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Modernism, male friendship, and the ...
Cole, Sarah,

 

  • Modernism, male friendship, and the First World War /
  • 紀錄類型: 書目-語言資料,印刷品 : Monograph/item
    杜威分類號: 820.9/358
    書名/作者: Modernism, male friendship, and the First World War // Sarah Cole.
    其他題名: Modernism, Male Friendship, & the First World War
    作者: Cole, Sarah,
    面頁冊數: 1 online resource (vii, 297 pages) : : digital, PDF file(s).
    附註: Title from publisher's bibliographic system (viewed on 05 Oct 2015).
    標題: English literature - History and criticism. - 20th century
    標題: World War, 1914-1918 - Literature and the war. - Great Britain
    標題: English literature - Male authors
    標題: Soldiers' writings, English - History and criticism.
    標題: Modernism (Literature) - Great Britain.
    標題: Male friendship in literature.
    標題: Soldiers in literature.
    標題: Men in literature.
    標題: War in literature.
    ISBN: 9780511485046 (ebook)
    內容註: Victorian dreams, modern realities : Forster's classical imagination -- Conradian alienation and imperial intimacy -- 'My killed friends are with me where I go' : friendship and comradeship at war -- 'The violence of the nightmare' : D.H. Lawrence and the aftermath of war.
    摘要、提要註: Sarah Cole examines the rich literary and cultural history of masculine intimacy in the twentieth century. Cole approaches this complex and neglected topic from many perspectives - as a reflection of the exceptional social power wielded by the institutions that housed and structured male bonds; as a matter of closeted and thwarted homoerotics; as part of the story of the First World War. Cole shows that the terrain of masculine fellowship provides an important context for understanding key literary features of the modernist period. She foregrounds such crucial themes as the over-determined relations between imperial wanderers in Conrad's tales, the broken friendships that permeate Forster's fictions, Lawrence's desperate urge to make culture out of blood brotherhood and the intense bereavement of the war poet. Cole argues that these dramas of compelling and often tortured male friendship have helped to define a particular spirit and voice within the literary canon.
    電子資源: http://dx.doi.org/10.1017/CBO9780511485046
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