大葉大學圖書館 |

Figurations in Indian film /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	791.430954
書名/作者:	Figurations in Indian film // edited by Meheli Sen, Rutgers University, USA, and Anustup Basu, University of Illinois at Urbana-Champaign, USA.
其他作者:	Basu, Anustup,
面頁冊數:	1 online resource.
標題:	Human body in motion pictures.
標題:	Motion picture industry - India.
標題:	Motion pictures - Philosophy.
標題:	Motion pictures - India.
標題:	Film theory & criticism - India
標題:	Motion picture industry.
標題:	Motion pictures.
標題:	PERFORMING ARTS / Reference
標題:	Performing Arts
標題:	India.
ISBN:	1137349786 (electronic bk.)
ISBN:	9781137349781 (electronic bk.)
內容註:	Introduction: Meheli Sen -- Part 1. Political and typological figures -- Sensate outlaws: the recursive social bandit in Indian popular cultures / Bishnupriya Ghosháá -- What happened to Khadi? dress and costume in Bombay cinema / Anupama Kapse -- Configuring the other: the detective and the real in Satyajit Ray's Chiriakhana / Gautam Basu Thakur -- Part 2. Generic mutations -- Diverting diseases / M. Madhava Prasad -- Nevla as Dracula: figurations of the tantric as monster in the Hindi horror film / Usha Iyer -- Haunted havelis and hapless heroes: gender, genre and the Hindi gothic film / Meheli Sen -- Part 3. Star figures -- "The face that launched a thousand ships": Helen and public femininity in Hindi film / Anustup Basu -- From Superman to Shahenshah: stardom and the transfigurative body of Hrithik Roshan / Nandana Bose -- Con-figurations: the body as world in Bollywood stardom / Sumita S. Chakravarty -- Part 4. Figuring (out) new Bollywood -- Metafiguring Bollywood: (Brecht after Om Shanti Om) / Bhaskar Sarkar -- Bodies in syncopation / Moinak Biswas -- Between Violetta and Vasantasena is Toulouse-Lautrec: cinematic avatars and Bollywood in Moulin Rouge! / Kirsten Strayer -- Afterword: Anustup Basu.
摘要、提要註:	Indian cinematic traditions have always relied on eclectic ways of figuration that combine signs and affects of desire and abomination. That is, incarnations often emerge at critical interfaces between good/bad, Indian/western, self/other, virtue/vice, myth/reality, and so on. Such figures are products of discontinuous assembling processes that cut through dyadic arrangements and pass the same character/body/identity via different, often contradictory, moral economies and sign systems. These many-armed, complex modes of figuration carry a special tenacity in Indian cinema for many reasons, but perhaps most importantly because the template of classical realist narration usually has had limited authority over its proceedings. Perpetually caught between the home and the world, between elation and agony, such cinematic entities carry in them the diverse, contending energies of the overall assembling arena of Indian modernity itself. The essays in this volume consider the issue of figuration in the broadest sense, including formations that are supra-individual, animalistic, divine and machinic.
電子資源:	http://www.palgraveconnect.com/doifinder/10.1057/9781137349781

Figurations in Indian film /
Figurations in Indian film /edited by Meheli Sen, Rutgers University, USA, and Anustup Basu, University of Illinois at Urbana-Champaign, USA. - 1 online resource.

Introduction: Meheli Sen -- Part 1. Political and typological figures -- Sensate outlaws: the recursive social bandit in Indian popular cultures / Bishnupriya Ghosháá -- What happened to Khadi? dress and costume in Bombay cinema / Anupama Kapse -- Configuring the other: the detective and the real in Satyajit Ray's Chiriakhana / Gautam Basu Thakur -- Part 2. Generic mutations -- Diverting diseases / M. Madhava Prasad -- Nevla as Dracula: figurations of the tantric as monster in the Hindi horror film / Usha Iyer -- Haunted havelis and hapless heroes: gender, genre and the Hindi gothic film / Meheli Sen -- Part 3. Star figures -- "The face that launched a thousand ships": Helen and public femininity in Hindi film / Anustup Basu -- From Superman to Shahenshah: stardom and the transfigurative body of Hrithik Roshan / Nandana Bose -- Con-figurations: the body as world in Bollywood stardom / Sumita S. Chakravarty -- Part 4. Figuring (out) new Bollywood -- Metafiguring Bollywood: (Brecht after Om Shanti Om) / Bhaskar Sarkar -- Bodies in syncopation / Moinak Biswas -- Between Violetta and Vasantasena is Toulouse-Lautrec: cinematic avatars and Bollywood in Moulin Rouge! / Kirsten Strayer -- Afterword: Anustup Basu.

Indian cinematic traditions have always relied on eclectic ways of figuration that combine signs and affects of desire and abomination. That is, incarnations often emerge at critical interfaces between good/bad, Indian/western, self/other, virtue/vice, myth/reality, and so on. Such figures are products of discontinuous assembling processes that cut through dyadic arrangements and pass the same character/body/identity via different, often contradictory, moral economies and sign systems. These many-armed, complex modes of figuration carry a special tenacity in Indian cinema for many reasons, but perhaps most importantly because the template of classical realist narration usually has had limited authority over its proceedings. Perpetually caught between the home and the world, between elation and agony, such cinematic entities carry in them the diverse, contending energies of the overall assembling arena of Indian modernity itself. The essays in this volume consider the issue of figuration in the broadest sense, including formations that are supra-individual, animalistic, divine and machinic.

ISBN: 1137349786 (electronic bk.)

Source: 493430Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

378769
Human body in motion pictures.
Subjects--Geographical Terms:

376645
India.
Index Terms--Genre/Form:

336502
Electronic books.

LC Class. No.: PN1993.5.I8

Dewey Class. No.: 791.430954

Figurations in Indian film /
LDR:03780cam a2200373Ki 4500 001 410479
003 OCoLC
005 20140910115748.0
006 m o d
007 cr cnu---unuuu
008 141231s2013 enk o 000 0 eng d
020 $a 1137349786 (electronic bk.)
020 $a 9781137349781 (electronic bk.)
029 1 $a DKDLA $b 820120-katalog:000656310
029 1 $a NLGGC $b 371265576
035 $a (OCoLC)863997302
035 $a ocn863997302
037 $a 493430 $b Palgrave Macmillan $n http://www.palgraveconnect.com
040 $a UKPGM $b eng $e rda $e pn $c UKPGM $d OCLCO $d IDEBK $d CDX $d DKDLA $d N$T $d YDXCP $d E7B $d OCLCO $d OCLCF
043 $a a-ii---
049 $a TEFA
050 4 $a PN1993.5.I8
072 7 $a PER $x 009000 $2 bisacsh
082 0 4 $a 791.430954 $2 23
245 0 0 $a Figurations in Indian film / $c edited by Meheli Sen, Rutgers University, USA, and Anustup Basu, University of Illinois at Urbana-Champaign, USA.
264 1 $a Houndmills, Basingstoke, Hampshire, [England] : $b Palgrave Macmillan, $c 2013.
300 $a 1 online resource.
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
505 0 $a Introduction: Meheli Sen -- Part 1. Political and typological figures -- Sensate outlaws: the recursive social bandit in Indian popular cultures / Bishnupriya Ghosháá -- What happened to Khadi? dress and costume in Bombay cinema / Anupama Kapse -- Configuring the other: the detective and the real in Satyajit Ray's Chiriakhana / Gautam Basu Thakur -- Part 2. Generic mutations -- Diverting diseases / M. Madhava Prasad -- Nevla as Dracula: figurations of the tantric as monster in the Hindi horror film / Usha Iyer -- Haunted havelis and hapless heroes: gender, genre and the Hindi gothic film / Meheli Sen -- Part 3. Star figures -- "The face that launched a thousand ships": Helen and public femininity in Hindi film / Anustup Basu -- From Superman to Shahenshah: stardom and the transfigurative body of Hrithik Roshan / Nandana Bose -- Con-figurations: the body as world in Bollywood stardom / Sumita S. Chakravarty -- Part 4. Figuring (out) new Bollywood -- Metafiguring Bollywood: (Brecht after Om Shanti Om) / Bhaskar Sarkar -- Bodies in syncopation / Moinak Biswas -- Between Violetta and Vasantasena is Toulouse-Lautrec: cinematic avatars and Bollywood in Moulin Rouge! / Kirsten Strayer -- Afterword: Anustup Basu.
520 $a Indian cinematic traditions have always relied on eclectic ways of figuration that combine signs and affects of desire and abomination. That is, incarnations often emerge at critical interfaces between good/bad, Indian/western, self/other, virtue/vice, myth/reality, and so on. Such figures are products of discontinuous assembling processes that cut through dyadic arrangements and pass the same character/body/identity via different, often contradictory, moral economies and sign systems. These many-armed, complex modes of figuration carry a special tenacity in Indian cinema for many reasons, but perhaps most importantly because the template of classical realist narration usually has had limited authority over its proceedings. Perpetually caught between the home and the world, between elation and agony, such cinematic entities carry in them the diverse, contending energies of the overall assembling arena of Indian modernity itself. The essays in this volume consider the issue of figuration in the broadest sense, including formations that are supra-individual, animalistic, divine and machinic.
588 $a Description based on print version record.
650 0 $a Human body in motion pictures. $3 378769
650 0 $a Motion picture industry $z India. $3 391795
650 0 $a Motion pictures $x Philosophy. $3 379679
650 0 $a Motion pictures $z India. $3 374663
650 7 $a Film theory & criticism $z India $2 bicssc $3 575493
650 7 $a Motion picture industry. $3 389531
650 7 $a Motion pictures. $3 371567
650 7 $a PERFORMING ARTS / Reference $2 bisacsh $3 478564
650 7 $a Performing Arts $2 eflch $3 528394
651 7 $a India. $2 gtt $3 376645
655 4 $a Electronic books. $2 local $3 336502
700 1 $a Basu, Anustup, $e editor of compilation. $3 575491
700 1 $a Sen, Meheli, $d 1976- $e editor of compilation. $3 575492
776 0 8 $i Print version: $t Figurations in Indian film $z 9780230291799 $w (DLC) 2013044382 $w (OCoLC)856053408
856 4 0 $3 Palgrave Connect $u http://www.palgraveconnect.com/doifinder/10.1057/9781137349781