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Film sound in Italy :listening to th...
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  • Film sound in Italy :listening to the screen /
  • レコード種別: 言語・文字資料 (印刷物) : 単行資料
    [NT 15000414] null: 791.4302/4
    タイトル / 著者: Film sound in Italy : : listening to the screen // by Antonella C. Sisto.
    著者: Sisto, Antonella C.,
    記述: 1 online resource.
    主題: 1900 - 1999
    主題: Dubbing of motion pictures - Italy.
    主題: Motion pictures - Political aspects - Italy.
    主題: Sound motion pictures - History - 20th century. - Italy
    主題: Dubbing of motion pictures.
    主題: Motion pictures - Political aspects.
    主題: Sound motion pictures.
    主題: Italy.
    国際標準図書番号 (ISBN) : 1137387718 (electronic bk.)
    国際標準図書番号 (ISBN) : 9781137387714 (electronic bk.)
    [NT 15000227] null: Includes bibliographical references and index.
    [NT 15000228] null: Introduction -- Sounding fascism in cinema -- Dubbing in deed, and listening to dubbing -- Cinema talks: between "make believe" and schizophonia -- The soundtrack after fascism: the neorealist play without sound -- Michelangelo Antonioni, the wind is photogenic -- Pier Paolo Pasolini's thousand notes of contestation.
    [NT 15000229] null: Considering films as audio-visual creations opens new inroads into the cultural practice, politics, and aesthetics of the soundtrack. This book is critical and trans-disciplinary engagement with cinema in Italy that examines the national archive of film based on sound and listening using a holistic audio-visual approach to film politics and practices from the coming of sound to the screen in the Fascist era, through the work of post WWII neorealist directors, to art cinema directors such as Michelangelo Antonioni and Pier Paolo Pasolini. Sisto shifts the sensory paradigm of film history and analysis from the optical to the sonic, demonstrating how this translates into a shift of canonical narratives and interpretations. Listening functions as a fundamental critical tool that permits viewers to detect the interplay of technological productions, historical contingencies, and mediations which coalesce within the political and aesthetical track of sound at the movies.
    電子資源: http://www.palgraveconnect.com/doifinder/10.1057/9781137387714
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