大葉大學圖書館 |

Dialogue editing for motion pictures[electronic resource] :a guide to the invisible art /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	791.43
書名/作者:	Dialogue editing for motion pictures : a guide to the invisible art // John Purcell ; forward by Dominick Tavella.
作者:	Purcell, John,
出版者:	Boston : : Focal Press,, c2007.
面頁冊數:	1 online resource (xv, 365 p.) : : ill.
標題:	Motion pictures - Sound effects.
標題:	Sound motion pictures.
ISBN:	9780240809182
ISBN:	0240809181
書目註:	Includes bibliographical references and index.
內容註:	What Is Dialogue Editing; Things You Need to Know about Postproduction; A Quick Look at Picture Editing; The Sound Department; Getting Sound from the Picture Department to the Sound Department; Files, Back-Ups and Burn-Ins; Screening the OMF; Managing Your Time; Getting Started; The Editing Begins; Image, Depth and Perspective; Repairing Damage; Conformations; ADR; Preparing for the Mix.
摘要、提要註:	Dialogue editing is a crucial yet invisible part of filmmaking. Do it right, and no one notices. Do it wrong, and your film or video sounds messy, distracting, and unrealistic. This is a book for people who need to edit production sound for film, TV, or video but were never taught how to do it. It goes step by step through the process and covers all the workflows you are likely to encounter. Efficient working practices are emphasized throughout, so you learn to save time and avoid needless repetition. Many dialogue editors are hobbled by a lack of understanding of the non-sound aspects of filmmaking. Unlike editors who cut effects, backgrounds or Foley, a dialogue editor's work is directly affected by what has gone on before. How a film was shot, recorded and edited will dramatically influence the dialogue editing process. Much of this book, then, deals with things which at first glance don't appear to be dialogue. You will find overviews of film picture and sound postproduction--film, tape, NTSC, PAL, 24p, and HD. There are summaries of film picture editing, OMF manipulation, and ADR management. * A veteran sound editor shows you how to produce a flawless dialogue track * Covers organization and time management so you can work efficiently * Must-have information for sound editors, dialogue editors, and assistant editors.
電子資源:	http://www.sciencedirect.com/science/book/9780240809182

Dialogue editing for motion pictures[electronic resource] :a guide to the invisible art /
Purcell, John,1957-

Dialogue editing for motion picturesa guide to the invisible art /[electronic resource] :John Purcell ; forward by Dominick Tavella. - Boston :Focal Press,c2007. - 1 online resource (xv, 365 p.) :ill.

Includes bibliographical references and index.

What Is Dialogue Editing; Things You Need to Know about Postproduction; A Quick Look at Picture Editing; The Sound Department; Getting Sound from the Picture Department to the Sound Department; Files, Back-Ups and Burn-Ins; Screening the OMF; Managing Your Time; Getting Started; The Editing Begins; Image, Depth and Perspective; Repairing Damage; Conformations; ADR; Preparing for the Mix.

Dialogue editing is a crucial yet invisible part of filmmaking. Do it right, and no one notices. Do it wrong, and your film or video sounds messy, distracting, and unrealistic. This is a book for people who need to edit production sound for film, TV, or video but were never taught how to do it. It goes step by step through the process and covers all the workflows you are likely to encounter. Efficient working practices are emphasized throughout, so you learn to save time and avoid needless repetition. Many dialogue editors are hobbled by a lack of understanding of the non-sound aspects of filmmaking. Unlike editors who cut effects, backgrounds or Foley, a dialogue editor's work is directly affected by what has gone on before. How a film was shot, recorded and edited will dramatically influence the dialogue editing process. Much of this book, then, deals with things which at first glance don't appear to be dialogue. You will find overviews of film picture and sound postproduction--film, tape, NTSC, PAL, 24p, and HD. There are summaries of film picture editing, OMF manipulation, and ADR management. * A veteran sound editor shows you how to produce a flawless dialogue track * Covers organization and time management so you can work efficiently * Must-have information for sound editors, dialogue editors, and assistant editors.

ISBN: 9780240809182

Source: 136656:136790Elsevier Science & Technologyhttp://www.sciencedirect.comSubjects--Topical Terms:

403869
Motion pictures
--Sound effects.Index Terms--Genre/Form:

336502
Electronic books.

LC Class. No.: TR897 / .P7975 2007

Dewey Class. No.: 791.43

Dialogue editing for motion pictures[electronic resource] :a guide to the invisible art /
LDR:02946cam 2200313Ia 4500 001 352846
003 OCoLC
005 20111122085814.0
006 m d
007 cr cn|||||||||
008 120110s2007 maua ob 001 0 eng d
020 $a 9780240809182
020 $a 0240809181
035 $a (OCoLC)499049848
035 $a ocn499049848
037 $a 136656:136790 $b Elsevier Science & Technology $n http://www.sciencedirect.com
040 $a OPELS $b eng $c OPELS $d OCLCQ
049 $a TEFA
050 4 $a TR897 $b .P7975 2007
082 0 4 $a 791.43 $2 22
100 1 $a Purcell, John, $d 1957- $3 443795
245 1 0 $a Dialogue editing for motion pictures $h [electronic resource] : $b a guide to the invisible art / $c John Purcell ; forward by Dominick Tavella.
260 $a Boston : $b Focal Press, $c c2007.
300 $a 1 online resource (xv, 365 p.) : $b ill.
504 $a Includes bibliographical references and index.
505 0 $a What Is Dialogue Editing; Things You Need to Know about Postproduction; A Quick Look at Picture Editing; The Sound Department; Getting Sound from the Picture Department to the Sound Department; Files, Back-Ups and Burn-Ins; Screening the OMF; Managing Your Time; Getting Started; The Editing Begins; Image, Depth and Perspective; Repairing Damage; Conformations; ADR; Preparing for the Mix.
520 $a Dialogue editing is a crucial yet invisible part of filmmaking. Do it right, and no one notices. Do it wrong, and your film or video sounds messy, distracting, and unrealistic. This is a book for people who need to edit production sound for film, TV, or video but were never taught how to do it. It goes step by step through the process and covers all the workflows you are likely to encounter. Efficient working practices are emphasized throughout, so you learn to save time and avoid needless repetition. Many dialogue editors are hobbled by a lack of understanding of the non-sound aspects of filmmaking. Unlike editors who cut effects, backgrounds or Foley, a dialogue editor's work is directly affected by what has gone on before. How a film was shot, recorded and edited will dramatically influence the dialogue editing process. Much of this book, then, deals with things which at first glance don't appear to be dialogue. You will find overviews of film picture and sound postproduction--film, tape, NTSC, PAL, 24p, and HD. There are summaries of film picture editing, OMF manipulation, and ADR management. * A veteran sound editor shows you how to produce a flawless dialogue track * Covers organization and time management so you can work efficiently * Must-have information for sound editors, dialogue editors, and assistant editors.
588 $a Description based on print version record.
650 0 $a Motion pictures $x Sound effects. $3 403869
650 0 $a Sound motion pictures. $3 403868
655 4 $a Electronic books. $2 local $3 336502
776 0 8 $i Print version: $a Purcell, John, 1957- $t Dialogue editing for motion pictures. $d Boston : Focal Press, c2007 $z 9780240809182 $z 0240809181 $w (DLC) 2007010822 $w (OCoLC)243559883
856 4 0 $3 ScienceDirect $u http://www.sciencedirect.com/science/book/9780240809182
994 $a C0 $b TEF