大葉大學圖書館 |

Colonial Literature and the Native Author[electronic resource] :Indigeneity and Empire /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	809.93358
書名/作者:	Colonial Literature and the Native Author : Indigeneity and Empire // by Jane Stafford.
作者:	Stafford, Jane.
出版者:	Cham : : Springer International Publishing :, 2016.
面頁冊數:	xii, 254 p. : : digital ;; 22 cm.
Contained By:	Springer eBooks
標題:	Indigenous authors.
標題:	Literature and society - History - 19th century.
標題:	Literature.
標題:	Literature, general.
標題:	Great Britain - Fiction.
ISBN:	9783319387673
ISBN:	9783319387666
內容註:	1. Introduction: 'I adopt the language of the poet' -- 2. Littleness, Frivolity, and Vedic Simplicity: Toru Dutt, Sarojini Naidu, and Mr Gosse -- 3. 'Constant reading after office hours': Sol Plaatje and Literary Belonging -- 4. 'The genuine stamp of truth and nature': voicing The History of Mary Prince -- 5. 'Culture's artificial note': E. Pauline Johnson, Tekahionwake, and her Audiences -- 6. 'Pressed down by the great words of others': Wiremu Te Rangikaheke and Apirana Ngata -- 7. Conclusion: Secret Fountains and Authentic Utterance -- Bibliography -- Index.
摘要、提要註:	This book is the first study of writers who are both Victorian and indigenous, who have been educated in and write in terms of Victorian literary conventions, but whose indigenous affiliation is part of their literary personae and subject matter. What happens when the colonised, indigenous, or 'native' subject learns to write in the literary language of empire? If the romanticised subject of colonial literature becomes the author, is a new kind of writing produced, or does the native author conform to the models of the coloniser? By investigating the ways that nineteenth-century concerns are adopted, accommodated, rewritten, challenged, re-inscribed, confronted, or assimilated in the work of these authors, this study presents a novel examination of the nature of colonial literary production and indigenous authorship, as well as suggesting to the discipline of colonial and postcolonial studies a perhaps unsettling perspective with which to look at the larger patterns of Victorian cultural and literary formation.
電子資源:	http://dx.doi.org/10.1007/978-3-319-38767-3

Colonial Literature and the Native Author[electronic resource] :Indigeneity and Empire /
Stafford, Jane.

Colonial Literature and the Native AuthorIndigeneity and Empire /[electronic resource] :by Jane Stafford. - Cham :Springer International Publishing :2016. - xii, 254 p. :digital ;22 cm.

1. Introduction: 'I adopt the language of the poet' -- 2. Littleness, Frivolity, and Vedic Simplicity: Toru Dutt, Sarojini Naidu, and Mr Gosse -- 3. 'Constant reading after office hours': Sol Plaatje and Literary Belonging -- 4. 'The genuine stamp of truth and nature': voicing The History of Mary Prince -- 5. 'Culture's artificial note': E. Pauline Johnson, Tekahionwake, and her Audiences -- 6. 'Pressed down by the great words of others': Wiremu Te Rangikaheke and Apirana Ngata -- 7. Conclusion: Secret Fountains and Authentic Utterance -- Bibliography -- Index.

This book is the first study of writers who are both Victorian and indigenous, who have been educated in and write in terms of Victorian literary conventions, but whose indigenous affiliation is part of their literary personae and subject matter. What happens when the colonised, indigenous, or 'native' subject learns to write in the literary language of empire? If the romanticised subject of colonial literature becomes the author, is a new kind of writing produced, or does the native author conform to the models of the coloniser? By investigating the ways that nineteenth-century concerns are adopted, accommodated, rewritten, challenged, re-inscribed, confronted, or assimilated in the work of these authors, this study presents a novel examination of the nature of colonial literary production and indigenous authorship, as well as suggesting to the discipline of colonial and postcolonial studies a perhaps unsettling perspective with which to look at the larger patterns of Victorian cultural and literary formation.

ISBN: 9783319387673

Standard No.: 10.1007/978-3-319-38767-3doiSubjects--Topical Terms:

688292
Indigenous authors.
Subjects--Geographical Terms:

337657
Great Britain
--Fiction.

LC Class. No.: PN51 / .S734 2016

Dewey Class. No.: 809.93358

Colonial Literature and the Native Author[electronic resource] :Indigeneity and Empire /
LDR:02553nam a2200313 a 4500 001 477069
003 DE-He213
005 20161220070254.0
006 m d
007 cr nn 008maaau
008 181208s2016 gw s 0 eng d
020 $a 9783319387673 $q (electronic bk.)
020 $a 9783319387666 $q (paper)
024 7 $a 10.1007/978-3-319-38767-3 $2 doi
035 $a 978-3-319-38767-3
040 $a GP $c GP
041 0 $a eng
050 4 $a PN51 $b .S734 2016
072 7 $a D $2 bicssc
072 7 $a LIT000000 $2 bisacsh
082 0 4 $a 809.93358 $2 23
090 $a PN51 $b .S779 2016
100 1 $a Stafford, Jane. $3 688291
245 1 0 $a Colonial Literature and the Native Author $h [electronic resource] : $b Indigeneity and Empire / $c by Jane Stafford.
260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2016.
300 $a xii, 254 p. : $b digital ; $c 22 cm.
505 0 $a 1. Introduction: 'I adopt the language of the poet' -- 2. Littleness, Frivolity, and Vedic Simplicity: Toru Dutt, Sarojini Naidu, and Mr Gosse -- 3. 'Constant reading after office hours': Sol Plaatje and Literary Belonging -- 4. 'The genuine stamp of truth and nature': voicing The History of Mary Prince -- 5. 'Culture's artificial note': E. Pauline Johnson, Tekahionwake, and her Audiences -- 6. 'Pressed down by the great words of others': Wiremu Te Rangikaheke and Apirana Ngata -- 7. Conclusion: Secret Fountains and Authentic Utterance -- Bibliography -- Index.
520 $a This book is the first study of writers who are both Victorian and indigenous, who have been educated in and write in terms of Victorian literary conventions, but whose indigenous affiliation is part of their literary personae and subject matter. What happens when the colonised, indigenous, or 'native' subject learns to write in the literary language of empire? If the romanticised subject of colonial literature becomes the author, is a new kind of writing produced, or does the native author conform to the models of the coloniser? By investigating the ways that nineteenth-century concerns are adopted, accommodated, rewritten, challenged, re-inscribed, confronted, or assimilated in the work of these authors, this study presents a novel examination of the nature of colonial literary production and indigenous authorship, as well as suggesting to the discipline of colonial and postcolonial studies a perhaps unsettling perspective with which to look at the larger patterns of Victorian cultural and literary formation.
650 0 $a Indigenous authors. $3 688292
650 0 $a Literature and society $x History $y 19th century. $3 532658
650 1 4 $a Literature. $3 194750
650 2 4 $a Literature, general. $3 655152
651 0 $a Great Britain $v Fiction. $3 337657
710 2 $a SpringerLink (Online service) $3 463450
773 0 $t Springer eBooks
856 4 0 $u http://dx.doi.org/10.1007/978-3-319-38767-3
950 $a Literature, Cultural and Media Studies (Springer-41173)