大葉大學圖書館 |

Empathy as dialogue in theatre and performance[electronic resource] /

紀錄類型:	書目-電子資源 : Monograph/item
杜威分類號:	792.019
書名/作者:	Empathy as dialogue in theatre and performance/ by Lindsay B. Cummings.
作者:	Cummings, Lindsay B.
出版者:	London : : Palgrave Macmillan UK :, 2016.
面頁冊數:	vii, 220 p. : : digital ;; 22 cm.
Contained By:	Springer eBooks
標題:	Performing arts - Psychological aspects.
標題:	Emotions - Psychological aspects.
標題:	Cultural and Media Studies.
標題:	Performing Arts.
標題:	Emotion.
ISBN:	9781137593269
ISBN:	9781137593252
內容註:	Introduction -- Acknowledgements -- Chapter 1. Interruptions -- Chapter 2. Repetitions -- Chapter 3. Rehearsals -- Chapter 4. Empathic Economies -- Conclusion -- Bibliography.
摘要、提要註:	Empathy has provoked equal measures of excitement and controversy in recent years. For some, empathy is crucial to understanding others, helping us bridge social and cultural differences. For others, empathy is nothing but a misguided assumption of access to the minds of others. In this book, Cummings argues that empathy comes in many forms, some helpful to understanding others and some detrimental. Tracing empathy's genealogy through aesthetic theory, philosophy, psychology, and performance theory, Cummings illustrates how theatre artists and scholars have often overlooked the dynamic potential of empathy by focusing on its more "monologic" forms, in which spectators either project their point of view onto characters or passively identify with them. This book therefore explores how empathy is most effective when it functions as a dialogue, along with how theatre and performance can utilise the live, emergent exchange between bodies in space to encourage more dynamic, dialogic encounters between performers and audience.
電子資源:	http://dx.doi.org/10.1057/978-1-137-59326-9

Empathy as dialogue in theatre and performance[electronic resource] /
Cummings, Lindsay B.

Empathy as dialogue in theatre and performance[electronic resource] /by Lindsay B. Cummings. - London :Palgrave Macmillan UK :2016. - vii, 220 p. :digital ;22 cm.

Introduction -- Acknowledgements -- Chapter 1. Interruptions -- Chapter 2. Repetitions -- Chapter 3. Rehearsals -- Chapter 4. Empathic Economies -- Conclusion -- Bibliography.

Empathy has provoked equal measures of excitement and controversy in recent years. For some, empathy is crucial to understanding others, helping us bridge social and cultural differences. For others, empathy is nothing but a misguided assumption of access to the minds of others. In this book, Cummings argues that empathy comes in many forms, some helpful to understanding others and some detrimental. Tracing empathy's genealogy through aesthetic theory, philosophy, psychology, and performance theory, Cummings illustrates how theatre artists and scholars have often overlooked the dynamic potential of empathy by focusing on its more "monologic" forms, in which spectators either project their point of view onto characters or passively identify with them. This book therefore explores how empathy is most effective when it functions as a dialogue, along with how theatre and performance can utilise the live, emergent exchange between bodies in space to encourage more dynamic, dialogic encounters between performers and audience.

ISBN: 9781137593269

Standard No.: 10.1057/978-1-137-59326-9doiSubjects--Topical Terms:

371027
Performing arts
--Psychological aspects.

LC Class. No.: PN1590.P76 / C86 2016

Dewey Class. No.: 792.019

Empathy as dialogue in theatre and performance[electronic resource] /
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