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Modernism, romance, and the fin de s...
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Daly, Nicholas,
Modernism, romance, and the fin de siècle :popular fiction and British culture, 1880-1914 /
纪录类型:
书目-语言数据,印刷品 : Monograph/item
[NT 15000414] null:
823/.809112
[NT 47271] Title/Author:
Modernism, romance, and the fin de siècle : : popular fiction and British culture, 1880-1914 // Nicholas Daly.
[NT 51403] remainder title:
Modernism, Romance & the Fin de Siècle
作者:
Daly, Nicholas,
面页册数:
1 online resource (viii, 220 pages) : : digital, PDF file(s).
附注:
Title from publisher's bibliographic system (viewed on 05 Oct 2015).
标题:
English fiction - History and criticism. - 19th century
标题:
Popular literature - History and criticism. - Great Britain
标题:
English fiction - History and criticism. - 20th century
标题:
Literature and anthropology - History. - Great Britain
标题:
Adventure stories, English - History and criticism.
标题:
Gothic revival (Literature) - Great Britain.
标题:
Modernism (Literature) - Great Britain.
标题:
Culture in literature.
ISBN:
9780511485077 (ebook)
[NT 15000228] null:
Introduction -- Incorporated bodies: Dracula and professionalism -- The imperial treasure hunt: The snake's pass and the limits of romance -- 'Mummie is become merchandise': the mummy story as commodity theory -- Across the great divide: modernism, popular fiction and the primitive -- Afterword: the long goodbye.
[NT 15000229] null:
In Modernism, Romance and the Fin de Siècle Nicholas Daly explores the popular fiction of the 'romance revival' of the late Victorian and Edwardian years, focusing on the work of such authors as Bram Stoker, H. Rider Haggard and Arthur Conan Doyle. Rather than treating these stories as Victorian Gothic, Daly locates them as part of a 'popular modernism'. Drawing on work in cultural studies, this book argues that the vampires, mummies and treasure hunts of these adventure narratives provided a form of narrative theory of cultural change, at a time when Britain was trying to accommodate the 'new imperialism', the rise of professionalism, and the expansion of consumerist culture. Daly's wide-ranging study argues that the presence of a genre such as romance within modernism should force a questioning of the usual distinction between high and popular culture.
电子资源:
http://dx.doi.org/10.1017/CBO9780511485077
Modernism, romance, and the fin de siècle :popular fiction and British culture, 1880-1914 /
Daly, Nicholas,
Modernism, romance, and the fin de siècle :
popular fiction and British culture, 1880-1914 /Modernism, Romance & the Fin de SiècleNicholas Daly. - 1 online resource (viii, 220 pages) :digital, PDF file(s).
Title from publisher's bibliographic system (viewed on 05 Oct 2015).
Introduction -- Incorporated bodies: Dracula and professionalism -- The imperial treasure hunt: The snake's pass and the limits of romance -- 'Mummie is become merchandise': the mummy story as commodity theory -- Across the great divide: modernism, popular fiction and the primitive -- Afterword: the long goodbye.
In Modernism, Romance and the Fin de Siècle Nicholas Daly explores the popular fiction of the 'romance revival' of the late Victorian and Edwardian years, focusing on the work of such authors as Bram Stoker, H. Rider Haggard and Arthur Conan Doyle. Rather than treating these stories as Victorian Gothic, Daly locates them as part of a 'popular modernism'. Drawing on work in cultural studies, this book argues that the vampires, mummies and treasure hunts of these adventure narratives provided a form of narrative theory of cultural change, at a time when Britain was trying to accommodate the 'new imperialism', the rise of professionalism, and the expansion of consumerist culture. Daly's wide-ranging study argues that the presence of a genre such as romance within modernism should force a questioning of the usual distinction between high and popular culture.
ISBN: 9780511485077 (ebook)Subjects--Topical Terms:
371008
English fiction
--History and criticism.--19th century
LC Class. No.: PR878.P68 / D35 1999
Dewey Class. No.: 823/.809112
Modernism, romance, and the fin de siècle :popular fiction and British culture, 1880-1914 /
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In Modernism, Romance and the Fin de Siècle Nicholas Daly explores the popular fiction of the 'romance revival' of the late Victorian and Edwardian years, focusing on the work of such authors as Bram Stoker, H. Rider Haggard and Arthur Conan Doyle. Rather than treating these stories as Victorian Gothic, Daly locates them as part of a 'popular modernism'. Drawing on work in cultural studies, this book argues that the vampires, mummies and treasure hunts of these adventure narratives provided a form of narrative theory of cultural change, at a time when Britain was trying to accommodate the 'new imperialism', the rise of professionalism, and the expansion of consumerist culture. Daly's wide-ranging study argues that the presence of a genre such as romance within modernism should force a questioning of the usual distinction between high and popular culture.
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http://dx.doi.org/10.1017/CBO9780511485077
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