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Mapping landscapes for performance a...
Hunter, Lynette.

 

  • Mapping landscapes for performance as research[electronic resource] :scholarly acts and creative cartographies /
  • Record Type: Language materials, printed : Monograph/item
    [NT 15000414]: 700.72
    Title/Author: Mapping landscapes for performance as research : scholarly acts and creative cartographies // edited by Shannon Rose Riley, Lynette Hunter.
    other author: Riley, Shannon Rose.
    Published: Basingstoke : : Palgrave Macmillan,, 2009.
    Description: xxiv, 274 p. : : ill. ;; 23 cm.
    Subject: Arts - Research
    Subject: Humanities - Research
    ISBN: 9780230244481
    ISBN: 0230244483
    [NT 15000227]: Includes bibliographical references and index.
    [NT 15000228]: Lay of the landscape, geographies, legacies, disciplines 1 -- Cartographies & terms for finding the way(s) --Mapping par in the US communities, classrooms, stages and holodecks.
    [NT 15000229]: What is Performance as Research? How is it related to Practice as Research or Practice-based Research in the arts? This book maps out a landscape for Performance as Research in a way that acknowledges the legacies and influences of other practice-based research models and the particular influences of the field of Performance Studies. The intention isto delineate Performance as Research in the US more clearly, and in sodoing contribute to discussions around similar work in the UK, Australia, Canada, Finland, China, and elsewhere. The essays in the first section offer perspectives for understanding the interrelated but differentdevelopments of Practice as Research and Performance as Research within different geographical and disciplinary contexts, and for comparing the institutionalization of such research approaches in the arts and newhumanities. The central section offers a seriesof essays on useful research terms, and the final section provides examples of Performance asResearch work in a broad range of courses in the humanities, from music to theatre, from the visual arts to performance art, new media, and technology, and concludes with a series of commentaries on the scholarlyinteractions and contributions of such research productions.
    Online resource: access to fulltext (Palgrave)
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