holistic audio-visual approach to film politics and practices from the coming of sound to the screen in the Fascist era, through the work of post WWII neorealist directors, to art cinema directors such as Michelangelo Antonioni and Pier Paolo Pasolini. Sisto shifts the sensory paradigm of film history and analysis from the optical to the sonic, demonstrating how this translates into a shift of canonical narratives and interpretations. Listening functions as a fundamental critical tool that permits viewers to detect the interplay of technological productions, historical contingencies, and mediations which coalesce within the political and aesthetical track of sound at the movies.
588
$a
Description based on print version record.
648
7
$a
1900 - 1999
$2
fast
650
0
$a
Dubbing of motion pictures
$z
Italy.
$3
577129
650
0
$a
Motion pictures
$x
Political aspects
$z
Italy.
$3
577130
650
0
$a
Sound motion pictures
$z
Italy
$x
History
$y
20th century.
$3
577131
650
7
$a
Dubbing of motion pictures.
$3
378209
650
7
$a
Motion pictures
$x
Political aspects.
$3
531211
650
7
$a
Sound motion pictures.
$3
403868
651
7
$a
Italy.
$2
fast
$3
576227
655
7
$a
Electronic books.
$2
local
$3
336502
655
7
$a
History.
$2
fast
$3
569580
710
2
$a
Palgrave Connect (Online service)
$3
370384
776
0 8
$i
Print version:
$a
Sisto, Antonella C., 1975-
$t
Film sound in Italy
$z
9781137387707
$w
(DLC) 2013036908
$w
(OCoLC)862148884
856
4 0
$3
Palgrave Connect
$u
http://www.palgraveconnect.com/doifinder/10.1057/9781137387714
~に基づいて 0 論評
マルチメディア (複合媒体資料)
マルチメディアファイル
http://www.palgraveconnect.com/doifinder/10.1057/9781137387714
論評
論評を追加
あなたの考えを共有してください。
Export
受取館
処理
...
パスワードを変更する
ログイン