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Masculinities and the contemporary Irish theatre[electronic resource] /

レコード種別:	言語・文字資料 (印刷物) : 単行資料
[NT 15000414] null:	792.08109417
タイトル / 著者:	Masculinities and the contemporary Irish theatre/ Brian Singleton.
著者:	Singleton, Brian,
出版された:	Basingstoke : : Palgrave Macmillan,, 2011.
記述:	1 online resource (vii, 227 p.) : : ill., ports.
主題:	Theater - History - 20th century. - Ireland
主題:	Masculinity.
国際標準図書番号 (ISBN) :	9780230294530 (electronic bk.)
国際標準図書番号 (ISBN) :	0230294537 (electronic bk.)
国際標準図書番号 (ISBN) :	9780230222809 (hbk.)
国際標準図書番号 (ISBN) :	0230222803 (hbk.)
[NT 15000227] null:	Includes bibliographical references and index.
[NT 15000228] null:	Contesting Canons -- Performing Patriarchy -- Monologies and Masculinities -- Quare Fellas -- Male Races -- Protestant Boys -- After Words.
[NT 15000229] null:	Irish theatre critic Helen Meany once said that she had seen so many father/son relationships in Irish theatre that she almost believed she might have had one herself! And so it is that Irish theatre and its histories appear to be dominated by men and their actions. However, close readings of a variety of performative encounters in Ireland in the past two decades and more do not point to a performance of a dominance by men. Socially and culturally contextualized performance analysis in this book reveals masculinities that are anything but hegemonic, played out in the theatres and other arenas of performance all over Ireland. These masculinities are not necessarily white, straight, Catholic and middle-class. In fact, many of them fall between the cracks in the edifice of dominance because of their class, race, religion and sexuality, while some contest culturally the performance of patriarchy in Irish society. And there are many that, until now, have been excluded from the narratives of Irish theatre history altogether. This timely book features first-hand performance analyses to deconstruct the masculinities represented on the Irish stage from the early 1990s right up to the present day.
電子資源:	An electronic book accessible through the World Wide Web; click for information

Masculinities and the contemporary Irish theatre[electronic resource] /
Singleton, Brian,1960-

Masculinities and the contemporary Irish theatre[electronic resource] /Brian Singleton. - Basingstoke :Palgrave Macmillan,2011. - 1 online resource (vii, 227 p.) :ill., ports. - Performance interventions. - Performance interventions..

Includes bibliographical references and index.

Contesting Canons -- Performing Patriarchy -- Monologies and Masculinities -- Quare Fellas -- Male Races -- Protestant Boys -- After Words.

Irish theatre critic Helen Meany once said that she had seen so many father/son relationships in Irish theatre that she almost believed she might have had one herself! And so it is that Irish theatre and its histories appear to be dominated by men and their actions. However, close readings of a variety of performative encounters in Ireland in the past two decades and more do not point to a performance of a dominance by men. Socially and culturally contextualized performance analysis in this book reveals masculinities that are anything but hegemonic, played out in the theatres and other arenas of performance all over Ireland. These masculinities are not necessarily white, straight, Catholic and middle-class. In fact, many of them fall between the cracks in the edifice of dominance because of their class, race, religion and sexuality, while some contest culturally the performance of patriarchy in Irish society. And there are many that, until now, have been excluded from the narratives of Irish theatre history altogether. This timely book features first-hand performance analyses to deconstruct the masculinities represented on the Irish stage from the early 1990s right up to the present day.

ISBN: 9780230294530 (electronic bk.)

Standard No.: 9786612998249

Source: 323078Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

372879
Theater
--History--Ireland--20th century.Index Terms--Genre/Form:

336502
Electronic books.

LC Class. No.: PN2601

Dewey Class. No.: 792.08109417

Masculinities and the contemporary Irish theatre[electronic resource] /
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300 $a 1 online resource (vii, 227 p.) : $b ill., ports.
490 1 $a Performance interventions
504 $a Includes bibliographical references and index.
505 0 $a Contesting Canons -- Performing Patriarchy -- Monologies and Masculinities -- Quare Fellas -- Male Races -- Protestant Boys -- After Words.
520 $a Irish theatre critic Helen Meany once said that she had seen so many father/son relationships in Irish theatre that she almost believed she might have had one herself! And so it is that Irish theatre and its histories appear to be dominated by men and their actions. However, close readings of a variety of performative encounters in Ireland in the past two decades and more do not point to a performance of a dominance by men. Socially and culturally contextualized performance analysis in this book reveals masculinities that are anything but hegemonic, played out in the theatres and other arenas of performance all over Ireland. These masculinities are not necessarily white, straight, Catholic and middle-class. In fact, many of them fall between the cracks in the edifice of dominance because of their class, race, religion and sexuality, while some contest culturally the performance of patriarchy in Irish society. And there are many that, until now, have been excluded from the narratives of Irish theatre history altogether. This timely book features first-hand performance analyses to deconstruct the masculinities represented on the Irish stage from the early 1990s right up to the present day.
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650 0 $a Masculinity. $3 179493
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830 0 $a Performance interventions. $3 375497
856 4 0 $3 Palgrave Connect $u http://www.palgraveconnect.com/doifinder/10.1057/9780230294530 $z An electronic book accessible through the World Wide Web; click for information
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