Performing Arts.
概観
| 著作: | 65 作品に 38 出版物中に 38 言語 | |
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タイトル
British television animation 1997-2010[electronic resource] :drawing comic tradition /
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Class divisions on the Broadway stage[electronic resource] :the staging and taming of the I.W.W. /
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The dangerous lives of public performers[electronic resource] :dancing, sex, and entertainment in the Islamic world /
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Mapping South Asia through contemporary theatre[electronic resource] :essays on the theatres of India, Pakistan, Bangladesh, Nepal and Sri Lanka /
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Marx at the movies[electronic resource] :revisiting history, theory and practice /
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Memory and imagination in film[electronic resource] :Scorsese, Lynch, Jarmusch, Van Sant /
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The new humor in the progressive era[electronic resource] :Americanization and the vaudeville comedian /
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Performance, identity, and immigration law[electronic resource] :a theatre of undocumentedness /
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Performing ground[electronic resource] :space, camouflage and the art of blending in /
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Postmodern metanarratives[electronic resource] :Blade Runner and literature in the age of image /
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Screenwriters and screenwriting[electronic resource] :putting practice into context /
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Staging the slums, slumming the stage[electronic resource] :class, poverty, ethnicity, and sexuality in American theatre, 1890-1916 /
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Theatre and ghosts[electronic resource] :materiality, performance and modernity /
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Hollyweird science[electronic resource] :from quantum quirks to the multiverse /
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Language, music, and computing[electronic resource] :first International Workshop, LMAC 2015, St. Petersburg, Russia, April 20-22, 2015 : revised selected papers /
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Intersecting cultures in music and dance education[electronic resource] :an oceanic perspective /
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Lasting screen stars[electronic resource] :images that fade and personas that endure /
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Beyond immersive theatre[electronic resource] :aesthetics, politics and productive participation /
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Adapting War horse[electronic resource] :cognition, the spectator, and a sense of play /
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The education of a circus clown[electronic resource] :mentors, audiences, mistakes /
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Anti-war theatre after Brecht[electronic resource] :dialectical aesthetics in the twenty-first century /
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Post-conflict performance, film and visual arts[electronic resource] :cities of memory /
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Performing neurology[electronic resource] :the dramaturgy of Dr Jean-Martin Charcot /
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Discourse and disjuncture between the arts and higher education[electronic resource] /
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Ethno identity dance for sex, fun and profit[electronic resource] :staging popular dances around the world /
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Women, collective creation, and devised performance[electronic resource] :the rise of women theatre artists in the twentieth and twenty-first centuries /
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History as theatrical metaphor[electronic resource] :history, myth and national identities in modern Scottish drama /
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Embodied philosophy in dance[electronic resource] :Gaga and Ohad Naharin's movement research /
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Migrating modernist performance[electronic resource] :British theatrical travels through Russia /
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The Britannia Panopticon Music Hall and cosmopolitan entertainment culture[electronic resource] /
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The theatre of death - the uncanny in mimesis[electronic resource] :Tadeusz Kantor, Aby Warburg, and an iconology of the actor /
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Intermedial praxis and practice as research[electronic resource] :'doing-thinking' in practice /
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The theatre of Romeo Castellucci and Societas Raffaello Sanzio[electronic resource] :from icon to iconoclasm, from word to image, from symbol to allegory /
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