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Manmade marvels in medieval culture ...
~
Lightsey, Scott.
Manmade marvels in medieval culture and literature[electronic resource] /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
杜威分類號:
820.93560902
書名/作者:
Manmade marvels in medieval culture and literature/ Scott Lightsey.
作者:
Lightsey, Scott.
出版者:
New York : : Palgrave Macmillan,, 2007.
面頁冊數:
xv, 212 p. : : ill.
叢書名:
New Middle Ages (Palgrave Macmillan (Firm))
標題:
Machinery - History - To 1500.
標題:
Machinery in literature.
標題:
English literature - History and criticism. - Middle English, 1100-1500
ISBN:
9780230605640
ISBN:
0230605648
書目註:
Includes bibliographical references (p. [191]-203) and index.
內容註:
Clever devices -- By Angel's hand: "Piers Plowman" and London's crowning gesture -- Chaucer and the culture of commodified Mirabilia -- Chaucer's body: the subject of technology -- Monstrous body politic(s): Alexander in the Confessio amantis -- Craft and idolatry: "Sotylle" devices in Mandeville's Travels -- Marvelous craft.
摘要、提要註:
Manmade marvels of the later medieval courts, animated golden birds,mechanical angels, and other fantastic machines, were not merely amusing distractions, but also agents of social negotiation and political import. In Manmade Marvels, the dancing metal peacocks, animated statuary, and spectacular illusions of the romance tradition are disembedded from traditional literary representation as supernatural fictions, and situated in the political culture where mechanical marvels were fashionedto delight courts, garner prestige, and symbolize power. This book provides a synthesis of court politics and technological history, intellectual traditions, and the practices of everyday life. Lightsey restores these marvels to the cultural roles they played as they were created bycraftsmen and consumed by elite culture, invigorating our understanding of the role of craft in embellishing noble lives with the marvelous.
電子資源:
access to fulltext (Palgrave)
Manmade marvels in medieval culture and literature[electronic resource] /
Lightsey, Scott.
Manmade marvels in medieval culture and literature
[electronic resource] /Scott Lightsey. - 1st ed. - New York :Palgrave Macmillan,2007. - xv, 212 p. :ill. - New Middle Ages (Palgrave Macmillan (Firm)).
Includes bibliographical references (p. [191]-203) and index.
Clever devices -- By Angel's hand: "Piers Plowman" and London's crowning gesture -- Chaucer and the culture of commodified Mirabilia -- Chaucer's body: the subject of technology -- Monstrous body politic(s): Alexander in the Confessio amantis -- Craft and idolatry: "Sotylle" devices in Mandeville's Travels -- Marvelous craft.
Manmade marvels of the later medieval courts, animated golden birds,mechanical angels, and other fantastic machines, were not merely amusing distractions, but also agents of social negotiation and political import. In Manmade Marvels, the dancing metal peacocks, animated statuary, and spectacular illusions of the romance tradition are disembedded from traditional literary representation as supernatural fictions, and situated in the political culture where mechanical marvels were fashionedto delight courts, garner prestige, and symbolize power. This book provides a synthesis of court politics and technological history, intellectual traditions, and the practices of everyday life. Lightsey restores these marvels to the cultural roles they played as they were created bycraftsmen and consumed by elite culture, invigorating our understanding of the role of craft in embellishing noble lives with the marvelous.
Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.
Mode of access:World Wide Web.
ISBN: 9780230605640
Standard No.: 10.1057/9780230605640doiSubjects--Topical Terms:
370933
Machinery
--History--To 1500.Index Terms--Genre/Form:
336502
Electronic books.
LC Class. No.: PR275.M27 / L54 2007eb
Dewey Class. No.: 820.93560902
Manmade marvels in medieval culture and literature[electronic resource] /
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Manmade marvels of the later medieval courts, animated golden birds,mechanical angels, and other fantastic machines, were not merely amusing distractions, but also agents of social negotiation and political import. In Manmade Marvels, the dancing metal peacocks, animated statuary, and spectacular illusions of the romance tradition are disembedded from traditional literary representation as supernatural fictions, and situated in the political culture where mechanical marvels were fashionedto delight courts, garner prestige, and symbolize power. This book provides a synthesis of court politics and technological history, intellectual traditions, and the practices of everyday life. Lightsey restores these marvels to the cultural roles they played as they were created bycraftsmen and consumed by elite culture, invigorating our understanding of the role of craft in embellishing noble lives with the marvelous.
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