English literature - History and criticism. - 20th century
Overview
Works: | 63 works in 17 publications in 17 languages |
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Titles
Gay and lesbian historical fiction[electronic resource] :sexual mystery and post-secular narrative /
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Postfeminist gothic[electronic resource] :critical interventionsin contemporary culture /
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The writing of anxiety[electronic resource] :imagining wartime in mid-century British culture /
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Art and life in aestheticism[electronic resource] :de-humanizingand re-humanizing art, the artist, and the artistic receptor /
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Myth, memory and the middlebrow[electronic resource] :Priestley,du Maurier and the symbolic form of Englishness /
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Critical identities in contemporary Anglophone diasporic literature[electronic resource] /
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Evading class in contemporary British literature[electronic resource] /
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Ireland and postcolonial studies[electronic resource] :theory, discourse, utopia /
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Machinic modernism[electronic resource] :the Deleuzian literary machines of Woolf, Lawrence and Joyce /
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British literature of the Blitz[electronic resource] :fighting the people's war /
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Women, privacy and modernity in early twentieth-century British writing[electronic resource] /
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The homosexual revival of Renaissance style, 1850-1930[electronic resource] /
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The renaissance, English cultural nationalism, and modernism, 1860-1920[electronic resource] /
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Writers, readers, and reputations[electronic resource] :literary life in Britain 1870-1918 /
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In my own shire[electronic resource] :region and belonging in British writing, 1840-1970 /
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Modernism, the market and the institution of the new[electronic resource] /
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Middlebrow Literary Cultures[electronic resource] :The Battle of the Brows, 1920-1960.
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The making of London[electronic resource] :London in contemporary literature /
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The masculine middlebrow, 1880-1950[electronic resource] :what Mr. Miniver read /
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Utopian spaces of modernism[electronic resource] :British literature and culture, 1885-1945 /
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Civil antisemitism, modernism, and British culture, 1902-1939[electronic resource] /
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Cross-gendered literary voices[electronic resource] :appropriating, resisting, embracing /
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A sense of shock[electronic resource] :the impact of Impressionism on modern British and Irish writing /
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Aesthetic afterlives[electronic resource] :literary modernity and the concept of irony /
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Conflict, nationhood and corporeality in modern literature[electronic resource] :bodies-at-war /
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War trauma and English modernism[electronic resource] :T.S. Eliot and D.H. Lawrence /
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The history of British women's writing[electronic resource].Volume 8,1920-1945 /
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Landscape and literature 1830-1914[electronic resource] :nature, text, aura /
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Public works[electronic resource] :infrastructure, Irish modernism, and the postcolonial /
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Modernism and nostalgia[electronic resource] :bodies, locations, aesthetics /
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The Celtic revival in Shakespeare's wake[electronic resource] :appropriation and cultural politics in Ireland, 1867-1922 /
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Poverty in contemporary literature :themes and figurations on the British book market /
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At the Violet Hour[electronic resource] :Modernism and Violence in England and Ireland /
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Modernism and the New Spain[electronic resource] :Britain, Cosmopolitan Europe, and Literary History /
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The Poor Bugger's Tool[electronic resource] :Irish Modernism, Queer Labor, and Postcolonial History /
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Imagining adoption[electronic resource] :essays on literature and culture /
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Gender, race, and the writing of empire :public discourse and the Boer War /
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Modernism and eugenics :Woolf, Eliot, Yeats, and the culture of degeneration /
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Race, nationalism and the state in British and American modernism /
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The ethics of modernism :moral ideas in Yeats, Eliot, Joyce, Woolf, and Beckett /
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Modernism and the ideology of history :literature, politics, and the past /
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Eugenics, literature and culture in post-war Britain[electronic resource] /
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Literary and cultural alternatives to modernism :unsettling presences /
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Subjects