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The visual divide between Islam and ...
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Akil, Hatem N.
The visual divide between Islam and the West[electronic resource] :image perception within cross-cultural contexts /
纪录类型:
书目-语言数据,印刷品 : Monograph/item
[NT 15000414] null:
297.27
[NT 47271] Title/Author:
The visual divide between Islam and the West : image perception within cross-cultural contexts // by Hatem N. Akil.
作者:
Akil, Hatem N.
出版者:
New York : : Palgrave Macmillan US :, 2016.
面页册数:
xviii, 232 p. : : ill. (some col.), digital ;; 22 cm.
Contained By:
Springer eBooks
标题:
Muslims - Attitudes.
标题:
Muslims in popular culture.
标题:
Muslims - Press coverage.
标题:
Visual communication.
标题:
Cultural and Media Studies.
标题:
Media and Communication.
标题:
Middle Eastern Culture.
标题:
American Culture.
标题:
Communication Studies.
标题:
Cultural Heritage.
ISBN:
9781137565822
ISBN:
9781137569646
[NT 15000229] null:
This book considers the ways in which Muslims view the way they are being viewed, not viewed, or incorrectly viewed, by the West. The book underscores a certain "will-to-visibility" whereby Muslims/ Arabs wish just to be "seen" and to be marked as fellow human beings. The author relates the failure to achieve this visibility to a state of desperation that inextricably and symmetrically ties visibility to violence. When Syrian and Palestinian refugees recently started refusing to be photographed, they clearly ushered the eventual but inevitable collapse of the image and its final futility. The photograph has been completely emptied of its last remaining possibility of signification. The book attempts to engage with questions about the ways in which images are perceived within cross cultural contexts. Why and how do people from different cultural backgrounds view the same image in opposing ways; why do cartoon, photographs, and videos become both the cause and target of bloody political violence - as witnessed recently by the deadly attacks against Charlie Hebdo in France and in the swift military response by the US, Jordan, France, and others to videotaped violence by ISIS.
电子资源:
http://dx.doi.org/10.1057/978-1-137-56582-2
The visual divide between Islam and the West[electronic resource] :image perception within cross-cultural contexts /
Akil, Hatem N.
The visual divide between Islam and the West
image perception within cross-cultural contexts /[electronic resource] :by Hatem N. Akil. - New York :Palgrave Macmillan US :2016. - xviii, 232 p. :ill. (some col.), digital ;22 cm.
This book considers the ways in which Muslims view the way they are being viewed, not viewed, or incorrectly viewed, by the West. The book underscores a certain "will-to-visibility" whereby Muslims/ Arabs wish just to be "seen" and to be marked as fellow human beings. The author relates the failure to achieve this visibility to a state of desperation that inextricably and symmetrically ties visibility to violence. When Syrian and Palestinian refugees recently started refusing to be photographed, they clearly ushered the eventual but inevitable collapse of the image and its final futility. The photograph has been completely emptied of its last remaining possibility of signification. The book attempts to engage with questions about the ways in which images are perceived within cross cultural contexts. Why and how do people from different cultural backgrounds view the same image in opposing ways; why do cartoon, photographs, and videos become both the cause and target of bloody political violence - as witnessed recently by the deadly attacks against Charlie Hebdo in France and in the swift military response by the US, Jordan, France, and others to videotaped violence by ISIS.
ISBN: 9781137565822
Standard No.: 10.1057/978-1-137-56582-2doiSubjects--Topical Terms:
688245
Muslims
--Attitudes.
LC Class. No.: BP173.25 / .A35 2016
Dewey Class. No.: 297.27
The visual divide between Islam and the West[electronic resource] :image perception within cross-cultural contexts /
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This book considers the ways in which Muslims view the way they are being viewed, not viewed, or incorrectly viewed, by the West. The book underscores a certain "will-to-visibility" whereby Muslims/ Arabs wish just to be "seen" and to be marked as fellow human beings. The author relates the failure to achieve this visibility to a state of desperation that inextricably and symmetrically ties visibility to violence. When Syrian and Palestinian refugees recently started refusing to be photographed, they clearly ushered the eventual but inevitable collapse of the image and its final futility. The photograph has been completely emptied of its last remaining possibility of signification. The book attempts to engage with questions about the ways in which images are perceived within cross cultural contexts. Why and how do people from different cultural backgrounds view the same image in opposing ways; why do cartoon, photographs, and videos become both the cause and target of bloody political violence - as witnessed recently by the deadly attacks against Charlie Hebdo in France and in the swift military response by the US, Jordan, France, and others to videotaped violence by ISIS.
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