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Anti-war theatre after Brecht[electr...
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  • Anti-war theatre after Brecht[electronic resource] :dialectical aesthetics in the twenty-first century /
  • 紀錄類型: 書目-電子資源 : Monograph/item
    杜威分類號: 809.293581
    書名/作者: Anti-war theatre after Brecht : dialectical aesthetics in the twenty-first century // by Lara Stevens.
    其他題名: Anti-war theater after Brecht
    作者: Stevens, Lara.
    出版者: London : : Palgrave Macmillan UK :, 2016.
    面頁冊數: x, 224 p. : : digital ;; 22 cm.
    Contained By: Springer eBooks
    標題: War on Terrorism, 2001-2009, in literature.
    標題: War on Terrorism, 2001-2009 - Theater and the war.
    標題: Theater - Political aspects - 21st century.
    標題: Political plays - History and criticism.
    標題: War and theater.
    標題: Theater and social media.
    標題: Cultural and Media Studies.
    標題: Performing Arts.
    標題: Theatre History.
    標題: Media and Communication.
    標題: Social Media.
    ISBN: 9781137538888
    ISBN: 9781137538871
    內容註: Introduction -- Chapter 1. Performing the 'War on Terror' -- Chapter 2. From Epic to Dialectical Theatre -- Chapter 3. Tony Kushner's Homebody/Kabul and Only We Who Guard the Mystery Shall be Unhappy -- Chapter 4. The Theatre du Soleil's Le Dernier Caravanserail -- Chapter 5. Caryl Churchill's Iraq.doc and Seven Jewish Children: A Play For Gaza -- Chapter 6. Elfriede Jelinek's Bambiland -- Conclusion -- Bibliography.
    摘要、提要註: Examining the ways in which contemporary Western theatre protests against the 'War on Terror', this book analyses six twenty-first century plays that respond to the post-9/11 military operations in Afghanistan, Iraq and Palestine. The plays are written by some of the most significant writers of this century and the last including Elfriede Jelinek, Caryl Churchill, Helene Cixous and Tony Kushner. Anti-war Theatre After Brecht grapples with the problem of how to make theatre that protests the policies of democratically elected Western governments in a post-Marxist era. It shows how the Internet has become a key tool for disseminating anti-war play texts and how online social media forums are changing traditional dramatic aesthetics and broadening opportunities for spectator access, engagement and interaction with a work and the political alternatives it puts forward.
    電子資源: http://dx.doi.org/10.1057/978-1-137-53888-8
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