大葉大學圖書館 |

Sexual difference in European cinema[electronic resource] :the curse of enjoyment /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	809/.933538
書名/作者:	Sexual difference in European cinema : the curse of enjoyment // Fabio Vighi.
作者:	Vighi, Fabio,
出版者:	Basingstoke [England] ; : Palgrave Macmillan,, 2009.
面頁冊數:	1 online resource (v, 258 p.)
附註:	Description based on print version record.
標題:	Sex role in motion pictures.
標題:	Motion pictures - Europe.
ISBN:	9780230594357 (electronic bk.)
ISBN:	0230594352 (electronic bk.)
書目註:	Includes bibliographical references (p. 242-253) and index.
內容註:	Introduction -- PART I: THE COMFORT OF FANTASIES -- Sublime Objects:The Antinomies of Masculine Sexuality from Fellini to Truffaut -- Ethics of Drive: On Beauty and its Enjoyment from Rohmer toPasolini -- Unbearable Freedoms: The Real of Sexual Difference from Rossellini to Fassbinder -- PART II: VARIATIONS ON FEMININE ENJOYMENT -- In the Beginningwas Enjoyment: The Emergence of Feminine Desire in Bergman and Antonioni -- About Nothing, with Precision: Femininity Unbound from Ophuls to Antonioni -- In Film Beyond Film: On the Ontological Primacy of Woman -- Conclusion -- Bibliography -- Index.
摘要、提要註:	What can European cinema tell us about sexual difference? Can film shed some light on Lacan'sinfamous thesis that 'there is no such a thing as a sexual relationship'? Fabio Vighi argues that cinema is the ideal medium to unravel not only Lacan's theory of sexuality, but also its social and political implications. This book brings together cinematic fiction and psychoanalysis to identify the repressed kernel that structures our experience as subjects immersed in a specific socio-symbolic context. The filmic representation of sexual difference provides here the key paradigm to unravel the discrepancy and inter-connections betweenreality and the Real of enjoyment. Vighi examines a number of seminal works in post-war European cinema from two main perspectives: the masculine logic of courtly love, and feminine enjoyment. Inspired by Slavojiek's reading of Lacan, the & nbsp;book analyses directors such as Fellini, Truffaut, Antonioni, Bergman, Ophuls, Rossellini, Bñuuel, Rohmer, Fassbinder and many others.
電子資源:	access to fulltext (Palgrave)

Sexual difference in European cinema[electronic resource] :the curse of enjoyment /
Vighi, Fabio,1969-

Sexual difference in European cinemathe curse of enjoyment /[electronic resource] :Fabio Vighi. - Basingstoke [England] ;Palgrave Macmillan,2009. - 1 online resource (v, 258 p.)

Description based on print version record.

Includes bibliographical references (p. 242-253) and index.

Introduction -- PART I: THE COMFORT OF FANTASIES -- Sublime Objects:The Antinomies of Masculine Sexuality from Fellini to Truffaut -- Ethics of Drive: On Beauty and its Enjoyment from Rohmer toPasolini -- Unbearable Freedoms: The Real of Sexual Difference from Rossellini to Fassbinder -- PART II: VARIATIONS ON FEMININE ENJOYMENT -- In the Beginningwas Enjoyment: The Emergence of Feminine Desire in Bergman and Antonioni -- About Nothing, with Precision: Femininity Unbound from Ophuls to Antonioni -- In Film Beyond Film: On the Ontological Primacy of Woman -- Conclusion -- Bibliography -- Index.

What can European cinema tell us about sexual difference? Can film shed some light on Lacan'sinfamous thesis that 'there is no such a thing as a sexual relationship'? Fabio Vighi argues that cinema is the ideal medium to unravel not only Lacan's theory of sexuality, but also its social and political implications. This book brings together cinematic fiction and psychoanalysis to identify the repressed kernel that structures our experience as subjects immersed in a specific socio-symbolic context. The filmic representation of sexual difference provides here the key paradigm to unravel the discrepancy and inter-connections betweenreality and the Real of enjoyment. Vighi examines a number of seminal works in post-war European cinema from two main perspectives: the masculine logic of courtly love, and feminine enjoyment. Inspired by Slavojiek's reading of Lacan, the & nbsp;book analyses directors such as Fellini, Truffaut, Antonioni, Bergman, Ophuls, Rossellini, Bñuuel, Rohmer, Fassbinder and many others.

ISBN: 9780230594357 (electronic bk.)Subjects--Topical Terms:

370586
Sex role in motion pictures.
Index Terms--Genre/Form:

336502
Electronic books.

LC Class. No.: PN1995.9.S47 / V54 2009eb

Dewey Class. No.: 809/.933538

Sexual difference in European cinema[electronic resource] :the curse of enjoyment /
LDR:02847cam 2200301Ia 4500 001 329755
003 OCoLC
005 20100709081837.0
006 m d
007 cr cnu---unuuu
008 110607s2009 enk sb 001 0 eng d
020 $a 9780230594357 (electronic bk.)
020 $a 0230594352 (electronic bk.)
035 $a (OCoLC)319175668
035 $a ocn319175668
040 $a UKPGM $b eng $c UKPGM $d N$T $d YDXCP $d OCLCQ $d EBLCP
043 $a e------
049 $a APTA
050 4 $a PN1995.9.S47 $b V54 2009eb
082 0 4 $a 809/.933538 $2 22
100 1 $a Vighi, Fabio, $d 1969- $3 372225
245 1 0 $a Sexual difference in European cinema $h [electronic resource] : $b the curse of enjoyment / $c Fabio Vighi.
260 $a Basingstoke [England] ; $a New York : $b Palgrave Macmillan, $c 2009.
300 $a 1 online resource (v, 258 p.)
500 $a Description based on print version record.
504 $a Includes bibliographical references (p. 242-253) and index.
505 0 $a Introduction -- PART I: THE COMFORT OF FANTASIES -- Sublime Objects:The Antinomies of Masculine Sexuality from Fellini to Truffaut -- Ethics of Drive: On Beauty and its Enjoyment from Rohmer toPasolini -- Unbearable Freedoms: The Real of Sexual Difference from Rossellini to Fassbinder -- PART II: VARIATIONS ON FEMININE ENJOYMENT -- In the Beginningwas Enjoyment: The Emergence of Feminine Desire in Bergman and Antonioni -- About Nothing, with Precision: Femininity Unbound from Ophuls to Antonioni -- In Film Beyond Film: On the Ontological Primacy of Woman -- Conclusion -- Bibliography -- Index.
520 $a What can European cinema tell us about sexual difference? Can film shed some light on Lacan'sinfamous thesis that 'there is no such a thing as a sexual relationship'? Fabio Vighi argues that cinema is the ideal medium to unravel not only Lacan's theory of sexuality, but also its social and political implications. This book brings together cinematic fiction and psychoanalysis to identify the repressed kernel that structures our experience as subjects immersed in a specific socio-symbolic context. The filmic representation of sexual difference provides here the key paradigm to unravel the discrepancy and inter-connections betweenreality and the Real of enjoyment. Vighi examines a number of seminal works in post-war European cinema from two main perspectives: the masculine logic of courtly love, and feminine enjoyment. Inspired by Slavojiek's reading of Lacan, the & nbsp;book analyses directors such as Fellini, Truffaut, Antonioni, Bergman, Ophuls, Rossellini, Bñuuel, Rohmer, Fassbinder and many others.
650 0 $a Sex role in motion pictures. $3 370586
650 0 $a Motion pictures $z Europe. $3 379962
655 7 $a Electronic books. $2 local $3 336502
776 0 8 $i Print version: $a Vighi, Fabio, 1969- $t Sexual difference in European cinema. $d Basingstoke [England] ; New York : Palgrave Macmillan, 2009 $z 9780230549258 $w (DLC) 2008041054 $w (OCoLC)244414912
856 4 0 $3 Palgrave Connect $u http://www.palgraveconnect.com/doifinder/10.1057/9780230594357 $z access to fulltext (Palgrave)