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Male trouble[electronic resource] :m...
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Male trouble[electronic resource] :masculinity and the performance of crisis /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
杜威分類號:
305.3109182/1
書名/作者:
Male trouble : masculinity and the performance of crisis // Fintan Walsh.
作者:
Walsh, Fintan,
出版者:
Basingstoke, Hampshire [England] ; : Palgrave Macmillan,, 2010.
面頁冊數:
viii, 234 p. : : ill.
標題:
Masculinity.
標題:
Masculinity in popular culture.
標題:
Men - Identity.
ISBN:
9780230281752
ISBN:
0230281753
書目註:
Includes bibliographical references (p. 218-228) and index.
內容註:
Introduction: Performing Male Trouble -- Sacrificial Masculinity in The Passion of the Christ-- Impotent Masculinities in Made in China and InterMission -- Homosexuality and Subjection in Shopping and Fucking and Faust is Dead -- Wounded Attachments in the Live Art of Ron Athey and Franko B -- David Blaine, Fathers 4 Justice, and the Spectacle of Heroic Masculinity -- The Jackassification of Male Trouble: Incorporatingthe Abject as Norm -- An Ethic of Fragilization.
摘要、提要註:
Male Trouble explores how Western masculinity has increasingly appeared as a troubled gender category in recent times. Cross-disciplinary in scope, the book focuses on a variety of performativecase studies in drama, theatre, live art, guerilla performance, public spectacle, and film. Moreover, the study analyses work that dialogues with discourses of masculinity in crisis principally drawnfrom American, British, and Irish contexts to challenge the sacrificial terms by which male troubleistypically articulated, while ultimately arguing for an ethic of fragilization in order to move beyond this deadlock in subjectivity and relationality.
電子資源:
access to fulltext (Palgrave)
Male trouble[electronic resource] :masculinity and the performance of crisis /
Walsh, Fintan,Dr.
Male trouble
masculinity and the performance of crisis /[electronic resource] :Fintan Walsh. - Basingstoke, Hampshire [England] ;Palgrave Macmillan,2010. - viii, 234 p. :ill.
Includes bibliographical references (p. 218-228) and index.
Introduction: Performing Male Trouble -- Sacrificial Masculinity in The Passion of the Christ-- Impotent Masculinities in Made in China and InterMission -- Homosexuality and Subjection in Shopping and Fucking and Faust is Dead -- Wounded Attachments in the Live Art of Ron Athey and Franko B -- David Blaine, Fathers 4 Justice, and the Spectacle of Heroic Masculinity -- The Jackassification of Male Trouble: Incorporatingthe Abject as Norm -- An Ethic of Fragilization.
Male Trouble explores how Western masculinity has increasingly appeared as a troubled gender category in recent times. Cross-disciplinary in scope, the book focuses on a variety of performativecase studies in drama, theatre, live art, guerilla performance, public spectacle, and film. Moreover, the study analyses work that dialogues with discourses of masculinity in crisis principally drawnfrom American, British, and Irish contexts to challenge the sacrificial terms by which male troubleistypically articulated, while ultimately arguing for an ethic of fragilization in order to move beyond this deadlock in subjectivity and relationality.
Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2010.
Mode of access:World Wide Web.
ISBN: 9780230281752Subjects--Topical Terms:
179493
Masculinity.
Index Terms--Genre/Form:
336502
Electronic books.
LC Class. No.: HQ1090 / .W34 2010
Dewey Class. No.: 305.3109182/1
Male trouble[electronic resource] :masculinity and the performance of crisis /
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Introduction: Performing Male Trouble -- Sacrificial Masculinity in The Passion of the Christ-- Impotent Masculinities in Made in China and InterMission -- Homosexuality and Subjection in Shopping and Fucking and Faust is Dead -- Wounded Attachments in the Live Art of Ron Athey and Franko B -- David Blaine, Fathers 4 Justice, and the Spectacle of Heroic Masculinity -- The Jackassification of Male Trouble: Incorporatingthe Abject as Norm -- An Ethic of Fragilization.
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Male Trouble explores how Western masculinity has increasingly appeared as a troubled gender category in recent times. Cross-disciplinary in scope, the book focuses on a variety of performativecase studies in drama, theatre, live art, guerilla performance, public spectacle, and film. Moreover, the study analyses work that dialogues with discourses of masculinity in crisis principally drawnfrom American, British, and Irish contexts to challenge the sacrificial terms by which male troubleistypically articulated, while ultimately arguing for an ethic of fragilization in order to move beyond this deadlock in subjectivity and relationality.
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