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The queer film festival[electronic r...

Richards, Stuart James.

The queer film festival[electronic resource] :popcorn and politics /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	791.4365266
書名/作者:	The queer film festival : popcorn and politics // by Stuart James Richards.
作者:	Richards, Stuart James.
出版者:	New York : : Palgrave Macmillan US :, 2016.
面頁冊數:	xiii, 256 p. : : ill., digital ;; 24 cm.
Contained By:	Springer eBooks
標題:	Gay and lesbian film festivals.
標題:	Homosexuality and motion pictures.
標題:	Sexual minorities in motion pictures.
標題:	Sex role in motion pictures.
標題:	Cultural industries.
標題:	Cultural and Media Studies.
標題:	Film History.
標題:	Cultural History.
標題:	Gender Studies.
標題:	Film Theory.
ISBN:	9781137584380
ISBN:	9781137590343
摘要、提要註:	This book examines the queer film festival and opens the discussion on social enterprises and sustainable lesbian, gay, bisexual, transgender and intersex (LGBTI) organisations. With over 220 events worldwide and some of the bigger budgets exceeding $1 million, the queer film festival has grown to become a staple event in all cosmopolitan cities' arts calendars. While activism was instrumental in establishing these festivals, the pink dollar has been a deciding factor in its financial sustainability. Pretty gay boys with chiselled abs are a staple feature, rather than underground experimental faire. Community arts events, such as these, are now a creative industry. While clearly having a social purpose, they must also concern themselves with the bottom line. For all the contradictory elements of its organisational growth, this conflict makes the queer film festival an integral site for analysis. This book takes a multidisciplinary approach in examining the queer film festival as a representative snapshot of the current state of queer cinema and community based film festivals. The book looks at queer film festivals in San Francisco, Hong Kong and Melbourne to argue for the importance of these institutions remaining as community events.
電子資源:	http://dx.doi.org/10.1057/978-1-137-58438-0

The queer film festival[electronic resource] :popcorn and politics /
Richards, Stuart James.

The queer film festivalpopcorn and politics /[electronic resource] :by Stuart James Richards. - New York :Palgrave Macmillan US :2016. - xiii, 256 p. :ill., digital ;24 cm. - Framing film festivals. - Framing film festivals..

This book examines the queer film festival and opens the discussion on social enterprises and sustainable lesbian, gay, bisexual, transgender and intersex (LGBTI) organisations. With over 220 events worldwide and some of the bigger budgets exceeding $1 million, the queer film festival has grown to become a staple event in all cosmopolitan cities' arts calendars. While activism was instrumental in establishing these festivals, the pink dollar has been a deciding factor in its financial sustainability. Pretty gay boys with chiselled abs are a staple feature, rather than underground experimental faire. Community arts events, such as these, are now a creative industry. While clearly having a social purpose, they must also concern themselves with the bottom line. For all the contradictory elements of its organisational growth, this conflict makes the queer film festival an integral site for analysis. This book takes a multidisciplinary approach in examining the queer film festival as a representative snapshot of the current state of queer cinema and community based film festivals. The book looks at queer film festivals in San Francisco, Hong Kong and Melbourne to argue for the importance of these institutions remaining as community events.

ISBN: 9781137584380

Standard No.: 10.1057/978-1-137-58438-0doiSubjects--Topical Terms:

688785
Gay and lesbian film festivals.

LC Class. No.: PN1993.44.G39 / R53 2016

Dewey Class. No.: 791.4365266

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520 $a This book examines the queer film festival and opens the discussion on social enterprises and sustainable lesbian, gay, bisexual, transgender and intersex (LGBTI) organisations. With over 220 events worldwide and some of the bigger budgets exceeding $1 million, the queer film festival has grown to become a staple event in all cosmopolitan cities' arts calendars. While activism was instrumental in establishing these festivals, the pink dollar has been a deciding factor in its financial sustainability. Pretty gay boys with chiselled abs are a staple feature, rather than underground experimental faire. Community arts events, such as these, are now a creative industry. While clearly having a social purpose, they must also concern themselves with the bottom line. For all the contradictory elements of its organisational growth, this conflict makes the queer film festival an integral site for analysis. This book takes a multidisciplinary approach in examining the queer film festival as a representative snapshot of the current state of queer cinema and community based film festivals. The book looks at queer film festivals in San Francisco, Hong Kong and Melbourne to argue for the importance of these institutions remaining as community events.
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