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[ subject:"Culture and globalization" ]
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Japanese cinema goes global[electron...
~
Project Muse.
Japanese cinema goes global[electronic resource] :filmworkers' journeys /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
杜威分類號:
791.430952
書名/作者:
Japanese cinema goes global : filmworkers' journeys // Yoshiharu Tezuka.
作者:
Tezuka, Yoshiharu.
出版者:
Hong Kong [China] : : Hong Kong University Press,, c2012
面頁冊數:
1 online resource (x, 200 p.).
附註:
Issued as part of UPCC book collections on Project MUSE.
標題:
Culture and globalization - Japan.
標題:
Motion pictures - Social aspects - Japan.
標題:
Motion pictures and globalization - Japan.
標題:
Motion picture industry - History. - Japan
ISBN:
9789888053872 (electronic bk.)
ISBN:
9888053876 (electronic bk.)
ISBN:
9789888083329 (hbk.)
書目註:
Includes bibliographical references (p. [181]-196) and index.
內容註:
Introduction -- ch. 1. Japanese national identity and "banal" cosmopolitalization -- ch. 2. Internationalization of Japanese cinema : how Japan was different from the West and above Asia beforeglobalization --ch. 3. Globalization of film finance : the actually existing cosmopolitanisms of Japanese film producers -- ch. 4. Global America? : American-Japanese film co-productions from Shogun (1980) to The grudge 2 (2006)-- ch. 5. Pan-Asian cinema? : the past of Japan-centred regional cosmopolitanism.
摘要、提要註:
Japan's film industry has gone through dramatic changes in recent decades, as international consumer forces and transnational talent have brought unprecedented engagement with global trends. With careful research and also unique first-person observations drawn from years of working within theinternational industry of Japanese film, the author aims to examine how different generations of Japanese filmmakers engaged and interacted with the structural opportunities and limitations posed by external forces, and how their subjectivity has been shaped by their transnational experiences and has changed as a result. Having been throughthe globalization of the last part of the twentieth century, are Japanese themselves and overseas consumers of Japanese culture really becoming more cosmopolitan? If so, what does it mean for Japan's national culture and the traditional sense of national belonging among Japanese people?
電子資源:
Full text available:
Japanese cinema goes global[electronic resource] :filmworkers' journeys /
Tezuka, Yoshiharu.
Japanese cinema goes global
filmworkers' journeys /[electronic resource] :Yoshiharu Tezuka. - Hong Kong [China] :Hong Kong University Press,c2012 - 1 online resource (x, 200 p.). - TransAsia : screen cultures. - TransAsia: screen cultures..
Issued as part of UPCC book collections on Project MUSE.
Includes bibliographical references (p. [181]-196) and index.
Introduction -- ch. 1. Japanese national identity and "banal" cosmopolitalization -- ch. 2. Internationalization of Japanese cinema : how Japan was different from the West and above Asia beforeglobalization --ch. 3. Globalization of film finance : the actually existing cosmopolitanisms of Japanese film producers -- ch. 4. Global America? : American-Japanese film co-productions from Shogun (1980) to The grudge 2 (2006)-- ch. 5. Pan-Asian cinema? : the past of Japan-centred regional cosmopolitanism.
Japan's film industry has gone through dramatic changes in recent decades, as international consumer forces and transnational talent have brought unprecedented engagement with global trends. With careful research and also unique first-person observations drawn from years of working within theinternational industry of Japanese film, the author aims to examine how different generations of Japanese filmmakers engaged and interacted with the structural opportunities and limitations posed by external forces, and how their subjectivity has been shaped by their transnational experiences and has changed as a result. Having been throughthe globalization of the last part of the twentieth century, are Japanese themselves and overseas consumers of Japanese culture really becoming more cosmopolitan? If so, what does it mean for Japan's national culture and the traditional sense of national belonging among Japanese people?
ISBN: 9789888053872 (electronic bk.)Subjects--Topical Terms:
539236
Culture and globalization
--Japan.Index Terms--Genre/Form:
336502
Electronic books.
LC Class. No.: PN1993.5.J3 / T495 2012
Dewey Class. No.: 791.430952
Japanese cinema goes global[electronic resource] :filmworkers' journeys /
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Introduction -- ch. 1. Japanese national identity and "banal" cosmopolitalization -- ch. 2. Internationalization of Japanese cinema : how Japan was different from the West and above Asia beforeglobalization --ch. 3. Globalization of film finance : the actually existing cosmopolitanisms of Japanese film producers -- ch. 4. Global America? : American-Japanese film co-productions from Shogun (1980) to The grudge 2 (2006)-- ch. 5. Pan-Asian cinema? : the past of Japan-centred regional cosmopolitanism.
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Japan's film industry has gone through dramatic changes in recent decades, as international consumer forces and transnational talent have brought unprecedented engagement with global trends. With careful research and also unique first-person observations drawn from years of working within theinternational industry of Japanese film, the author aims to examine how different generations of Japanese filmmakers engaged and interacted with the structural opportunities and limitations posed by external forces, and how their subjectivity has been shaped by their transnational experiences and has changed as a result. Having been throughthe globalization of the last part of the twentieth century, are Japanese themselves and overseas consumers of Japanese culture really becoming more cosmopolitan? If so, what does it mean for Japan's national culture and the traditional sense of national belonging among Japanese people?
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