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Gender meets genre in postwar cinema...
Gledhill, Christine.

 

  • Gender meets genre in postwar cinemas[electronic resource] /
  • 紀錄類型: 書目-語言資料,印刷品 : Monograph/item
    杜威分類號: 791.43/6522
    書名/作者: Gender meets genre in postwar cinemas/ edited by Christine Gledhill.
    其他作者: Gledhill, Christine.
    出版者: Urbana : : University of Illinois Press,, c2012.
    面頁冊數: 1 online resource (274 p.) : : ill.
    標題: Men in motion pictures.
    標題: Women in motion pictures.
    標題: Film genres.
    標題: Feminism and motion pictures.
    標題: Motion pictures and women.
    標題: Sex role in motion pictures.
    ISBN: 9780252093661 (electronic bk.)
    ISBN: 9780252036613 (hbk.)
    ISBN: 9780252078316 (pbk.)
    書目註: Includes bibliographical references and index.
    內容註: Introduction / Christine Gledhill -- Refiguring genre and gender. The genius of genre and ingenuity of women / Jane Gaines -- No fixed address: the women's picture from outrage to blue steel / Pam Cook -- Circulating emotion: race, gender, and genre in Crash / E. Deidre Pribram --100% pure adrenaline: gender and generic surface in Point break / LukeCollins -- Postfeminism and generic re-inventions. Troubling genre/reconstructing gender / E. Ann Kaplan -- Bodies and genres in transition: girlfight and real women have curves / Yvonne Tasker -- Private femininity, public femininity: tactical aesthetics in the costume film / Samiha Matin -- Generic gleaning: Agnes Varda, documentary, and the art of salvage / Lucy Fischer -- Gender aesthetics in "male" genres. It's a Mann's world? / AdamSegal -- Up close and personal: faces and names in Casualties of war / Deborah Thomas -- Gender hyperbole and the uncanny inthe horror film: The shining / Katie Model -- Genre and gender transnational. Emotion, subjectivity, and the limits of desire: melodrama and modernity in Bombay cinema, 1940s-50s / Ira Bhaskar -- Woman, generic aesthetics, and the vernacular: Huangmei opera films from China to Hong Kong / Xiangyang Chen -- Homoeroticism contained: gender and sexual translation in John Woo's Migration to Hollywood / Vicente Rodriguez Ortega -- Generic "trans-ings": between genres, genders, and sexualities. Trash comes home: gender/genre subversion in the films of John Waters / Derek Kane-Meddock -- Femme fatale or lesbian femme: bound in sexual differance / Chris Straayer -- "The gay cowboy movie": queer masculinity on Brokeback Mountain / Steven Cohan.
    電子資源: Full text available:
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