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Metaphor and Shakespearean drama[ele...
~
Fahey, Maria F.
Metaphor and Shakespearean drama[electronic resource] :unchaste signification /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
杜威分類號:
822.3/3
書名/作者:
Metaphor and Shakespearean drama : unchaste signification // Maria Franziska Fahey.
作者:
Fahey, Maria F.
出版者:
Houndmills, Basingstoke, Hampshire ; : Palgrave Macmillan,, 2011.
面頁冊數:
1 online resource (xvii, 192 p.) : : ill.
標題:
Metaphor in literature.
標題:
English language - Style. - Early modern, 1500-1700
標題:
DRAMA - Shakespeare.
標題:
LITERARY CRITICISM - Shakespeare.
ISBN:
9780230308800 (electronic bk.)
ISBN:
0230308805 (electronic bk.)
ISBN:
9780230251878 (hbk.)
ISBN:
0230251870 (hbk.)
書目註:
Includes bibliographical references and index.
內容註:
Illustration -- Acknowledgments -- Preface -- 'Unchaste Signification': Classical, Elizabethan, and Contemporary Theories of Metaphor -- Proving Desdemona Haggard: Metaphor and Marriage in Othello -- 'Martyred Signs': Sacrifice and Metaphor in Titus Andronicus -- Imperfect Speech: Metaphor and Equivocation in Macbeth -- 'Base Comparisons': Figuring Royalty in King Henry IV Part 1 -- 'Ears of Flesh and Blood': Dead Metaphors and Ghostly Figures in Hamlet -- 'Strange Fish': Transport and Translation in The Tempest -- Works Cited -- Index.
摘要、提要註:
Metaphor and Shakespearean Drama explores the fruitful and potentially�disorderly nature of metaphorical utterances in Shakespearean drama. Borrowing its title from Henry Peacham's 1593 warning that 'there be no uncleane or unchast[e] signification contained in the Metaphore, ' it explores the worry expressed in Elizabethan rhetoric books that a metaphor might beget illegitimate meanings. Shakespeare's plays demonstrate that a metaphor can indeed generate�unruly meanings which, once uttered, have the power to transform a community. Analyses of Othello, Titus Andronicus, Macbeth, King Henry IV Part 1, Hamlet, and The Tempest demonstrate various aspects of metaphoric performance. These�include metaphor's power to import discourses into speech communities; metaphor's sacrificial nature; the relationship between metaphor and equivocation; metaphor's carnivalesque qualities; dead metaphor's ability to haunt living speech; and metaphor's�ability to circulate unacknowledged collective fantasies.
電子資源:
http://www.palgraveconnect.com/doifinder/10.1057/9780230308800
Metaphor and Shakespearean drama[electronic resource] :unchaste signification /
Fahey, Maria F.
Metaphor and Shakespearean drama
unchaste signification /[electronic resource] :Maria Franziska Fahey. - Houndmills, Basingstoke, Hampshire ;Palgrave Macmillan,2011. - 1 online resource (xvii, 192 p.) :ill. - Early modern literature in history. - Early modern literature in history (Palgrave Macmillan (Firm)).
Includes bibliographical references and index.
Illustration -- Acknowledgments -- Preface -- 'Unchaste Signification': Classical, Elizabethan, and Contemporary Theories of Metaphor -- Proving Desdemona Haggard: Metaphor and Marriage in Othello -- 'Martyred Signs': Sacrifice and Metaphor in Titus Andronicus -- Imperfect Speech: Metaphor and Equivocation in Macbeth -- 'Base Comparisons': Figuring Royalty in King Henry IV Part 1 -- 'Ears of Flesh and Blood': Dead Metaphors and Ghostly Figures in Hamlet -- 'Strange Fish': Transport and Translation in The Tempest -- Works Cited -- Index.
Metaphor and Shakespearean Drama explores the fruitful and potentially�disorderly nature of metaphorical utterances in Shakespearean drama. Borrowing its title from Henry Peacham's 1593 warning that 'there be no uncleane or unchast[e] signification contained in the Metaphore, ' it explores the worry expressed in Elizabethan rhetoric books that a metaphor might beget illegitimate meanings. Shakespeare's plays demonstrate that a metaphor can indeed generate�unruly meanings which, once uttered, have the power to transform a community. Analyses of Othello, Titus Andronicus, Macbeth, King Henry IV Part 1, Hamlet, and The Tempest demonstrate various aspects of metaphoric performance. These�include metaphor's power to import discourses into speech communities; metaphor's sacrificial nature; the relationship between metaphor and equivocation; metaphor's carnivalesque qualities; dead metaphor's ability to haunt living speech; and metaphor's�ability to circulate unacknowledged collective fantasies.
ISBN: 9780230308800 (electronic bk.)
Standard No.: 9786613317780
Source: 404805Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Personal Names:
337664
Shakespeare, William,
1564-1616--Language.Subjects--Topical Terms:
376009
Metaphor in literature.
Index Terms--Genre/Form:
336502
Electronic books.
LC Class. No.: PR3072 / .F34 2011
Dewey Class. No.: 822.3/3
Metaphor and Shakespearean drama[electronic resource] :unchaste signification /
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Illustration -- Acknowledgments -- Preface -- 'Unchaste Signification': Classical, Elizabethan, and Contemporary Theories of Metaphor -- Proving Desdemona Haggard: Metaphor and Marriage in Othello -- 'Martyred Signs': Sacrifice and Metaphor in Titus Andronicus -- Imperfect Speech: Metaphor and Equivocation in Macbeth -- 'Base Comparisons': Figuring Royalty in King Henry IV Part 1 -- 'Ears of Flesh and Blood': Dead Metaphors and Ghostly Figures in Hamlet -- 'Strange Fish': Transport and Translation in The Tempest -- Works Cited -- Index.
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"Unchaste signification": Classical, Elizabethan, and contemporary theories of metaphor -- Proving Desdemona haggard: Metaphor and marriage in Othello -- "Martyred signs": Sacrifice and metaphor in Titus Andronicus -- Imperfect speech: Metaphor and equivocation in Macbeth -- "Base comparisons": Figuring royalty in King Henry IV part 1 -- "Ears of flesh and blood": Dead metaphors and ghostly figures in Hamlet -- "Strange fish": Transport and translation in The tempest.
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Metaphor and Shakespearean Drama explores the fruitful and potentially�disorderly nature of metaphorical utterances in Shakespearean drama. Borrowing its title from Henry Peacham's 1593 warning that 'there be no uncleane or unchast[e] signification contained in the Metaphore, ' it explores the worry expressed in Elizabethan rhetoric books that a metaphor might beget illegitimate meanings. Shakespeare's plays demonstrate that a metaphor can indeed generate�unruly meanings which, once uttered, have the power to transform a community. Analyses of Othello, Titus Andronicus, Macbeth, King Henry IV Part 1, Hamlet, and The Tempest demonstrate various aspects of metaphoric performance. These�include metaphor's power to import discourses into speech communities; metaphor's sacrificial nature; the relationship between metaphor and equivocation; metaphor's carnivalesque qualities; dead metaphor's ability to haunt living speech; and metaphor's�ability to circulate unacknowledged collective fantasies.
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