大葉大學圖書館 |

Digital renaissance :what data and economics tell us about the future of popular culture /

紀錄類型:	書目-電子資源 : Monograph/item
杜威分類號:	306
書名/作者:	Digital renaissance : : what data and economics tell us about the future of popular culture // Joel Waldfogel.
作者:	Waldfogel, Joel,
面頁冊數:	1 online resource (321 p.)
標題:	Popular culture.
標題:	Cultural property - Protection.
標題:	Cultural industries - Technological innovations.
ISBN:	0691162824
ISBN:	0691185433
ISBN:	9780691162829
ISBN:	9780691185439
書目註:	Includes bibliographical references and index.
內容註:	Digital renaissance : what data and economics tell us about the future of popular culture -- Contents -- Acknowledgments -- 1. The Creative Industries: Risky, Expensive, and Worth Preserving -- Part I: A Tour of Some Major Cultural Industries: Music, Movies, Television Shows, Books, and Photography -- 2. Digitization in Music: Rock On? -- 3. Digitization in Movies: Hollywood Ending? -- 4. Digitization in Television: Has the Vast Wasteland Blossomed? -- 5. Digitization in Books: Fifty Shades of Dreck? -- 6. Digitization Further Afield: Photography, Travel Agents, and Beyond -- 7. The Value of the Digital Renaissance: The Long Tail and a Whole Lot More -- Part II: Coming Attractions: Farm Teams, Bundling, Pirates, Vikings, and Trolls -- 8. The Digital Farm System, and the Promise of Bundling -- 9. A Tale of Two Intellectual Property Regimes: Lessons from Hollywood and Bollywood -- 10. Digitization, the French, and the Return of the Vikings -- 11. Bridge Trolls: The Possible Threat of Technological Gatekeepers -- 12. Crisis or Renaissance? -- Notes -- References -- Index.
摘要、提要註:	How digital technology is upending the traditional creative industries--and why that might be a good thing The digital revolution poses a mortal threat to the major creative industries--music, publishing, television, and the movies. The ease with which digital files can be copied and distributed has unleashed a wave of piracy with disastrous effects on revenue. Cheap, easy self-publishing is eroding the position of these gatekeepers and guardians of culture. Does this revolution herald the collapse of culture, as some commentators claim? Far from it. In Digital Renaissance, Joel Waldfogel argues that digital technology is enabling a new golden age of popular culture, a veritable digital renaissance. By reducing the costs of production, distribution, and promotion, digital technology is democratizing access to the cultural marketplace. More books, songs, television shows, and movies are being produced than ever before. Nor does this mean a tidal wave of derivative, poorly produced kitsch analyzing decades of production and sales data, as well as bestseller and best-of lists, Waldfogel finds that the new digital model is just as successful at producing high-quality, successful work as the old industry model, and in many cases more so. The vaunted gatekeeper role of the creative industries proves to have been largely mythical. The high costs of production have stifled creativity in industries that require ever-bigger blockbusters to cover the losses on ever-more-expensive failures. Are we drowning in a tide of cultural silt, or living in a golden age for culture? The answers in Digital Renaissance may surprise you. Joel Waldfogel holds the Frederick R. Kappel Chair at the University of Minnesota’s Carlson School of Management. His previous books include Scroogenomics: Why You Shouldn’t Buy Presents for the Holidays (Princeton). He lives in Minneapolis.
電子資源:	https://portal.igpublish.com/iglibrary/search/PUPB0006748.html

Digital renaissance :what data and economics tell us about the future of popular culture /
Waldfogel, Joel,1962-

Digital renaissance :what data and economics tell us about the future of popular culture /Joel Waldfogel. - 1 online resource (321 p.)

Includes bibliographical references and index.

Digital renaissance : what data and economics tell us about the future of popular culture -- Contents -- Acknowledgments -- 1. The Creative Industries: Risky, Expensive, and Worth Preserving -- Part I: A Tour of Some Major Cultural Industries: Music, Movies, Television Shows, Books, and Photography -- 2. Digitization in Music: Rock On? -- 3. Digitization in Movies: Hollywood Ending? -- 4. Digitization in Television: Has the Vast Wasteland Blossomed? -- 5. Digitization in Books: Fifty Shades of Dreck? -- 6. Digitization Further Afield: Photography, Travel Agents, and Beyond -- 7. The Value of the Digital Renaissance: The Long Tail and a Whole Lot More -- Part II: Coming Attractions: Farm Teams, Bundling, Pirates, Vikings, and Trolls -- 8. The Digital Farm System, and the Promise of Bundling -- 9. A Tale of Two Intellectual Property Regimes: Lessons from Hollywood and Bollywood -- 10. Digitization, the French, and the Return of the Vikings -- 11. Bridge Trolls: The Possible Threat of Technological Gatekeepers -- 12. Crisis or Renaissance? -- Notes -- References -- Index.

Access restricted to authorized users and institutions.

How digital technology is upending the traditional creative industries--and why that might be a good thing The digital revolution poses a mortal threat to the major creative industries--music, publishing, television, and the movies. The ease with which digital files can be copied and distributed has unleashed a wave of piracy with disastrous effects on revenue. Cheap, easy self-publishing is eroding the position of these gatekeepers and guardians of culture. Does this revolution herald the collapse of culture, as some commentators claim? Far from it. In Digital Renaissance, Joel Waldfogel argues that digital technology is enabling a new golden age of popular culture, a veritable digital renaissance. By reducing the costs of production, distribution, and promotion, digital technology is democratizing access to the cultural marketplace. More books, songs, television shows, and movies are being produced than ever before. Nor does this mean a tidal wave of derivative, poorly produced kitsch analyzing decades of production and sales data, as well as bestseller and best-of lists, Waldfogel finds that the new digital model is just as successful at producing high-quality, successful work as the old industry model, and in many cases more so. The vaunted gatekeeper role of the creative industries proves to have been largely mythical. The high costs of production have stifled creativity in industries that require ever-bigger blockbusters to cover the losses on ever-more-expensive failures. Are we drowning in a tide of cultural silt, or living in a golden age for culture? The answers in Digital Renaissance may surprise you. Joel Waldfogel holds the Frederick R. Kappel Chair at the University of Minnesota’s Carlson School of Management. His previous books include Scroogenomics: Why You Shouldn’t Buy Presents for the Holidays (Princeton). He lives in Minneapolis.

Mode of access: World Wide Web.

ISBN: 0691162824Subjects--Topical Terms:

181694
Popular culture.
Index Terms--Genre/Form:

336502
Electronic books.

LC Class. No.: HD9999.C9472

Dewey Class. No.: 306

Digital renaissance :what data and economics tell us about the future of popular culture /
LDR:04034nmm a2200313 i 4500 001 493378
006 m eo d
007 cr cn |||m|||a
008 210205s2018 nju ob 000 0 eng d
020 $a 0691162824
020 $a 0691185433
020 $a 9780691162829
020 $a 9780691185439
035 $a PUPB0006748
040 $a iG Publishing $b eng $c iG Publishing $e rda
050 0 0 $a HD9999.C9472
082 0 4 $a 306
100 1 $a Waldfogel, Joel, $d 1962- $e author. $3 715635
245 1 0 $a Digital renaissance : $b what data and economics tell us about the future of popular culture / $c Joel Waldfogel.
264 1 $a Princeton : $b Princeton University Press, $c 2018.
264 4 $c ©2018
300 $a 1 online resource (321 p.)
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
504 $a Includes bibliographical references and index.
505 0 $a Digital renaissance : what data and economics tell us about the future of popular culture -- Contents -- Acknowledgments -- 1. The Creative Industries: Risky, Expensive, and Worth Preserving -- Part I: A Tour of Some Major Cultural Industries: Music, Movies, Television Shows, Books, and Photography -- 2. Digitization in Music: Rock On? -- 3. Digitization in Movies: Hollywood Ending? -- 4. Digitization in Television: Has the Vast Wasteland Blossomed? -- 5. Digitization in Books: Fifty Shades of Dreck? -- 6. Digitization Further Afield: Photography, Travel Agents, and Beyond -- 7. The Value of the Digital Renaissance: The Long Tail and a Whole Lot More -- Part II: Coming Attractions: Farm Teams, Bundling, Pirates, Vikings, and Trolls -- 8. The Digital Farm System, and the Promise of Bundling -- 9. A Tale of Two Intellectual Property Regimes: Lessons from Hollywood and Bollywood -- 10. Digitization, the French, and the Return of the Vikings -- 11. Bridge Trolls: The Possible Threat of Technological Gatekeepers -- 12. Crisis or Renaissance? -- Notes -- References -- Index.
506 $a Access restricted to authorized users and institutions.
520 3 $a How digital technology is upending the traditional creative industries--and why that might be a good thing The digital revolution poses a mortal threat to the major creative industries--music, publishing, television, and the movies. The ease with which digital files can be copied and distributed has unleashed a wave of piracy with disastrous effects on revenue. Cheap, easy self-publishing is eroding the position of these gatekeepers and guardians of culture. Does this revolution herald the collapse of culture, as some commentators claim? Far from it. In Digital Renaissance, Joel Waldfogel argues that digital technology is enabling a new golden age of popular culture, a veritable digital renaissance. By reducing the costs of production, distribution, and promotion, digital technology is democratizing access to the cultural marketplace. More books, songs, television shows, and movies are being produced than ever before. Nor does this mean a tidal wave of derivative, poorly produced kitsch analyzing decades of production and sales data, as well as bestseller and best-of lists, Waldfogel finds that the new digital model is just as successful at producing high-quality, successful work as the old industry model, and in many cases more so. The vaunted gatekeeper role of the creative industries proves to have been largely mythical. The high costs of production have stifled creativity in industries that require ever-bigger blockbusters to cover the losses on ever-more-expensive failures. Are we drowning in a tide of cultural silt, or living in a golden age for culture? The answers in Digital Renaissance may surprise you. Joel Waldfogel holds the Frederick R. Kappel Chair at the University of Minnesota’s Carlson School of Management. His previous books include Scroogenomics: Why You Shouldn’t Buy Presents for the Holidays (Princeton). He lives in Minneapolis.
538 $a Mode of access: World Wide Web.
650 0 $a Popular culture. $3 181694
650 0 $a Cultural property $x Protection. $3 383902
650 0 $a Cultural industries $x Technological innovations. $3 704319
655 4 $a Electronic books. $2 local $3 336502
856 4 0 $u https://portal.igpublish.com/iglibrary/search/PUPB0006748.html