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Revenge drama in European Renaissance and Japanese theater[electronic resource] :from Hamlet to Madame Butterfly /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	809.29355
書名/作者:	Revenge drama in European Renaissance and Japanese theater : from Hamlet to Madame Butterfly // edited by Kevin J. Wetmore, Jr.
其他作者:	Wetmore, Kevin J.,
出版者:	New York, N.Y. ; : Palgrave Macmillan,, 2008.
面頁冊數:	viii, 289 p.
標題:	Revenge in literature.
標題:	Japanese drama - History and criticism.
標題:	European drama - History and criticism. - Renaissance, 1450-1600
標題:	Comparative literature - Japanese and Western.
ISBN:	9780230611283
ISBN:	0230611281
書目註:	Includes bibliographical references (p. [271]-284) and index.
內容註:	Introduction: "Thinking upon revenge" / Kevin J. Wetmore, Jr. -- pt.1. Revenge contexts and comparisons. Closed and open societies: the revenge dramas of Japan, Spain, and England / Leonard C. Pronko -- Unsexed and disembodied: female avengers in Japan and England / Carol Fisher Sorgenfrei --"Avenge me!": ghosts in English renaissance and Kabuki revenge dramas / Kevin J. Wetmore, Jr. -- Kabuki parodies of blood revenge / Laurence Kominz -- Revenge on screen: Imai Tadashi's Night drum / Keiko McDonald -- Censoring vengeance: revenge dramas and tragedies during the Allied Occupation of Japan / David Jortner -- pt. 2. Chåushingura: east and west. The horizontal Chåushingura: western translations andadaptations prior to World War II / Aaron M. Cohen -- Chåushingura in the 1980s: rethinking the story of the Forty-seven Råonin / Henry D. Smith II -- Appendix: Chåushingura-related booksof the1980s. One legacy of Madame Butterfly: Chåushingura as a contemporary opera / J. Thomas Rimer--Gender construction and Chåushingura as a Japanese national legend / Junko Saeki -- "The play's thething": cross-cultural adaptation of revenge plays through traditional drama / Kevin J. Wetmore,Jr.
摘要、提要註:	Revenge Drama in European Renaissance and Japanese Theatre is a collection of essays that both explores the tradition of revenge drama in Japan and compares that tradition with that in EuropeanRenaissance drama. Why are the two great plays of each tradition, plays regarded as defining their nations and eras, Kanadehon Chushingura and Hamlet, both revenge plays? What do the revenge dramas ofEurope and Japan tell us about the periods that produced them and how have they been modernized tospeak to contemporary audiences? By interrogating the manifestation of evil women, ghosts, satire, parody, and censorship, contributors such as Leonard Pronko, J. Thomas Rimer, Carol Sorgenfrei, Laurence Kominz explore these issues.
電子資源:	access to fulltext (Palgrave)

Revenge drama in European Renaissance and Japanese theater[electronic resource] :from Hamlet to Madame Butterfly /
Revenge drama in European Renaissance and Japanese theaterfrom Hamlet to Madame Butterfly /[electronic resource] :edited by Kevin J. Wetmore, Jr. - 1st ed. - New York, N.Y. ;Palgrave Macmillan,2008. - viii, 289 p.

Includes bibliographical references (p. [271]-284) and index.

Introduction: "Thinking upon revenge" / Kevin J. Wetmore, Jr. -- pt.1. Revenge contexts and comparisons. Closed and open societies: the revenge dramas of Japan, Spain, and England / Leonard C. Pronko -- Unsexed and disembodied: female avengers in Japan and England / Carol Fisher Sorgenfrei --"Avenge me!": ghosts in English renaissance and Kabuki revenge dramas / Kevin J. Wetmore, Jr. -- Kabuki parodies of blood revenge / Laurence Kominz -- Revenge on screen: Imai Tadashi's Night drum / Keiko McDonald -- Censoring vengeance: revenge dramas and tragedies during the Allied Occupation of Japan / David Jortner -- pt. 2. Chåushingura: east and west. The horizontal Chåushingura: western translations andadaptations prior to World War II / Aaron M. Cohen -- Chåushingura in the 1980s: rethinking the story of the Forty-seven Råonin / Henry D. Smith II -- Appendix: Chåushingura-related booksof the1980s. One legacy of Madame Butterfly: Chåushingura as a contemporary opera / J. Thomas Rimer--Gender construction and Chåushingura as a Japanese national legend / Junko Saeki -- "The play's thething": cross-cultural adaptation of revenge plays through traditional drama / Kevin J. Wetmore,Jr.

Revenge Drama in European Renaissance and Japanese Theatre is a collection of essays that both explores the tradition of revenge drama in Japan and compares that tradition with that in EuropeanRenaissance drama. Why are the two great plays of each tradition, plays regarded as defining their nations and eras, Kanadehon Chushingura and Hamlet, both revenge plays? What do the revenge dramas ofEurope and Japan tell us about the periods that produced them and how have they been modernized tospeak to contemporary audiences? By interrogating the manifestation of evil women, ghosts, satire, parody, and censorship, contributors such as Leonard Pronko, J. Thomas Rimer, Carol Sorgenfrei, Laurence Kominz explore these issues.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 9780230611283

Standard No.: 10.1057/9780230611283doiSubjects--Topical Terms:

180183
Revenge in literature.
Index Terms--Genre/Form:

336502
Electronic books.

LC Class. No.: PN1650.R48 / R48 2008eb

Dewey Class. No.: 809.29355

Revenge drama in European Renaissance and Japanese theater[electronic resource] :from Hamlet to Madame Butterfly /
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300 $a viii, 289 p.
504 $a Includes bibliographical references (p. [271]-284) and index.
505 0 $a Introduction: "Thinking upon revenge" / Kevin J. Wetmore, Jr. -- pt.1. Revenge contexts and comparisons. Closed and open societies: the revenge dramas of Japan, Spain, and England / Leonard C. Pronko -- Unsexed and disembodied: female avengers in Japan and England / Carol Fisher Sorgenfrei --"Avenge me!": ghosts in English renaissance and Kabuki revenge dramas / Kevin J. Wetmore, Jr. -- Kabuki parodies of blood revenge / Laurence Kominz -- Revenge on screen: Imai Tadashi's Night drum / Keiko McDonald -- Censoring vengeance: revenge dramas and tragedies during the Allied Occupation of Japan / David Jortner -- pt. 2. Chåushingura: east and west. The horizontal Chåushingura: western translations andadaptations prior to World War II / Aaron M. Cohen -- Chåushingura in the 1980s: rethinking the story of the Forty-seven Råonin / Henry D. Smith II -- Appendix: Chåushingura-related booksof the1980s. One legacy of Madame Butterfly: Chåushingura as a contemporary opera / J. Thomas Rimer--Gender construction and Chåushingura as a Japanese national legend / Junko Saeki -- "The play's thething": cross-cultural adaptation of revenge plays through traditional drama / Kevin J. Wetmore,Jr.
520 $a Revenge Drama in European Renaissance and Japanese Theatre is a collection of essays that both explores the tradition of revenge drama in Japan and compares that tradition with that in EuropeanRenaissance drama. Why are the two great plays of each tradition, plays regarded as defining their nations and eras, Kanadehon Chushingura and Hamlet, both revenge plays? What do the revenge dramas ofEurope and Japan tell us about the periods that produced them and how have they been modernized tospeak to contemporary audiences? By interrogating the manifestation of evil women, ghosts, satire, parody, and censorship, contributors such as Leonard Pronko, J. Thomas Rimer, Carol Sorgenfrei, Laurence Kominz explore these issues.
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650 0 $a European drama $y Renaissance, 1450-1600 $x History and criticism. $3 373504
650 0 $a Comparative literature $x Japanese and Western. $3 373505
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