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The face of queenship[electronic resource] :early modern representations of Elizabeth I /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	942.05/5092
書名/作者:	The face of queenship : early modern representations of Elizabeth I // Anna Riehl.
作者:	Riehl, Anna,
出版者:	New York : : Palgrave Macmillan,, 2010.
面頁冊數:	xv, 248 p. : : ill.
標題:	Facial expression - Social aspects.
標題:	Facial expression - Political aspects.
標題:	Monarchy - Public opinion. - Great Britain
標題:	Queens - Public opinion. - Great Britain
標題:	Great Britain - Fiction.
ISBN:	9780230106741
ISBN:	0230106749
書目註:	Includes bibliographical references (p. [209]-238) and index.
內容註:	Plain Queen, Gorgeous King: Tudor Royal Faces -- "Let nature paint your beauty's glory": Beauty and Cosmetics -- Meeting the Queen: Documentary Accounts -- "Mirrors more than one": Elizabeth's Literary Faces --Portraiture: The Painted Texts of Elizabeth's Faces.
摘要、提要註:	The Face of Queenship investigates the aesthetic, political, and gender-related meanings in representations of Elizabeth I by her contemporaries. By attending to eyewitness reports, poetry, portraiture, and discourses on beauty and cosmetics, this book shows how the portrayals of the queen's face register her contemporaries' hopes, fears, hatreds, mockeries, rivalries, and awe. In its application of theories of the meaning of the face and its exploration of the early modern representationand interpretation of faces, this study argues that the face was seen as a rhetorical tool and thatElizabeth was a master of using her face to persuade, threaten, or comfort her subjects.
電子資源:	access to fulltext (Palgrave)

The face of queenship[electronic resource] :early modern representations of Elizabeth I /
Riehl, Anna,1970-

The face of queenshipearly modern representations of Elizabeth I /[electronic resource] :Anna Riehl. - 1st ed. - New York :Palgrave Macmillan,2010. - xv, 248 p. :ill. - Queenship and power. - Queenship and power..

Includes bibliographical references (p. [209]-238) and index.

Plain Queen, Gorgeous King: Tudor Royal Faces -- "Let nature paint your beauty's glory": Beauty and Cosmetics -- Meeting the Queen: Documentary Accounts -- "Mirrors more than one": Elizabeth's Literary Faces --Portraiture: The Painted Texts of Elizabeth's Faces.

The Face of Queenship investigates the aesthetic, political, and gender-related meanings in representations of Elizabeth I by her contemporaries. By attending to eyewitness reports, poetry, portraiture, and discourses on beauty and cosmetics, this book shows how the portrayals of the queen's face register her contemporaries' hopes, fears, hatreds, mockeries, rivalries, and awe. In its application of theories of the meaning of the face and its exploration of the early modern representationand interpretation of faces, this study argues that the face was seen as a rhetorical tool and thatElizabeth was a master of using her face to persuade, threaten, or comfort her subjects.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2010.

Mode of access:World Wide Web.

ISBN: 9780230106741Subjects--Personal Names:

370644
Elizabeth
I,Queen of England,1533-1603--Adversaries.Subjects--Topical Terms:

375908
Facial expression
--Social aspects.Subjects--Geographical Terms:

337657
Great Britain
--Fiction.Index Terms--Genre/Form:

336502
Electronic books.

LC Class. No.: DA356 / .R54 2010

Dewey Class. No.: 942.05/5092

The face of queenship[electronic resource] :early modern representations of Elizabeth I /
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300 $a xv, 248 p. : $b ill.
490 1 $a Queenship and power
504 $a Includes bibliographical references (p. [209]-238) and index.
505 0 $a Plain Queen, Gorgeous King: Tudor Royal Faces -- "Let nature paint your beauty's glory": Beauty and Cosmetics -- Meeting the Queen: Documentary Accounts -- "Mirrors more than one": Elizabeth's Literary Faces --Portraiture: The Painted Texts of Elizabeth's Faces.
520 $a The Face of Queenship investigates the aesthetic, political, and gender-related meanings in representations of Elizabeth I by her contemporaries. By attending to eyewitness reports, poetry, portraiture, and discourses on beauty and cosmetics, this book shows how the portrayals of the queen's face register her contemporaries' hopes, fears, hatreds, mockeries, rivalries, and awe. In its application of theories of the meaning of the face and its exploration of the early modern representationand interpretation of faces, this study argues that the face was seen as a rhetorical tool and thatElizabeth was a master of using her face to persuade, threaten, or comfort her subjects.
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