大葉大學圖書館 |

Hegemony and fantasy in Irish drama, 1899-1949[electronic resource] /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	822/.9109
書名/作者:	Hegemony and fantasy in Irish drama, 1899-1949/ Paul Murphy.
作者:	Murphy, Paul,
出版者:	Basingstoke [England] ; : Palgrave Macmillan,, 2008.
面頁冊數:	ix, 266 p. ;; 23 cm.
標題:	English drama - Irish authors
標題:	English drama - History and criticism. - 20th century
標題:	Ideology in literature.
標題:	Nationalism in literature.
標題:	Social classes in literature.
標題:	Fantasy in literature.
標題:	Ireland - Economic conditions - 1949-
ISBN:	9780230583856
ISBN:	0230583857
書目註:	Includes bibliographical references (p. 214-260) and index.
內容註:	PART I: PEASANT QUALITY AND THE NATIONAL QUINTESSENCE -- Dream of the Noble and the Beggarman-- To Live the Things That I Before Imagined -- Whatever Rule We May Have, We b2 sll Always Have Our Tramps and Paupers -- That Ireland Which We Dreamed Of -- PART II: THE WOMAN AND ITS VICISSITUDES -- What Kind of a Living Woman is it That You Are At All? -- That a Black Twisty Divil Could Be Hiding Under Such Comeliness -- Sure if I Was a Good Wife to Him - That Mightn't Be An Easy Job! -- WomanGives to the State.
摘要、提要註:	Now that Irish drama studies has a sound platform in terms of historicization, particularly regarding the relationship between drama, stateformation and national identity, the time is ripe to engage in research which questions that relationship, specifically in terms of the disjunction between nation, class and gender in the Irish cultural context. In this sense Hegemony and Fantasy is a deliberate intervention rather than a general historicization, in terms of an engagement with Irish drama primarily from the perspectives of class and gender, rather than that of nation or national identity, which has formed the superstructure of many debates in Irish drama studies for many years. In parallel withthe aim of shifting the methodological paradigm of Irish drama studies, Hegemony and Fantasy attempts to reaccentuate the focus on the Irish dramatic canon by providing a new engagement with canonical drama, as well as engaging with non-canonical drama especially in the under-researchedperiod 1926-1949.
電子資源:	access to fulltext (Palgrave)

Hegemony and fantasy in Irish drama, 1899-1949[electronic resource] /
Murphy, Paul,1971-

Hegemony and fantasy in Irish drama, 1899-1949[electronic resource] /Paul Murphy. - Basingstoke [England] ;Palgrave Macmillan,2008. - ix, 266 p. ;23 cm.

Includes bibliographical references (p. 214-260) and index.

PART I: PEASANT QUALITY AND THE NATIONAL QUINTESSENCE -- Dream of the Noble and the Beggarman-- To Live the Things That I Before Imagined -- Whatever Rule We May Have, We b2 sll Always Have Our Tramps and Paupers -- That Ireland Which We Dreamed Of -- PART II: THE WOMAN AND ITS VICISSITUDES -- What Kind of a Living Woman is it That You Are At All? -- That a Black Twisty Divil Could Be Hiding Under Such Comeliness -- Sure if I Was a Good Wife to Him - That Mightn't Be An Easy Job! -- WomanGives to the State.

Now that Irish drama studies has a sound platform in terms of historicization, particularly regarding the relationship between drama, stateformation and national identity, the time is ripe to engage in research which questions that relationship, specifically in terms of the disjunction between nation, class and gender in the Irish cultural context. In this sense Hegemony and Fantasy is a deliberate intervention rather than a general historicization, in terms of an engagement with Irish drama primarily from the perspectives of class and gender, rather than that of nation or national identity, which has formed the superstructure of many debates in Irish drama studies for many years. In parallel withthe aim of shifting the methodological paradigm of Irish drama studies, Hegemony and Fantasy attempts to reaccentuate the focus on the Irish dramatic canon by providing a new engagement with canonical drama, as well as engaging with non-canonical drama especially in the under-researchedperiod 1926-1949.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 9780230583856

Standard No.: 10.1057/9780230583856doiSubjects--Topical Terms:

371193
English drama
--Irish authorsSubjects--Geographical Terms:

340682
Ireland
--Economic conditions--1949-Index Terms--Genre/Form:

336502
Electronic books.

LC Class. No.: PR8789 / .M85 2008eb

Dewey Class. No.: 822/.9109

Hegemony and fantasy in Irish drama, 1899-1949[electronic resource] /
LDR:02804nam 2200313Ia 4500 001 329292
003 OCoLC
005 20100709081730.0
006 m d
007 cr cn|
008 110607s2008 enk sb 001 0 eng d
020 $a 9780230583856
020 $a 0230583857
024 7 $a 10.1057/9780230583856 $2 doi
035 $a (OCoLC)314821437
035 $a ocn314821437
040 $a UKPGM $b eng $c UKPGM
043 $a e-ie---
049 $a APTA
050 1 4 $a PR8789 $b .M85 2008eb
082 0 4 $a 822/.9109 $2 22
100 1 $a Murphy, Paul, $d 1971- $3 378304
245 1 0 $a Hegemony and fantasy in Irish drama, 1899-1949 $h [electronic resource] / $c Paul Murphy.
260 $a Basingstoke [England] ; $a New York : $b Palgrave Macmillan, $c 2008.
300 $a ix, 266 p. ; $c 23 cm.
504 $a Includes bibliographical references (p. 214-260) and index.
505 0 $a PART I: PEASANT QUALITY AND THE NATIONAL QUINTESSENCE -- Dream of the Noble and the Beggarman-- To Live the Things That I Before Imagined -- Whatever Rule We May Have, We b2 sll Always Have Our Tramps and Paupers -- That Ireland Which We Dreamed Of -- PART II: THE WOMAN AND ITS VICISSITUDES -- What Kind of a Living Woman is it That You Are At All? -- That a Black Twisty Divil Could Be Hiding Under Such Comeliness -- Sure if I Was a Good Wife to Him - That Mightn't Be An Easy Job! -- WomanGives to the State.
520 $a Now that Irish drama studies has a sound platform in terms of historicization, particularly regarding the relationship between drama, stateformation and national identity, the time is ripe to engage in research which questions that relationship, specifically in terms of the disjunction between nation, class and gender in the Irish cultural context. In this sense Hegemony and Fantasy is a deliberate intervention rather than a general historicization, in terms of an engagement with Irish drama primarily from the perspectives of class and gender, rather than that of nation or national identity, which has formed the superstructure of many debates in Irish drama studies for many years. In parallel withthe aim of shifting the methodological paradigm of Irish drama studies, Hegemony and Fantasy attempts to reaccentuate the focus on the Irish dramatic canon by providing a new engagement with canonical drama, as well as engaging with non-canonical drama especially in the under-researchedperiod 1926-1949.
533 $a Electronic reproduction. $b Basingstoke, England : $c Palgrave Macmillan, $d 2009. $n Mode of access:World Wide Web. $n System requirements: Web browser. $n Title from title screen (viewed on Mar. 3, 2009). $n Access may berestricted to users at subscribing institutions.
650 0 $a English drama $x Irish authors $x History and criticism. $3 371193
650 0 $a English drama $y 20th century $x History and criticism. $3 371102
650 0 $a Ideology in literature. $3 176938
650 0 $a Nationalism in literature. $3 370976
650 0 $a Social classes in literature. $3 370783
650 0 $a Fantasy in literature. $3 378305
651 0 $a Ireland $x Economic conditions $y 1949- $3 340682
655 7 $a Electronic books. $2 local $3 336502
710 2 $a Palgrave Connect (Online service) $3 370384
776 1 $c Original $z 9780230536838 $z 0230536832 $w (DLC) 2008021211 $w (OCoLC)182737260
856 4 0 $3 Palgrave Connect $u http://www.palgraveconnect.com/doifinder/10.1057/9780230583856 $z access to fulltext (Palgrave)