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[ subject:"Style, Literary." ]
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Shakespeare and the idea of late wri...
~
McMullan, Gordon, (1962-)
Shakespeare and the idea of late writing :authorship in the proximity of death /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
杜威分類號:
822.33
書名/作者:
Shakespeare and the idea of late writing : : authorship in the proximity of death // Gordon McMullan.
其他題名:
Shakespeare & the Idea of Late Writing
作者:
McMullan, Gordon,
面頁冊數:
1 online resource (xii, 402 pages) : : digital, PDF file(s).
附註:
Title from publisher's bibliographic system (viewed on 05 Oct 2015).
標題:
Authorship - Psychological aspects.
標題:
Old age - Psychological aspects.
標題:
Death - Psychological aspects.
標題:
Style, Literary.
ISBN:
9780511483790 (ebook)
內容註:
Shakespeare and the idea of late writing : authorship in the proximity of death -- The Shakespearean caesura : genre, chronology, style -- The invention of late Shakespeare : subjectivism and its discontents -- Last words/late plays : the possibility and impossibility of late Shakespeare in early modern culture and theatre -- How old is 'late'? : late Shakespeare, old age, King Lear -- The tempest and the uses of late Shakespeare in the theatre : Gielgud, Rylance, Prospero.
摘要、提要註:
What do we mean when we speak of the 'late style' of a given writer, artist or composer? And what exactly do we mean by 'late Shakespeare'? Gordon McMullan argues that, far from being a natural phenomenon common to a handful of geniuses in old age or in proximity to death, late style is in fact a critical construct. Taking Shakespeare as his exemplar, he maps the development of the 'discourse of lateness' from the eighteenth century to the present, noting not only the mismatch between that discourse and the actual conditions for authorship in early modern theatre but also its generativity for subsequent projections of creative selfhood. He thus offers the first critique of the idea of late style, which will be of interest not only to literature specialists but also to art historians, musicologists and anyone curious about the relationship of creativity to old age and to death.
電子資源:
http://dx.doi.org/10.1017/CBO9780511483790
Shakespeare and the idea of late writing :authorship in the proximity of death /
McMullan, Gordon,1962-
Shakespeare and the idea of late writing :
authorship in the proximity of death /Shakespeare & the Idea of Late WritingGordon McMullan. - 1 online resource (xii, 402 pages) :digital, PDF file(s).
Title from publisher's bibliographic system (viewed on 05 Oct 2015).
Shakespeare and the idea of late writing : authorship in the proximity of death -- The Shakespearean caesura : genre, chronology, style -- The invention of late Shakespeare : subjectivism and its discontents -- Last words/late plays : the possibility and impossibility of late Shakespeare in early modern culture and theatre -- How old is 'late'? : late Shakespeare, old age, King Lear -- The tempest and the uses of late Shakespeare in the theatre : Gielgud, Rylance, Prospero.
What do we mean when we speak of the 'late style' of a given writer, artist or composer? And what exactly do we mean by 'late Shakespeare'? Gordon McMullan argues that, far from being a natural phenomenon common to a handful of geniuses in old age or in proximity to death, late style is in fact a critical construct. Taking Shakespeare as his exemplar, he maps the development of the 'discourse of lateness' from the eighteenth century to the present, noting not only the mismatch between that discourse and the actual conditions for authorship in early modern theatre but also its generativity for subsequent projections of creative selfhood. He thus offers the first critique of the idea of late style, which will be of interest not only to literature specialists but also to art historians, musicologists and anyone curious about the relationship of creativity to old age and to death.
ISBN: 9780511483790 (ebook)Subjects--Personal Names:
337664
Shakespeare, William,
1564-1616--Language.Subjects--Topical Terms:
414836
Authorship
--Psychological aspects.
LC Class. No.: PR3072 / .M36 2007
Dewey Class. No.: 822.33
Shakespeare and the idea of late writing :authorship in the proximity of death /
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What do we mean when we speak of the 'late style' of a given writer, artist or composer? And what exactly do we mean by 'late Shakespeare'? Gordon McMullan argues that, far from being a natural phenomenon common to a handful of geniuses in old age or in proximity to death, late style is in fact a critical construct. Taking Shakespeare as his exemplar, he maps the development of the 'discourse of lateness' from the eighteenth century to the present, noting not only the mismatch between that discourse and the actual conditions for authorship in early modern theatre but also its generativity for subsequent projections of creative selfhood. He thus offers the first critique of the idea of late style, which will be of interest not only to literature specialists but also to art historians, musicologists and anyone curious about the relationship of creativity to old age and to death.
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http://dx.doi.org/10.1017/CBO9780511483790
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