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Modern vampire and human identity[electronic resource] /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	809/.933
書名/作者:	Modern vampire and human identity/ edited by Deborah Mutch.
其他作者:	Mutch, Deborah,
出版者:	[S.l.] : : Palgrave Macmillan,, c2013
面頁冊數:	1 online resource.
標題:	Vampires in literature - History and criticism.
標題:	Vampires in mass media.
標題:	Vampire films.
標題:	BIOGRAPHY & AUTOBIOGRAPHY / Literary
ISBN:	9780230370142 (electronic bk.)
ISBN:	0230370144 (electronic bk.)
ISBN:	0230370136
ISBN:	9780230370135
ISBN:	9781283946742 (MyiLibrary)
ISBN:	1283946742 (MyiLibrary)
書目註:	Includes bibliographical references.
內容註:	Introduction 'A Swarm of Chuffing Draculas': the Vampire in English and American Literature; D.Mutch -- Blood, Bodies, Books: Kim Newman and the Vampire as Cultural Text; K.Scott -- Buffy vs. Bella: Gender, Relationships and the Modern Vampire; B.Jones -- 'Hell! Was I Becoming a Vampyre Slut?': Sex, Sexuality and Morality in Young Adult Vampire Fiction; H.Priest -- Consuming Clothes and Dressing Desire in the Twilight Series; S.Heaton -- Whiteness and the Contemporary Vampire in Film and Television; E.Kirkland -- The Vampiric Diaspora: The Complications of Victim Hood and Post-Memory as Configured in the Jewish Migrant Vampire; S.Bacon -- Vampires and Gentiles: Jews, Mormons and Embracing the Other; C.Reed -- Transcending the Massacre: Vampire Mormons in the Twilight Series; Y.Maurer -- The Gothic Louisiana of Charlaine Harris and Anne Rice; V.Amador -- Matt Haig's The Radleys: Vampires for the Neoliberal Age; D.Mutch.
摘要、提要註:	Why are we surrounded by vampires in the twenty-first century? From the global phenomena of Stephanie Meyer's "Twilight" and Charlaine Harris's "Sookie Stackhouse", through films such as "Underworld" and "Blade", television series such as "The Vampire Diaries" and "Being Human", to video games like "Bloodrayne" and "Legacy of Kain", the reader, viewer and player has never had so many vampires to choose from. This collection considers the importance of the current flurry of vampires for our sense of human identity. Vampires have long been read as bodies through which our sense of ourselves has been reflected back to us. The essays offer readings of the modern vampire as a complex consideration of our modern human selves. Now that we no longer see the vampire as essentially evil, what does that say about us?
電子資源:	http://www.palgraveconnect.com/doifinder/10.1057/9780230370142

Modern vampire and human identity[electronic resource] /
Modern vampire and human identity[electronic resource] /edited by Deborah Mutch. - [S.l.] :Palgrave Macmillan,c2013 - 1 online resource.

Includes bibliographical references.

Introduction 'A Swarm of Chuffing Draculas': the Vampire in English and American Literature; D.Mutch -- Blood, Bodies, Books: Kim Newman and the Vampire as Cultural Text; K.Scott -- Buffy vs. Bella: Gender, Relationships and the Modern Vampire; B.Jones -- 'Hell! Was I Becoming a Vampyre Slut?': Sex, Sexuality and Morality in Young Adult Vampire Fiction; H.Priest -- Consuming Clothes and Dressing Desire in the Twilight Series; S.Heaton -- Whiteness and the Contemporary Vampire in Film and Television; E.Kirkland -- The Vampiric Diaspora: The Complications of Victim Hood and Post-Memory as Configured in the Jewish Migrant Vampire; S.Bacon -- Vampires and Gentiles: Jews, Mormons and Embracing the Other; C.Reed -- Transcending the Massacre: Vampire Mormons in the Twilight Series; Y.Maurer -- The Gothic Louisiana of Charlaine Harris and Anne Rice; V.Amador -- Matt Haig's The Radleys: Vampires for the Neoliberal Age; D.Mutch.

Why are we surrounded by vampires in the twenty-first century? From the global phenomena of Stephanie Meyer's "Twilight" and Charlaine Harris's "Sookie Stackhouse", through films such as "Underworld" and "Blade", television series such as "The Vampire Diaries" and "Being Human", to video games like "Bloodrayne" and "Legacy of Kain", the reader, viewer and player has never had so many vampires to choose from. This collection considers the importance of the current flurry of vampires for our sense of human identity. Vampires have long been read as bodies through which our sense of ourselves has been reflected back to us. The essays offer readings of the modern vampire as a complex consideration of our modern human selves. Now that we no longer see the vampire as essentially evil, what does that say about us?

ISBN: 9780230370142 (electronic bk.)

Source: 565982Palgrave Macmillanhttp://www.palgraveconnect.com

Nat. Bib. Agency Control No.: 016176096UkSubjects--Topical Terms:

527261
Vampires in literature
--History and criticism.Index Terms--Genre/Form:

336502
Electronic books.

LC Class. No.: PN56.V3 / M63 2013

Dewey Class. No.: 809/.933

Modern vampire and human identity[electronic resource] /
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505 0 $a Introduction 'A Swarm of Chuffing Draculas': the Vampire in English and American Literature; D.Mutch -- Blood, Bodies, Books: Kim Newman and the Vampire as Cultural Text; K.Scott -- Buffy vs. Bella: Gender, Relationships and the Modern Vampire; B.Jones -- 'Hell! Was I Becoming a Vampyre Slut?': Sex, Sexuality and Morality in Young Adult Vampire Fiction; H.Priest -- Consuming Clothes and Dressing Desire in the Twilight Series; S.Heaton -- Whiteness and the Contemporary Vampire in Film and Television; E.Kirkland -- The Vampiric Diaspora: The Complications of Victim Hood and Post-Memory as Configured in the Jewish Migrant Vampire; S.Bacon -- Vampires and Gentiles: Jews, Mormons and Embracing the Other; C.Reed -- Transcending the Massacre: Vampire Mormons in the Twilight Series; Y.Maurer -- The Gothic Louisiana of Charlaine Harris and Anne Rice; V.Amador -- Matt Haig's The Radleys: Vampires for the Neoliberal Age; D.Mutch.
520 $a Why are we surrounded by vampires in the twenty-first century? From the global phenomena of Stephanie Meyer's "Twilight" and Charlaine Harris's "Sookie Stackhouse", through films such as "Underworld" and "Blade", television series such as "The Vampire Diaries" and "Being Human", to video games like "Bloodrayne" and "Legacy of Kain", the reader, viewer and player has never had so many vampires to choose from. This collection considers the importance of the current flurry of vampires for our sense of human identity. Vampires have long been read as bodies through which our sense of ourselves has been reflected back to us. The essays offer readings of the modern vampire as a complex consideration of our modern human selves. Now that we no longer see the vampire as essentially evil, what does that say about us?
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