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Cinema and the imagination in Katherine Mansfield's writing /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	823/.91209
書名/作者:	Cinema and the imagination in Katherine Mansfield's writing // Maurizio Ascari.
作者:	Ascari, Maurizio,
面頁冊數:	1 online resource.
標題:	1900 - 1999
標題:	English fiction - History and criticism - 20th century.
標題:	Motion pictures and literature.
標題:	Silent films - History and criticism. - Great Britain
標題:	English fiction.
標題:	Silent films.
標題:	Great Britain.
ISBN:	1137400366 (electronic bk.)
ISBN:	1306299845 (ebk)
ISBN:	9781137400369 (electronic bk.)
ISBN:	9781306299848 (ebk)
書目註:	Includes bibliographical references and index.
內容註:	Mansfield, Silent Film and Post-Impressionism -- Beyond Impressionist Subjectivity -- Ideological Stances and Aesthetic Concerns -- Mansfield's Post-war Reappraisal of Cinema -- Sensory Deprivation and Inner Probing -- Conclusion.
摘要、提要註:	In this engaging new study, Maurizio Ascari reassesses Katherine Mansfield's literary career through the critical lens of silent film, showing how the author's imagination developed in a cultural climate which was informed by interart exchanges. In London, Mansfield came in touch not only with avant-garde movements, but with the new medium of cinema, which exerted a deep fascination on her. Cinema helped Mansfield achieve a new form pivoting on impersonality and empathy, and, together with stories in which cinema is openly thematised, she wrote others which reveal a cinematic dimension in terms of narrative techniques. This critical work reassesses Mansfield's texts by contextualising them both within the journals where they first appeared and against the background of contemporary discourses on cinema. While exploring a single case study, "Cinema and the Imagination in Katherine Mansfield's Writing" also discusses the intermedia exchanges in which modernism at large is rooted.
電子資源:	http://www.palgraveconnect.com/doifinder/10.1057/9781137400369

Cinema and the imagination in Katherine Mansfield's writing /
Ascari, Maurizio,

Cinema and the imagination in Katherine Mansfield's writing /Maurizio Ascari. - 1 online resource.

Includes bibliographical references and index.

Mansfield, Silent Film and Post-Impressionism -- Beyond Impressionist Subjectivity -- Ideological Stances and Aesthetic Concerns -- Mansfield's Post-war Reappraisal of Cinema -- Sensory Deprivation and Inner Probing -- Conclusion.

In this engaging new study, Maurizio Ascari reassesses Katherine Mansfield's literary career through the critical lens of silent film, showing how the author's imagination developed in a cultural climate which was informed by interart exchanges. In London, Mansfield came in touch not only with avant-garde movements, but with the new medium of cinema, which exerted a deep fascination on her. Cinema helped Mansfield achieve a new form pivoting on impersonality and empathy, and, together with stories in which cinema is openly thematised, she wrote others which reveal a cinematic dimension in terms of narrative techniques. This critical work reassesses Mansfield's texts by contextualising them both within the journals where they first appeared and against the background of contemporary discourses on cinema. While exploring a single case study, "Cinema and the Imagination in Katherine Mansfield's Writing" also discusses the intermedia exchanges in which modernism at large is rooted.

ISBN: 1137400366 (electronic bk.)

Source: 750072Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Personal Names:

421467
Mansfield, Katherine,
1888-1923.Garden party.Subjects--Chronological Terms:

1900 - 1999
Subjects--Topical Terms:

576653
English fiction
--History and criticism--20th century.Subjects--Geographical Terms:

574623
Great Britain.
Index Terms--Genre/Form:

574393
Criticism, interpretation, etc.

LC Class. No.: PR9639.3.M258

Dewey Class. No.: 823/.91209

Cinema and the imagination in Katherine Mansfield's writing /
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245 1 0 $a Cinema and the imagination in Katherine Mansfield's writing / $c Maurizio Ascari.
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505 0 $a Mansfield, Silent Film and Post-Impressionism -- Beyond Impressionist Subjectivity -- Ideological Stances and Aesthetic Concerns -- Mansfield's Post-war Reappraisal of Cinema -- Sensory Deprivation and Inner Probing -- Conclusion.
520 $a In this engaging new study, Maurizio Ascari reassesses Katherine Mansfield's literary career through the critical lens of silent film, showing how the author's imagination developed in a cultural climate which was informed by interart exchanges. In London, Mansfield came in touch not only with avant-garde movements, but with the new medium of cinema, which exerted a deep fascination on her. Cinema helped Mansfield achieve a new form pivoting on impersonality and empathy, and, together with stories in which cinema is openly thematised, she wrote others which reveal a cinematic dimension in terms of narrative techniques. This critical work reassesses Mansfield's texts by contextualising them both within the journals where they first appeared and against the background of contemporary discourses on cinema. While exploring a single case study, "Cinema and the Imagination in Katherine Mansfield's Writing" also discusses the intermedia exchanges in which modernism at large is rooted.
588 $a Description based on publisher supplied information; title not viewed.
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