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Ghetto images in twentieth-century A...
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Simpson, Tyrone.
Ghetto images in twentieth-century American literature[electronic resource] :writing apartheid /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
杜威分類號:
813/.5409355
書名/作者:
Ghetto images in twentieth-century American literature : writing apartheid // Tyrone R. Simpson II.
作者:
Simpson, Tyrone.
出版者:
New York, NY : : Palgrave Macmillan,, 2012.
面頁冊數:
1 online resource (xii, 302 p.)
標題:
Inner cities in literature.
標題:
American fiction - History and criticism. - 20th century
標題:
American fiction - African American authors
標題:
American fiction - Jewish authors
標題:
Minorities in literature.
標題:
Segregation in literature.
標題:
SOCIAL SCIENCE / Minority Studies.
標題:
SOCIAL SCIENCE / Sociology / Urban.
標題:
LITERARY CRITICISM / American / General.
標題:
Snowbelt States - In literature.
ISBN:
9781137014894 (electronic bk.)
ISBN:
113701489X (electronic bk.)
書目註:
Includes bibliographical references and index.
內容註:
Introduction: Living for the City: Reading Twentieth Century Ghettoes in Postmodern Times -- "The Love of Colour in Me": Anzia Yezierska's Bread Givers (1928) and the Space of White Racial Manufacture -- "To Make a Man Out of You: Masculine Fantasies and White Failure in Michael Gold's Jews Without Money (1930)" -- "Jammed in Hemispherical Blackness": Looking Through Campy Transvestitism in Hubert Selby Jr.'s Last Exit to Brooklyn� -- "'Enough to Make a Body Riot': Chester Himes, Melancholia, and the Postmodern Renovation" -- "In a World with No Address": Rescuing Ghetto Patriarchy in The Women of Brewster Place -- And the Arc of His Witness Explained Nothing: Black Flanerie and Traumatic Photorealism in Wideman's Two Cities -- Conclusion: Beyond the Manichean Literary Ghetto?
摘要、提要註:
In this comprehensive work, Tyrone R. Simpson, II, explores how six American writers - Anzia Yezierska, Michael Gold, Hubert Selby Jr., Chester Himes, Gloria Naylor, and John Edgar Wideman - have artistically responded to the racialization of U.S. frostbelt cities in the twentieth century. By using the critical tools of spatial theory, critical race theory, urban history, and urban sociology, Simpson accounts for how these writers imagine the subjective response to the race-making power of space.
電子資源:
http://www.palgraveconnect.com/doifinder/10.1057/9781137014894
Ghetto images in twentieth-century American literature[electronic resource] :writing apartheid /
Simpson, Tyrone.
Ghetto images in twentieth-century American literature
writing apartheid /[electronic resource] :Tyrone R. Simpson II. - 1st ed. - New York, NY :Palgrave Macmillan,2012. - 1 online resource (xii, 302 p.) - The future of minority studies. - Future of minority studies..
Includes bibliographical references and index.
Introduction: Living for the City: Reading Twentieth Century Ghettoes in Postmodern Times -- "The Love of Colour in Me": Anzia Yezierska's Bread Givers (1928) and the Space of White Racial Manufacture -- "To Make a Man Out of You: Masculine Fantasies and White Failure in Michael Gold's Jews Without Money (1930)" -- "Jammed in Hemispherical Blackness": Looking Through Campy Transvestitism in Hubert Selby Jr.'s Last Exit to Brooklyn� -- "'Enough to Make a Body Riot': Chester Himes, Melancholia, and the Postmodern Renovation" -- "In a World with No Address": Rescuing Ghetto Patriarchy in The Women of Brewster Place -- And the Arc of His Witness Explained Nothing: Black Flanerie and Traumatic Photorealism in Wideman's Two Cities -- Conclusion: Beyond the Manichean Literary Ghetto?
In this comprehensive work, Tyrone R. Simpson, II, explores how six American writers - Anzia Yezierska, Michael Gold, Hubert Selby Jr., Chester Himes, Gloria Naylor, and John Edgar Wideman - have artistically responded to the racialization of U.S. frostbelt cities in the twentieth century. By using the critical tools of spatial theory, critical race theory, urban history, and urban sociology, Simpson accounts for how these writers imagine the subjective response to the race-making power of space.
ISBN: 9781137014894 (electronic bk.)
Source: 580444Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:
385264
Inner cities in literature.
Subjects--Geographical Terms:
472887
Snowbelt States
--In literature.Index Terms--Genre/Form:
336502
Electronic books.
LC Class. No.: PS374.I53 / S56 2012
Dewey Class. No.: 813/.5409355
Ghetto images in twentieth-century American literature[electronic resource] :writing apartheid /
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Introduction: Living for the City: Reading Twentieth Century Ghettoes in Postmodern Times -- "The Love of Colour in Me": Anzia Yezierska's Bread Givers (1928) and the Space of White Racial Manufacture -- "To Make a Man Out of You: Masculine Fantasies and White Failure in Michael Gold's Jews Without Money (1930)" -- "Jammed in Hemispherical Blackness": Looking Through Campy Transvestitism in Hubert Selby Jr.'s Last Exit to Brooklyn� -- "'Enough to Make a Body Riot': Chester Himes, Melancholia, and the Postmodern Renovation" -- "In a World with No Address": Rescuing Ghetto Patriarchy in The Women of Brewster Place -- And the Arc of His Witness Explained Nothing: Black Flanerie and Traumatic Photorealism in Wideman's Two Cities -- Conclusion: Beyond the Manichean Literary Ghetto?
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Machine generated contents note: -- Introduction: Living for the City: Reading Twentieth Century Ghettoes in Postmodern Times * Chapter 1: "The Love of Colour in Me": Anzia Yezierska's Bread Givers (1928) and the Space of White Racial Manufacture * Chapter 2: "To Make a Man Out of You: Masculine Fantasies and White Failure in Michael Gold's Jews Without Money (1930)" * Chapter 3 "Jammed in Hemispherical Blackness": Looking Through Campy Transvestitism in Hubert Selby Jr.'s Last Exit to Brooklyn * Chapter 4: "'Enough to Make a Body Riot': Chester Himes, Melancholia, and the Postmodern Renovation" * Chapter 5 "In a World with No Address": Rescuing Ghetto Patriarchy in The Women of Brewster Place * Chapter 6: And the Arc of His Witness Explained Nothing: Black Flanerie and Traumatic Photorealism in Wideman's Two Cities * Conclusion: Beyond the Manichean Literary Ghetto?.
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In this comprehensive work, Tyrone R. Simpson, II, explores how six American writers - Anzia Yezierska, Michael Gold, Hubert Selby Jr., Chester Himes, Gloria Naylor, and John Edgar Wideman - have artistically responded to the racialization of U.S. frostbelt cities in the twentieth century. By using the critical tools of spatial theory, critical race theory, urban history, and urban sociology, Simpson accounts for how these writers imagine the subjective response to the race-making power of space.
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